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Transcritique: On Kant and Marx

Transcritique: On Kant and MarxTranscritique: On Kant and Marx by Kojin Karatani
My rating: 5 of 5 stars

Kojin Karatani argues for the formal equivalence of Kant and Marx as for Karatani, both thinkers critique their fields of study (Kant in philosophy and Marx in economics) by positioning themselves in the interstices. For both, all knowledge is a constructive difference, a synthesis of different transcendental fields. For Kant, we have empiricism and metaphysics suspending the transcendental apperception. For Marx, money weaves a field from which surplus value can perpetuate capitalism through the extension of merchant capital. This reading relies on the understanding that different spheres of money, different cultural, geological, economic and semiotic values allow merchant capital to attain surplus value through what is basically arbitration. Karatani then expands on Marx, applying him in various ways up to the current consumerist state. This reading by itself isn’t enough — Karatani emphasizes that such disparate spheres are created through the metaphoric union of the capitalist-nation-state. Much of Karatani’s chapters on Marx are devoted to arguing for this articulation while correcting much simpler readings of Marx as perpetuated by Engels. Of course, Marx and Kant are both difficult thinkers to read. Kant is notoriously erudite, and Marx is notoriously long winded. Yet Karatani manages them both, along with various supporting thinkers and their various positions, to illuminate Marx and Kant while maintaining a slender volume just over 300 pages in text.

I highly recommend this book. This is my second time reading it. The first time, I was a little lost, better read on Kant but not very well read on Marx. This time around, about ten years later, I ate this book up. Karatani proves to be a close reader while being a precise reader, a difficult task. He brings up details when details are needed and illustrates broad topics when overviews are to be given. If I were to characterize his approach of transcritique, it is less about utopia (both Kant and Marx are prone to be understood as utopic thinkers) and more about understanding the context by which the logic of their fields of study are arranged. Marx did so in his volume 3 of capital, understanding the state’s irrational role in supporting and promoting capital in relation to other states. This is much like how Kant, according to Karatani, in his 3rd critique moved forward to speak of a “plural subjectivity” often thought of as his thoughts on aesthetics.

It’s strange that Marx and Kant can be read against one another with such similar structures.

In a way, I wish for Karatani to have included at least a conclusion, to tie both of these guys together, as he did so in the beginning. What have we to gain from this methodology of transcritique? It’s true that his last chapter on Marx moves forward to provide alternatives and reasons as to why capitalism should not be allowed to persist, and why it will inevitably fail. Still, he leaves this methodological approach behind, and the first third of his book (on Kant) without mention in the conclusion. His big take on bracketing as being necessary for knowledge leaves me wondering — what does this method of transcritique bracket, and where are Karatani’s antinomies? What assumptions does he see himself making? Technology for Karatani is in pure service of capitalism’s ability to create organic unity in production and capital as well as the creation of new temporary values in the form of lifestyles. He brackets the possibility for technology to create relations outside of the 4 social relations as he espoused by Marx.

In a way though, this book could stand a third section, one on information, knowledge and money together. This section would combine these two points and statistic a new domain of examination, namely that of the internet… with bitcoin and the like. Coming out in 2003, it’s surprising that only 10 years later, transcritique could stand to be updated in this way. Technology has surly surpassed our ability to grasp what we are doing as it extends much more quickly how we can do it.

Still, a great book. It’s amazing how little Marxists, even staunch communists, have read of Marx. They get too caught up trying to solve the problems of capital that they don’t seem to appreciate or understand what capital is, and how it allows for much more than just problems. If you’re on the fence about this book I would recommend reading it. Nearly every page has something worth taking away from, and that means you probably have to reserve two hours to read 50 pages. The time is well spent.

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An Enquiry Concerning Human Understanding

An Enquiry Concerning Human UnderstandingAn Enquiry Concerning Human Understanding by David Hume
My rating: 5 of 5 stars

The style might be dated, but this amazing work did more than wake Kant up from his “dogmatic slumber”. While its true that Kant’s Critiques set off modern philosophy by providing an inflectional structure for us to better consider the nature of phenomenon, it’s also arguable that Kant’s critiques did not in fact adequately address Hume.

This thick, and well thought book of Hume can be summed in one statement: “If it needs explicit statement then it is not natural” While our conception of natural-ness today has been modified — meaning more (and less) than what Hume would have meant, Hume’s genius lies in grasping that what is common sense, or given as the way of things, is often a way of justifying what is. This is to say that the supposed nature of things is often a little more than a ruse, a stablizing point for social relations… that all things moral, ethical, valuable reflect our human need to determine difference of social standing between one another. It follows then that even our highest conceptions which are to provide elucidation and stability in our norms and practices are in fact methods of convention dictated by mistaking cause for effect.

This is to say that often our reasoning works backwards, to justify what we want to be, rather than working from a position of generality and finding what principles operate on the broadest terms. In contemporaneous terms, Meillasoux would all this Ptolemy’s Revenge as Kant’s “Copernican Revolution” works not to debunk a human centered universe but works explicitly to guarantee that the universe require human consciousness be at the seat of all understanding.

For this reason, many thinkers today (Deleuze seemingly the first) return to Hume as a way to balance out the “waking dogma” of Kant and his successors.

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The Visible and the Invisible

The Visible and the InvisibleThe Visible and the Invisible by Maurice Merleau-Ponty
My rating: 3 of 5 stars

Too much negative dialectics, although, his goal seems to be to put us back into the flesh… not just as an embodiment of a singularity at the level of the subjective but at the level of flesh. He goes out of the way to try to die our sensory experience with our ability to create and formulate ideas; something echoed earlier in Hume. But nonetheless, a nearly impossible task. The few pages he leads to trying to tie the immense chiasm between sight and texture itself seems impossible. Given the different platforms for sense data, it does seem miraculous that we are able to synthesize a coherent experience from these two threads. Compound the difficulty of the subject with the unfinished nature of the manuscript, this makes it even harder to read. I suppose I will return to this after reading more phenomenology. This is perhaps understandable, since the back of the book states that this is a boom to read if only for the insight into the working mind of a philosopher. Not a strong recommendation for coherence.

Not having read Maurice Merleau-Ponty before, I wonder (but strongly doubt) that in his polished works, he writes with such a stream of thought, with at times, such an ill defined context. In some ways though, this text (in the 60s) is a late expression of a bygone era, since structuralism was nearing its heyday, existentialism had long past relevance, and the early post-modern era was in full swing (but not yet named, with post-structuralism on the horizon). In a way, Merleau-Ponty can be thought of as a kind of throwback then, to Husserl, the true heir to Kant, in the sense that we can be subjects embodied as we accept the transcendental field as absolute… something that was sure to get shaken up soon enough, although Merleau-Ponty didn’t get to see that happen.

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Welcome to the Desert of the Real: Five Essays on September 11 and Related Dates

Welcome to the Desert of the Real: Five Essays on September 11 and Related DatesWelcome to the Desert of the Real: Five Essays on September 11 and Related Dates by Slavoj Žižek
My rating: 4 of 5 stars

Of course, here is Zizek again. Second time reading this book. This is a light book for him, as the chapters are short and the theory isn’t thick. Nonetheless, as always, with his dialectical switching, Zizek is interesting and insightful. One of the primary problems with those equating philosophy with truth is that it needs to be true all the way through.

Yes, okay so much of what Zizek says is sometimes conjecture. But the point is taken, and if it’s not then it doesn’t stick and it’s not useful.

What Zizek is doing here is presented 9/11 as an event in which we have a choice about the kind of world we want to live in. Nonetheless, 9/11 allowed for a further refinement in division as separate entities, like the American government, went ahead to define the field for itself (we are the victims), rather than melding the field. That conservative move to hole up created a differential in logic which of course, creates the antagonisms that we face today. This is perhaps the underlying motif that Zizek wishes to highlight through the figure of homo sacer, that much of our laws and understandings of class are determined through the difference of who is left out and how that leaving out is expressed beyond whatever political justifications may be given.

All in all entertaining to read, but simple in his point. The complexity involved is how he builds his simple point through the mediation of abstract universal figures. After all, only through mediated complexity can one arrive at a more abstract point of reference. Without that mediation, a given simple object is only itself, without extension.

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On the New

On the NewOn the New by Boris Groys
My rating: 4 of 5 stars

Groys is a formalist. He recasts the dialectic of subject and object in terms of valorized-profane in order to talk about the production of culture. Through the figure of art (and then conceptual theory), Groys notes the production of new as necessary to stablize the meta-position of culture. He makes these positions independent of specific content and that makes him not only a formalist but also an idealist.

One of the issues with this, is that this ideation remain ungrounded in material practices, that valorization and the profane are “indistinguishable”. Perhaps this makes him a lazy philosopher, but it’s unwelcome since the very ability for one to distinguish the two is the entire point of valorization. A stronger critique of this thought would be to say that all that we can recognize is already included in culture, and that what isn’t in culture is only recognizable through the filter of culture, so it is “not yet itself”, which begs the question of schema.

At first glance I thought he was going to outline a scheme of becoming. Umberto Eco did so in order to talk about how new information can create new categories for the new, but Groys avoided doing this difficult task. Instead he retreated into the familiar dialectical play of cultural difference to pull the new from the auspices of the void… this puts him strictly within the history of formalization as outlined in Foucault’s The Order of Things, wherein the question today becomes how can one pull content from form alone? The appeal to the void (or the Other of thought) or the attempt to think the unthinkable isn’t a new attempt. Groys puts forth a well researched and tightly knit but conservative book. In this sense, he is pretty easy to read, and serves more as a text for a sophomore for an aesthetic reading of familiar forms instead of as an earth shaking opus.

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The Sickness unto Death

The Sickness unto DeathThe Sickness unto Death by Søren Kierkegaard
My rating: 3 of 5 stars

I’d like to give this 3.5 stars, but I guess since that’s not possible, let’s go with 3 stars, since the ending fell flat.

Kierkegaard follows the Hegelian dialectic through the realization of spirit from self. Different from other readings, but not incompatible, Kierkegaard notes that it is through God as man as the mediator that self is realized as spirit, that like Hegel, Jesus is the bridge for the insurmountable gap between man and God. What’s particularly compelling about this work is that Kierkegaard defines despair and sin as conditions of separation from God. For Kierkegaard there can be no other understanding than a relation grounded in God since God is all there is, from start to finish. We may question what it means to stand before God and accept God but with this reading, there can only be faith in acceptance since any other posturing is deceptive and a sin — since such deployments would seek to separate us from God.

So in this sense, all separation and struggle is immanent to the self, as the self is the only other position for which there can be any deception or posturing. On the one hand, this seems incredibly boring since it’s a basic dialectic form. But Kierkegaard is able to walk through a Christian conceptualization based on the work by an already very Christian philosopher.

I suppose in a way, he is detailing out his own situation in abstract, outlining for others, what he finds to be vanities of humanity. We would like to be seen a certain way, understood a certain way, and often this even before us in the eyes of God, a posture we would like to hold to be genuine, never realizing that our own wishes for a particular understanding belie our unacknowledged desires for self acknowledgement and self acceptance. In that sense, complete acknowledgement and truthfulness about who we are is only possible in the face of an all knowing, all seeing deity who is witness to even the dark depths of our soul. I suppose this is perhaps, a great function of bringing God into our lives, that we cannot lie to ourselves and must come to realize our own imperfections so that we can be better people.

This last part may not be in Kierkegaards book. I am not Christian though, nor do I seek to be Christian, but Kierkegaard makes no promises about what sickness unto death can lead us to; the absolute defiance of not-believing in God despite the option being there constantly. Instead, he leaves this off, not mentioning what comes after, perhaps because he is not there either, although for him, such despair is an all consuming struggle from which the only reprieve can be to leave it be and move on to better things.

I think if you are struggling in your life and need to find a resolve, this book could work for you in the sense that you may come to some kind peace, knowing your despair is not alone and that it is, in a very universe sense, a mode, a choice that you made for yourself. Although the solution in this book may not be one you find useful, as I did not, you may not want to read it as it kind of doesn’t really speak to you. But you wouldn’t know if it did or not though, unless you read it.

So it’s probably worth reading if you are depressed or need some guidance at least for a while. All in all, it’s not a thick book, so why not?

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Being and Event

Being and EventBeing and Event by Alain Badiou
My rating: 5 of 5 stars

Alain Badiou does something particularly difficult. He provides a nexus of interplay between formal mathematics (in set theory) and ontology as presented in the philosophical tradition. It’s often an understood but unacknowledged fact that explanations don’t really “explain” in so far as they translate between discourses. For this book, that is most definitely true. The intrusion of formalism into philosophy and the intrusion of nominalism into what was before a formalism that cannot name anything because it cannot decide anything on its own. The axiom of choice is “illegal” because it cannot discern nor can it choose anything at all.

In writing this review, I am a little torn between two implicit choices in how to proceed. On the one hand, I want to point out that Badiou allows us to get to the root of discursive meaning itself — in this case the axiom of foundation. In having the ability to choose what stage we enter, even if the choice is “made for us” by us, anonymously, we can extend a generic knowledge about a situation through the act of forcing a choice in which one empty term matches another, thereby in extension, naming a situation. This is a pretty delightful bit of connection here, because it allows us to then, if we want to, absent cardinals left and right. We can take this choice and begin to dissolve various limit cardinals into successor operations, in a sense, assaulting the legitimacy of ontology. On the other hand, we could as Badiou suggested, utilize the formalism of these various mathesis and recapitulate philosophy as we knew it, trace back various events and allow formalism to become a bulwark upon which we encapsulate various points of tension, defraction and inflection within the tradition. The first thought outlined above is akin to being a kind of philosophical assassin, as Deleuze called Wittgenstein. The second thought is akin to being the boring kind of conservative academic who doesn’t at all create but only hangs his hat on work by others. As Badiou said

I have to say that philosophy does not generate any truths either, however painful this admission may be. At best, philosophy is conditioned by the faithful procedures of its times (340).

I don’t find this to be damning but Badiou resolves to make the best of it:

A philosophy worthy of the name–the name which began with Paramenides–is in any case antinomical to the serivce of goods, inasmuch as it endeavors to be at the service of truths; one can always endeavor to be at the service of art, science and of politics. That it is capable of being at the service of love is more doubtful (on the other hand, art, a mixed procedure, supports truths of love). In any case, there is no commercial philosophy (341).

And that, I very much doubt, although this short quote really only betrays Badiou’s own allegiance to a very tradition topography!

I suspect some readers who are desirous to quickly get to the point may feel that this book is unnecessarily lengthy, obtuse and just plain long winded. I found with each turn, such amazement with Badiou’s terse language, his tightly compacted sentences and the immediate grasp with which he had with so many familiar thinkers, but aligned in new ways. One may find his application of set theory to be illegal, or at least not enlightening, but it is a mistake to read this book in solely in terms of set theory or solely in terms of ontology. Badiou wishes to say something about both, as One, and thus it’s difficult to separate the two from each other within imposing the traditional academic borders from which they came. Nonetheless people do so, even though people may insist that this particular set Badiou creates is non-constructible. The only way this can be done is to regulate the set to a position of being undecidable, which is another way of saying that it’s nonsense or at the very weakest, inapplicable because its terms do not align with anything that can be summarily named.

I find, counter to Badiou, I think, in this book a much deeper, darker implication. This implication mainly being that there is no real legitimacy within thought, that our ability to make sense relies solely on our ability to apply categories, to tease out, to decide what the indiscernable is by naming tentatively and then engendering a generic situation fully by extension. What about shows us however isn’t simply that discourse itself is an arbitrary set of conditions that have been formed by the inclusion of itself as an empty signifier–but that understanding itself is the acknowledgement of its own absurd axiom but through the act of repetition… that the only real tool we have for determining the truth of any discourse is the weak form of testing its consistency. Only that which remains most consistent (and applicable) remain what is to be best determined as truth, though to be sure, a truth which mostly depends on what a subject can recognize in the void.

Now, perhaps counter to some postmodernists (I hesitate to suggest that Badiou is a post-structuralist as this is the only book of his that I have read, but being a constructivist does align him with post-structuralism), Badiou does admit to there being some truth, sometimes. To be sure much of various other writers have hit upon this form of truth as contingency too, many characters whose names are probably well known to you, Zizek and Meillasoux to name two. I won’t go over their differences here, but it is suffice to say that we have come around upon a zeitgeist of sorts, wherein we cannot find any outside legitimacy so we start to assume that it comes from thin air. But this is another way of highlighting that we do have a choice in the matter. This decision is understood and made by so many already, that their version of the truth is what ought to be best for us all, if not said in words, than in action. This feels very weak to me, and it’s not where I would like to end. Badiou ends on a note of utopic joy for philosophy. Good for him. He’s started a school, perhaps. But in service of truth, he’s hammered in a procedure that suspends us in a being-in-situation that separates us from the void. If you take Badiou to his supreme conclusion, I think we end up floating in a null space, one in which we end up simply doing what we do because there’s no reason not to.

In that sense, he is right, he has not created any truth at all. He has only shown his the emptiness of nominalism as philosophy, in a way, highlighting how all is axiom of choice, made all the more jarring as it is layered upon the formalism that is set theory.

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Venn Diagrams

Wrote an article on Venn Diagrams.

Published here: http://entropymag.org/venn-diagrams/

The modernist project extends itself from Descartes’ aesthetic, to build from Truths, necessary and universal. But what is a universal? Being themselves, universals must necessarily also be a priori. For something that is a priori is a predicate that is its own subject. Such a relationship is by definition necessary because subtracting the predicate dissolves the subject. Such a relationship is also universal because no matter what you add to a universal, the universal is still primarily itself, in-itself. What is also a feature of universality is that such a subject will always give rise to itself. Like reason, universals form their own reason, their own ground, and their own existence…

Simulacra and Simulation

Simulacra and SimulationSimulacra and Simulation by Jean Baudrillard
My rating: 5 of 5 stars

This is not an easy book to read, in part because Baudrillard starts off with his ideas in full development and then talks around them, to explain them. He will start off with an example, develop the idea within the example, and then end by wrapping the example around itself, rather than ending on continual applications of the idea. In any case, he doesn’t do the historicity thing by telling you the past, where the idea may have come from, and then develop the series of thoughts that outline the form of the idea. Instead, Baudrillard plops you in the middle and makes you flounder. And unlike other thinkers, he doesn’t quote too many philosophers; in fact, nearly none at all. Instead of giving you guide posts along the way, he’d rather you sink or swim. Get it or not.

Baudrillard’s basic idea is that we don’t live in reality—that is, in the common sense use of the word, there is no thing-in-itself. He doesn’t even talk that way, as though the thing-in-itself is unnecessary. Following Quentin Meillasoux, Baudrillard is an absolute correlationist: the relationship we have with language is what also determinates any outside of language. Thus, for Baudrillard, we live in a world of simulacra. That’s easy so far. But there’s a catch. For Baudrillard, reality has already been exceeded because the processes that we buy into. These processes are unthinking, mechanical means that produce the simulacra which we then take for the actual thing. The easy examples of postmodern malls in America come to mind, or Disneyland.

Disneyland is presented as imaginary in order to make us believe that the rest is real, whereas all of Los Angeles and the America that surrounds it are no longer real, but belong to the hyperreal order and to the order of simulation (12 – 13).

But such simulations only act to hide the fact that we can’t get back to reality because we’ve lost it. So this explains why Baudrillard drops us into the mix. He can’t explain why this happened. Once we’ve gotten sucked into hyperreality we’re here. It’s a traumatic event. The sheer force of hyperreality obscures any possibility of a central signifier. There is no metaphysics of presence; in fact he doesn’t even mention such a concept because it’s not important. Instead, he talks of what remains when the model has exhausted itself. “When a system has absorbed everything, when one has added everything up, when nothings remains, the entire sum turns to the remainder and becomes the remainder (144, original italics).” One of the key sections, philosophy-wise, in this book has to do with the remainder, which is another way of talking about emptiness as a thing. The remainder is the excessive real, “in a strict sense, it cannot be defined except as the remainder of the remainder (143)”—that is, left over after processes have stopped. You might say hey, wait, isn’t everything real? And yes, that’s how language is, but the model for what is real and what is hyperreal have become the same. For instance, in talking of diplomas, their ubiquity and the ease at which they can be acquired— for whoever goes through the process gets one—signifies nothing but their meaninglessness. What makes diplomas meaningless is that it’s not about knowledge; it’s about process. Diplomas connect in a system of simulacra that only point to other simulacra. Similar to Derrida, with Baudrillard, we end with a passed reference that is always missed. What’s left over is the reality we deal with, the remainder that we must recycle back into a process for it to be what we think it is, which is a problem we have today with things that are “meta,” that the meaning of a thing today is often exactly what it is, a simulation, a context that determines our locus, not what it should be for us. For example, if we go to say, Paris, that trip will be like “a family trip,” with all the clichés and potholes of a family trip, which might as well be a sitcom simulating a family trip. The process of going through replaces the reality of a family trip, so that really, you’re just “doing” the “family trip.” You can’t otherwise because we are trapped in hyperreality. This is like how fake internet money in a game treated like real money in an economy becomes real money. The caveat is that real money then is just as fake as fake money because it’s just another simulation due to a formal process. Baudrillard notes that, like the Borges story, the territory itself decays when the map of the territory replaces the territory by being the territory itself. The simulacra of simulation, the pattern itself, the hyperreality has taken over reality by replacing reality. In hyperreality, the map meant to represent reality becomes a simulacra of reality itself so that we don’t get real, we get the map qua real qua map.

The fact that he is able to note the lack of a lack, as Zizek would say: the anti-philosophy at the heart of philosophy, so to speak, places Baudrillard with all the other philosophical greats of our time. He notices the void that persists throughout simulation: that which organizes simulacra and leaves only sense making in its wake.

Meaning, truth, the real cannot appear except locally, in a restricted horizon, they are partial objects, partial effects of the mirror and of equivalence. All doubling, all generalization, all passage to the limit, all holographic extension (the fancy of exhaustively taking account of this universe) makes them surface in their mockery (108 – 109).

Thus, the curve of meaning making is in fact what is created through the distortion of the absent remainder, leaving us only sensible sense, the trace that makes sense. In other words, when speaking of truth, or ideology, Baudrillard is able to show us how adding the unnameable nothing (the social totality, the remainder) back into the mix gets us the totality that we cannot exceed. The simulation always over-codes totality by naming its void, leaving us always within the wake of its own logic. Baudrillard writes: “As the social in its progression eliminates all residue, it itself becomes residue. In designating residual categories as ‘Society,’ the social designates itself as a remainder. (144, original italics).” This is another way of saying that in trying to split a totality like the social, we name parts of it also things, so as to make a thing out of its parts. But the social as a totality, as a bare named signifier, persists because the social always remains as a residue to mark the situation we are in. With the naming of any void, the absent remainder, we can never get away from conditions like being in society, whatever ideology or other kinds of hyperreality. Hyperreality is the kind of situation presupposes the very topography that we are trying to define, to get away from! If anything, what is confusing about Baudrillard is that he does not allow us any access, imaginary or real, to what we are talking about. What he calls simulation is also the very naming of a given set of the conditions that allow us to talk about anything at all, simply because such terms act as null reference points to its own generic logic.

I am split on liking the reviews (through Goodreads and Amazon) where people obviously didn’t get it, and thus didn’t like it, and disliking such reviews by hurt readers who rebelled at feeling stupid, or having their time wasted (and it’s hard to tell the difference when you’re not sure what you are reading about). To be honest, I’ve read this book three times over the past 10 years, and each time I’ve come away with a fuller picture. This is one of the hardest books I’ve ever read, and that includes any of Zizek or Deleuze’s works.

Overall, I appreciate this difficulty because in making you work for it, the concept will stick with you. You’ll make the concept your own, and you’ll remember it better. It can inspire you, help you along. If the entire concept everything was handed to you, you’d lose the influence. In this sense, by stretching in a new way, you end up in the ‘pataphysical, where the meaning stands on its own. Is this a site of resistance to the ubiquitous hyperreality? With ‘pataphysics, you get something that can stand in for itself on its own by itself, in this case, each particular re-reading. Although, it is arguable that while there is the process of reading, if you read the good stuff, each time it will be different. This difference however, is really a pre-fabricated genre soaked simularca because it is different. We assume, in Baudrillardian terms, that what we are reading relies on a kind of perhaps, “naïve faith in a pact of the similitude of things to themselves.” We assume that what we are talking about is the same as what we are talking about, and this is where our conception, or model or map, gets in the very way of what we are so desirous to speak of.

The real, the real object is supposed to be equal to itself, it is supposed to resemble itself like a face in a mirror—and this virtual similitude is in effect the only definition of real—and any attempt, including the holographic one, that rests on it, will inevitably miss its object, because it does not take its shadow into account (precisely the reason why it does not resemble itself)—this hidden face where the object crumbles, its secret. The holographic attempt literally jumps over its shadow, and plunges into transparency, to lose itself there (109, original italics).

And in this way, you can say that each time you process Baudrillard’s Simulacra and Simulation you’ve actually miss-encountered it. Whatever process of reading you have, you inevitably create a conception of it, and in that conception, blur the totality of everything else around it, to make room for this conception. So in a twist of Baudrillardian logic, perhaps we read Simulacra and Simulation in order to claim everything is a simulation. In finding simulacra everywhere around us—we dig extra deep in order to hide the fact that we already don’t really live in reality, that our very response in naming and determining differences around us for orientation—to get at reality creates the very condition we want to escape from.

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Anti-Nietzsche

Anti-NietzscheAnti-Nietzsche by Malcolm Bull
My rating: 4 of 5 stars

Part of the problem with going against Nietzsche is that he says too much; and is hard to pin down. His books are all over the place, and he leaves you with aphorisms that are as philosophical as they are suggestively poetic.

In this vein, Bull does a pretty good job, even if it is a bit disorganized, at teasing out bits of Nietzsche. Bull’s approach is unique. He goes against Nietzsche to see if there’s something practical in Nietzsche. And I think that this untraditional approach works well, even if you have to read between a lines a little to see it.

Bull says very clearly that Nietzsche’s insight is that values are due to social difference. That hierarchy and social organization give rise to values; the two are the same, but at different levels. The main contention here, is that radical egalitarianism would destroy values. The loss of values leads to nihilism. While egalitarianism and nihilism are not the same thing, “nihilism exceeds egalitarianism” and after equality has been done so that there can no longer be any difference to equalize, we would only be left with nihilism… where everyone could only “listen to Muzak and eat potatoes”. The question Bull leaves us rhetorically, is “what value could there be of a society where no one could distinguish themselves” likewise, how could we improve ourselves if there we don’t have values to know what better is?

The main thesis, and it’s buried in there, is that Nietzsche foresees nihilism approaching… and seeks to stop it with the quest for a Superman. Nietzsche wishes to save us from a life of a diluted, weak society in which we are all forced to be equal to its weakest members. To highlight the importance of this idea, Bull goes to the opposite lengths, to “read like a loser” and become animal: “subhuman”. If we want to see the value of Nietzsche’s project we have to experience the absence of such a project… we have to fall into the depths of nothingness itself, to be weak ourselves and beg others for compassion and sympathy. We have to induce society to think only of us and baby us for our well being… We have to be as animals, to not have a clearing in the world, only further darkening.

What perhaps, makes Bull difficult, perhaps for some readers, is that he pulls many readers of nihilism and thinkers of the state to task, using their thoughts to give structure to Nietzsche’s aphorisms. Bull impressively quotes Nietzsche often, supporting them with the philosophical vocabulary of others to make his argument. He runs circles around some concepts to show their limits, show how others apply them and to show ultimately how Nietzsche is right to approach nihilism the way he does. And in this exciting quest, Bull convinces me of what he sees in Nietzsche.

I find it curious that other reviewers thought Bull confusing and yet praised him as his book as being well-written… I find that there in such reviews, there is a familiarity with many authors but no coherency to be found… an argument against a book as being “well-written”.

Nonetheless, I do agree in part, that Bull throws too many people at us, sort of at surprise… and then scrambles to reformulate his argument. The chapters are also split into too many sections. The issue I have with sections is that authors do this sometimes, because it’s easier to write in smaller blocks… without having to resort to well formed transitions between them. Perhaps Bull writes all his books this way, but I think it’s the fault of the editor for not having encouraged Bull to devote himself to a sustained argument. The first chapter however, is marvelous. The last chapter did end without really clearly articulating the book as conclusions are wont to.

Still, I give him 4 stars for an exciting book that is well worth the reading, even if towards the end he starts to lose focus… but never comes to the conclusion about what kind of society we are to be left with, leaving us at the mercy of the Great Beast, with mediocrity.

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