« Posts under images of being-human

Dance Dance Dance

Dance Dance Dance (The Rat, #4)Dance Dance Dance by Haruki Murakami
My rating: 5 of 5 stars

I had thought I was done with Murakami’s books. But this one in particular got to me. Despite the fact that Murakami often seems as though he’s picking nouns from a GQ mad lib, by about 2/3 he had me hooked. Somehow Murakami is able to dig through the specifics of being you, being his character, and touch upon some sublime connection where each human can see. The nameless narrator, weird in his mannerisms, his thoughts and his tastes (and yet standard for Murakami), ends up speaking to the human condition by speaking to other characters.

There’s really nothing to recommend the character as a moral paragon, or as an ideal of any sort. And the other characters? They are foils for each other, to prop one another up, so that the main character can be faced with recognizing a unique situation.

I think the turn happens for me when we realize that there are a set number of characters surrounding the main character who are going to die. This changes how he behaves, as in a Heidigger kind of way, when facing death, he becomes resolute. Perhaps this is due to his social isolation; his recovery from when his wife left him. In any case, the point at which he becomes most complete as a character is the point at which he is able to really care about others again. Murakami’s craft as a writer is when he is able to leave us off at the maximal point of suspense, that when we would find the answer for life is when we would miss it the most.

View all my reviews

Portrait of an Eye: Three Novels

Portrait of an Eye: Three NovelsPortrait of an Eye: Three Novels by Kathy Acker
My rating: 3 of 5 stars

This is an author finding her voice. There are brief moments of insight, tantalizing bits of sublime work, but mostly repetitious, meandering cut ups and pastes of various sorts. As Acker says in an interview (and so Zizek and Lacan would agree) the erotica is not erotica! If the text speaks of something else, it’s obviously sexual, but if it’s sexual then it’s obviously something else. So you can read this as a tear-down of power relations, of the attempt to break out of family-oedipal narratives, of the whole rigmarole. Does she succeed? Is she able to find a new space? It doesn’t seem so with these texts.

Definitely for the die hard Acker fan.

View all my reviews

Heretics of Dune

Heretics of Dune (Dune Chronicles, #5)Heretics of Dune by Frank Herbert
My rating: 4 of 5 stars

Although Dune was meant to be a trilogy originally, Frank Herbert has masterfully been able to extend the series. The way he does this is that both book 4 and 5 recalibrate the entire series.

On the one hand, this book lacks the energy from the previous novels. Yet it is able to clarify what’s at stake for the other books. At first I had thought this was about utopia — in fact the first three books seemed so. But then the 4th book showed us that utopia isn’t it since Leto II had already presented us the picture of what it meant to have it; again it was politics and power as usual.

Here, Herbert shows us what is at stake. Raising human consciousness. Not just physically but the correct adaptability. He shows us also, corruption, incredible corruption that comes with humans trying to achieve the sublime so that the world becomes degraded into nothing but struggles for novel sensations.

Much of the book seemed to wander though, and while there was the understandable politics that comes with Dune, this seemed beside the point; tiresome. Unlike the first few books where we cared more about the characters in this, we start to get a glimpse of what it means to build a world… it means that we define new subjectivities. It means we have to outline the process by which this comes around. And although there is no perfect way, the destruction of Rakis as the release of humankind from a concentration of power was what Leto II was after; this is the truth of being human. Rather than the technology and power view of what a perfect world is, Herbert shows us the way for us is to choose freedom, to let others grow and develop, so we too shall grow and develop.

View all my reviews

The Baphomet

The BaphometThe Baphomet by Pierre Klossowski
My rating: 5 of 5 stars

Klossowski writes beyond our sense of realism, to bring about meditations on life, death, morality and so on, from the depths of gnostic heresy. The mix of breaths reveals the hallucinatory experience wherein hermeneutic literalness exceeds our sense of self. This is the gap inherent within language and the gap inherent within ourselves brought to page.

It’s difficult to write about this book, since it defies any sense of genre. Obviously people would say this is experimental. But it succeeds in convincing us that this view — of the intermix of personal, interpersonal, political, social, and so on — that reality is interconnected with knowledge and morality. How we live and exist among others is not an actual reality the way most of us believe, but an intermix within the gap inherent between us and others, within us and within others. We navigate this interstice often with blind faith. When we start to question the fundamentals of an ideology, or when we expect that within a view the truth will be apparent, that is where we become more lost than ever.

Although this book is a fiction it shows us something of how we are by showing us how we illicitly exist within the gaps of our knowledge by extending everything at once and contradicting itself in the point of the other.

View all my reviews

I, Claudius

I, Claudius (Claudius, #1)I, Claudius by Robert Graves
My rating: 5 of 5 stars

What a great book. Here, Graves takes some liberties with history, obviously, as no one knew what did or did not happen. But we do see the corruption of individuals within families interwrapped with such a complete power as to be a heady frightful mess.

While I saw the BBC tv show in serial as a teenager, this helped me appreciate history in a way that I did not for a long time. The interrelation of life, family, power, money and all the things that make us human is what elevates this story to a point of the human sublime.

View all my reviews

The Diamond Age: or, A Young Lady’s Illustrated Primer

The Diamond Age: or, A Young Lady's Illustrated PrimerThe Diamond Age: or, A Young Lady’s Illustrated Primer by Neal Stephenson
My rating: 5 of 5 stars

Perhaps this is a matter that Stephenson is a programmer, but despite the amazing awesomeness of his expansion, the concept of creating a whole only from formalistically aligned agents is the only apparent limitation of this book.

What is the most futuristic about this book is what’s most interesting: beyond consciousness is material agency. Beyond technology is the conflation of agency and consciousness. Here we get a primer that reflects back the sum total of various social memes, presented as a subversive text that aligns to a developing consciousness. In a sense, primers have existed, but always under master guidance: tarot cards, for example. Or gnostic religious texts. Such high level manipulation of form is today, only given within a technical division. What is necessary for a developing consciousness though, is the ability to abstract patterns and then run their consistency forwards and backwards. From there, the partial worlds aligned by agency and ideology are at a loss as to the next direction.

This is where Stephenson turns to the mysterious seed, which is little more than a view espoused by a nanotech engineer. This view is the necessary meld of programmable reality, a belief in the completeness of human conception to manage material universes ideologically.

Where Stephenson ends mysteriously is in Nell’s subversion of the primer’s creator’s view, to reject a totalized agency of human consciousness/sexuality — where humans are little more than computational components. She releases from that mix individuality, and in that sense, subverts the primer completely.

Diamond Age is a view of human consciousness; whats at stake is our very freedom, to be ruled completely by managed eusociality (through the Victorians, or otherwise). Stephenson subverts the logic of his text in this ending, by choosing human freedom. In that sense, this utopic vision is dystopic because he shows us how it is limited, how it collapses, and is hypocritical to those who grew under its auspices but do not understand that the world they grew up in is an answer to a past problem, on that may no longer be relevant for today.

In that sense, as the little sisters show us, those of us raised by a system become formalized — indoctrinated within that system. This is not the answer to human consciousness as it is not a solution for adaptability. What we want is for people to grow up able to choose for themselves. To this end, Stephenson shows us that the primer used mechanistically as a mass solution shows its formalistic weakness. Like stock market strategies that profit only in the hands of the few so truly subversive systems only work when they are hidden.

View all my reviews

The Curious Incident of the Dog in the Night-Time

The Curious Incident of the Dog in the Night-TimeThe Curious Incident of the Dog in the Night-Time by Mark Haddon
My rating: 3 of 5 stars

To some degree, this is a great book. The character is less a character than an amalgamation of a set of characteristics meant to be autistic. The writing of course, takes us out of that because Haddon, while speaking in first person, says too much to be a truly autistic narrator. What I mean is that Haddon explains more than someone with autism would, and that kind of attention to the reader combined with an inattention to the characters by the narrator is a disjoint that is distasteful.

Still, he tries hard to show us what it’s like. The book is amusing and touching just as it is contrived — that the characters of father, mother, and so on all behave in what we can see are constrained ways meant to drive the plot more than anything else. In a sense, the world is a foil for autism. This isn’t a difficult book to read but to some degree it was a little tiresome. I think Haddon would have done a little better to write from outside the narrator’s point of view, although this would have been harder to pull off in terms of sympathy.

View all my reviews

What Maisie Knew

What Maisie Knew What Maisie Knew by Henry James
My rating: 4 of 5 stars

In the round about way of Henry James, we see the development of a young woman who is not yet woman. She is still a girl at the end of the story yet she comes to a maturity in which the repetition of adult sexuality (through the figure of a family) interrupts her stability. In the end, Maisie comes to transcend her situation by defining it properly. She chooses the way out correctly.

The ending hits a note of subliminality as she never explains what she knows, she just comes to recognize and break the pattern.

This is a simple story, direct and yet circumlocutious. Part of the directness in the journey comes from having to go through the pattern of circumlocution. To a degree, James demonstrates his mastery by having his characters speak barely enough, and yet not enough at all. His dialogue is as plain as a movie script; designed to move the plot forward and show no more.

I didn’t like Henry James for a long time, but I suppose this story is about right for him. Well done.

View all my reviews

Religious Poverty and the Profit Economy in Medieval Europe

Religious Poverty and the Profit Economy in Medieval EuropeReligious Poverty and the Profit Economy in Medieval Europe by Lester K. Little
My rating: 5 of 5 stars

Here Leter K Little traces the development of the profit economy from a gift economy. He highlights how the legend of the usurious Jew comes about when the main stream culture through the wealth of the church comes to occupy the scapegoat of greed so that the church’s tides system and the emerging banking system in Europe can be free to operate. As money comes to take the center stage in organizing culture we see a revival through the various groups within and associated with the church as a twist from living well to purposefully making poverty a choice in order to maintain moral purity necessary to mark themselves as being alienated from the “dirty” emerging money economy.

Despite the promise of a dry book this was actually very interesting. Little’s writing is clear. I would have liked a little more background on the money economy’s emergence but I suppose that is beyond the scope of the book. The emergence of poverty as a religious asset is a reflection of the emergence of money as the central organizing principle. Religion fights to maintain a suprasensible hold on organizing human activity above and beyond money. And this seems to work, at least, in the middle Medieval ages.

View all my reviews

Foundation, Foundation and Empire, Second Foundation

Foundation, Foundation and Empire, Second FoundationFoundation, Foundation and Empire, Second Foundation by Isaac Asimov
My rating: 5 of 5 stars

Although this book would deal with understanding human society through the indeterminacy of human quanta, the specter of psychohistory (and the second foundation) presents a Newtonian ideal by which the observer (second foundation) is able to erase its existence perfectly, “eat its own non-existence” so that we are left with perfect knowledge of the workings of humankind.

I found the journey of reading this to be exhilarating — even though that there is mathematical expression of society, knowledge, unconscious and human zeitgeist as one logical coherency to be a dubious idea. Nonetheless, this aesthetic has long been sought after. In modern times that we can start with Thomas Hobbes, as Phillip Ball does, in Critical Mass and understand that statistics was first developed to hide the inconsistencies of experimentation in physics. So we return back to the Kantian norms of finding the hidden logic of reality, one that is somehow suprasensibly suspended beyond our everyday material reality but governs those relations completely.

There is much to find interesting, despite the conservative nature of the story. Asimov is a very imaginative writer.

View all my reviews