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Sula

SulaSula by Toni Morrison
My rating: 5 of 5 stars

Yes, we know that Toni Morrison talks about the deprivations of poverty, racial bigotry and its effects on black communities and especially on women of those communities.

Here in this book however, is an interesting take. The close and endearing friendship of two little girls extend beyond their life choices. One to assimilate into the black community from where she grew. And the other to strike out into the broader world beyond and then return to that community with a broader view. And while Sula returns to become a pariah, acting as scapegoat so as to unify the community that brought her up and hated her, so she also saw beyond it to a code of ethics not born of that community but one that sparked her friendship with her close friend from beyond the grave.

This is a pretty amazing work, as it invites us to get a glimpse of the early to mid 20th century’s economic and social forces in creating this black community as a place, so that the friendship of two little girls in that community could blossom and approach a meaning of its own.

It was confusing at first, to spend so much time with Sula’s maternal lineage. But this allows us to see the vector of her release into the world, and her sublime return as one who understands. In standing apart as an outsider, Sula allows us to nail down the black community in its pain and suffering, to come together in a time of need (dislike of her) and so their reduced vision is unable to withstand the sight of original singularity.

Short book, but well worth the read.

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The Bluest Eye

The Bluest EyeThe Bluest Eye by Toni Morrison
My rating: 5 of 5 stars

Toni Morrison knows people. She can see how they grew from their surroundings, she can see how their self image, and how their attitudes affect those around them, especially those of children. She shows us the saddest case here, the most helpless, a female child, who being born of dysfunctional surroundings is taken to the last straw, last shred of self image. If one’s self image is destroyed, if she hates herself, insists on her own beauty by escaping into fantasy, she can stand all the scorn and hatred of those who look at her. Those most extreme bit of depravity and debasement of the human condition is drawn out as a marker of how all oppression: racism along with classist dehumanization affects all those concerned.

What also helps make Morrison so masterful is her understanding of vantage. She tells us this story from girls who are sympathetic; closeby but far enough apart to be objective… their dialectic dialogue decides for us what is pure and true in understanding the debasement that appears before us. In this sense, Morrison creates an abstract narrative vantage point so that we can witness this horrific debasement, this series of the world shitting on this one little girl, by a community that neither fully cares for its own, or has a stable sense of self worth. Morrison shows us how poverty and class can create the self hatred in the Breedloves as it can in anyone. The shattering of the narrative works as a collage to both allow us to be more fully in the story, but also so that the story doesn’t disintegrate into a particular girl only. But showing us a larger scope, we see we all are participants in this system, of capitalism that prizes the wealthy and creates ideals of beauty and wealth so that those who do not have it can shatter themselves in their pain.

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