a debonair affluence of imprecision begets the kernel of being “a” rather than being “some”
OR
how being philo-subject is being psychoanalytical
basically getting ‘better’ means to shrink one’s self. we think of getting better as increasing in numeric value, like you are a level 1 and that’s where you start. when you achieve expert you are level 7, or something. or as with weaving there are 304 distinct levels. with vietnamese cooking there are 72 levels. with american ‘southern’ cooking there are 55. like that. with piano, there is 677. and they have marginal stages of increasing complexity and clarity.
but in fact the increase in numeric value represents not an increase in height (if you think 2 dimensionally) but in fact, an increase in density if you think within an additional dimension. what i mean to say is that as one gets better one gets more condense. you discriminate more between what was previously ‘the same’ and your margin for preciseness shrinks. as a result, as you become a more specialized attorney, your area of practice gets more niche and your ability to draw meaningful divisions is more refined into smaller and smaller tools. this is true of coding as well. when you are a generalist programmer you draw broad strokes. but when you get into the nitty gritty, you need to do more with less lines. the lines themselves stand for more, and you take less moves to do the same thing.
like wise, it is as though an artist who has mastered it can do with one stroke what a new artist might take with twenty. or a poet can say with one line what a klutz might grumble on and on about. you get what i am saying.
so we tighten our belts and sink into the same. it’s like, you take the modules for granted but then, you eventually learn to take those modules apart and deal directly with them too.
this extra dimension might be dealt with as a spiral too; going up. if you see it in two dimensions, it’s a constant return, a swaying, an oscillation between two poles. but in fact, you are overcoding one side as you overcode the other. when we have arranged this west end with the new paradigm, the east end must be arranged. and when the east has been arranged with the new consequences, the west must also be arranged. this oscillation is our attention returning to one and then returning back to the other, as change ripping throughout the block. as the block becomes more complex, its grains noted in ever smaller detail, so must we always return back to basics. our foundation shifts ever so slightly.
often, a single oscillation is needed as the theme, then variation and then recapitulation. a sonata or rondo must repeat its A and B themes if it is to complete itself. you start at home, go on a journey in which you introduce variations and different moves, and then return home to reincorporate those moves into a new kernel.
sometimes we want more than a single oscillation. in ravel’s bolero , with each return, we get a louder, more present presence, one in which we can note what was single birds to be a gigantic bird, with the feathers in your face, up close and without the framing of a concert.
this intensive view, this microscoping of a particular was mistaken in phenoemnology of spirit by hegel to be the becoming universal of a particular. and when you are swallowed by the particular up close, thrown into the void like alice through the rabbit hole, you are in it, and it is empty as it is spacious — completely enveloping you as the Notion. be it a religious universality or a cultural whole for which you are both citizen and state, one with the community, one with itself A:A if you like ayn rand.
blast those particulates though. when you zoom back you, you at once see it is a liebnizetian game, each particular a monad running through other monads, commenting and interlocking, intertextual and at once phenomenological and transcendental as we can note monads overwriting monads like a web of individuals in a community, influencing each other, a shifting complex of community consciousness we suppose, as in the movie magnolia. magnolia is another modernist story, one in which we both investigate the graininess of the images and come out of that investigation with a supramacy of kernel, of intensiveness that we can only note as a ‘thing’ a unified whole as characters are commentators on one another, each a progressive level of difference, embedded in one another as a density, a unit you cannot escape, self contained, finite and yet boundary-less.
so depending on how you want to cut your rabbit hole, you can be big alice or small alice, and in either end of the jaberwocky you have either too crampt a house or too empty a room. either a/the Notion or the/a particular.
i suppose the question is often answered within the context of its functionality. if it goes together, and best juxtaposes one another then it is a unit. fingering on a piano is hard to separate from understanding the layout of her scales. and a pianist is hard to divide from the piano especially as the piano continually molds the pianist into her shape-becoming- like a lover who has a favorite position he insists on so the other lover eventually gets to being in it. one is hard to separate from the other so that they are most easily referred to as one.
in that way it is appropriate that lovers have offspring, be it homo or hetereo, when they self-organize into units that become-… best expressed in a new subject, a confluence of tangents that uniquely entwine, carrying with them, the comments of the foundation where they were level 1. in this sense, the reaction of an offspring is still the legacy of the parent. so we return too, to that headspace in how each of us is an interwoven complexity, a multitude of indeterminate, indistinct successions, best known to go with one another as me.
i got a little off topic, but so, the with each oscillation be it a meaningful distinction, a deeper delving of each grain requires additional geometric or even exponential energies to microscope. one resists that attention even as one desires it, as shrinking into a smaller space requires alice to shed herself, what was unnecessary to that smaller space.
indeed it is hard and harder to become experter and experter.
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