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Time and Free Will: An Essay on the Immediate Data of Consciousness

Time and Free Will: An Essay on the Immediate Data of ConsciousnessTime and Free Will: An Essay on the Immediate Data of Consciousness by Henri Bergson
My rating: 4 of 5 stars

Once again, Bergson takes us in another direction. He excels at pulling out the underlying relations that structure methodology. He exposes how we construct regular notions such as time, space, self and so on — showing us that such terms are actually heterogeneous. That we assume that the formality of language and conception is what things are; ignoring the uncertainty and difference that characterizes how we consider ourselves in a constant becoming all of our own.

At the heart of this essay, Bergson takes us towards free will, understanding that our conception of selfhood as a social manifestation (so we live outside ourselves) or as an “external projection of the other” which is reached by “deep introspection” but not given to “states” that are “amenable to measure”. This suspension of our sense of being between these two regimes disallows us our freedom since we are rarely grasping ourselves and instead dealing with how we are meant to consider ourselves. This is akin to unraveling how we know ourselves; we consider who we are by slowly replacing ourselves with our own map of ourselves, and then forgetting that the map is a map, and considering the map as who we are. This insightful proposition sounds oddly postmodern but it originates for Bergson as the understanding that we are not a static field of temporal absolutes. Rather, we are a process of integration — non-repeatable and consistently in flux. It is Bergson’s criticism of philosophy and science that we ought to know ourselves by the invariance that we come to misrecognize what we are as we always eliminating contingency and difference only to assuming the inadequacy of our ideas as being static and non-changing despite the inconsistency of our lived experience… as we use our social identity (as an unchangeable reference) to anchor our physical invariance. This is also why Bergson finds fault with causality; because all points on the manifold are localizations. Extensions of localizations will never attain stability with identity.

This amounts to saying that the more we strengthen the principle of causality, the more we emphasize the difference between a physical series and a psychical one.

It is for this reason; this difference between our psychical inconsistency that is immeasurable and our “physical series” anchored in social identity that we find ourselves with free will. In essence, because we are constantly becoming- through our own sense of process and not one that is grounded on the mechanized clocks of human coordination. Bergson questions social time as being time; instead he seeks to highlight how we generate ourselves and constantly make ourselves through the immediacy of our lived contexts. Confusing this with our ordered institutions and our prized laws of equivalence and mathematical measurement would be to further alienate who we are by mistaking our tools for what we really are.

I have read quite a few of Bergson’s books by this point. I had no idea this was his doctoral thesis until I was nearly done with the book. (I tend not to read covers or jackets). In this we see the promise of Bergson’s originality; his ability to suss out difference in approach and concentrate on how the acceptance of formal invariance in method creates a context by which centralized content often doesn’t match centralized content. In many ways, this is why different disciplines cannot speak to one another; because they assume too much and do not recognize their own assumptive principles. Because, to question such principles would be, often, to destroy the very discipline those methods generate. In this, Bergson is refreshing!

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The Social Conquest of Earth

The Social Conquest of EarthThe Social Conquest of Earth by Edward O. Wilson
My rating: 3 of 5 stars

In this well written book, biologist Edward O Wilson would recalibrate our sense of being from individualists to a group. He notes that the balance of being human is a constant tension, one that suspends us between being too individualistic (like lone predators) and too group oriented (like ants, which are basically one individual in many bodies). He traces the development of humans as coarising with language and social development so that at a more abstract level, it’s not consciousness that develops but rather social being which develops of which consciousness is but a very localized piece.

I am not certain that Wilson gets across his aesthetic clearly. I think that if he were to speak more openly about what he is drawing, people would be off put. But by trying to maintain one foot in science, and the other in terms of the social complexity he would compare us to (ants, bees, lions), he comes fairly close. Part of our problem in understanding this eusocial view of humankind lies in how we often consider ourselves a competitors. In capitalism there is little room for community; or rather, what community does exist exists at an unconscious level. WE do the community without thinking. We follow each other, parrot each other’s gestures and copy one another linguistically, vocally, and physically as a matter of calibration.

In a way, this book reminds me of the work of the speculative work of Julian Jaynes Origin-Consciousness-Breakdown-Bicameral-Mind, although Jaynes was far more aggressive and wide reaching in his exploration of the concept than Wilson. Wilson’s main emphasis however isn’t on the science, although he is careful to always cite science at every turn. What Wilson is more after is a high level abstract vision of how to organically consider what humans are, what we do and where we would go.

I think his emphasis on Paul Gauguin is meant to emphasis this inquiry, although it gets a little lost in the light citations and various explorations in science. Obviously this is not a scientific part; the citations are not overboard. But Wilson is trying to show us that he’s not running on crazy here either. It’s a difficult balance to strike, and I am not sure that Wilson does as compelling a job as he means to. Still, this book is an interesting look at an old question, and not all that difficult to read. Worth taking a look, if the topic interests you.

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The Timeless Way of Building

The Timeless Way of BuildingThe Timeless Way of Building by Christopher W. Alexander
My rating: 5 of 5 stars

In this thoughtful book, Chris Alexander takes an approach to architecture that understands it through the filter of human (and non-human) agency. He understands that the most useful buildings are ones that are created by the maximization of agency of the people involved, with the utilization of language based patterns that we inhabit to organize our behavior. He writes this book almost as if talking in a dream. Reading this book is a visceral experience of stepping into the a shower.

It’s quite a masterful work, one that deals with the aesthetics of embodiedness rather than the more mundane (but necessary) considerations of budgeting, and so on. In a way, this a book of one who is entering a mastery of the craft, where the detailed considerations fall to the wayside as the considerations of that pure level of agency come into full consideration.

Alexander’s method is more meditative and thoughtful, one that seems geared towards his process of consideration and his familiarity with the “pattern languages” that he utilizes more than anything else. What I find most interesting in this book is that he utilizes spaces from other cultures all the while remarking that such patterns are built into our native language. Are they then, really more a function of our cultural-mind? He suggests we know this intuitively, and yet most people cannot build accordingly as buildings cannot be formed from a poverty of our languaged patterns. So that seems like a big epistemological-cultural hole. But at the same time, his thoughts are so compelling, you want to believe in them. That there is a potentially rich environment of knowledge and consideration that we can dig from, only if we were in tune with it!

It’s no surprise then, that he originates in the Berkeley area, as San Francisco is the hotbed of such hippy mysticism. Still, there’s something to be said for his approach and his “method” which takes a much less mechanical view of building. We should gear our use appropriately to the individuals for whom a building should embody! Our culture is impoverished due to the fragmentation of disciplines and the jealous guardians who don’t want to share with their economic competitors! In a very real way he is talking about Taoism. I look forward to reading more of his work.

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Reinventing Los Angeles: Nature and Community in the Global City

Reinventing Los Angeles: Nature and Community in the Global CityReinventing Los Angeles: Nature and Community in the Global City by Robert Gottlieb
My rating: 4 of 5 stars

Robert Gottlieb considers the city of Los Angeles as the parable of the modern city. The dilemma as he draws it has to do with the conflicting social changes of technology and globalization on the cultural and natural ecologies of the city. Taking Los Angeles as a model, Gottlieb includes an astounding amount of information about Los Angeles in how it developed, changes historically and comes to embody the mixed bag of tricks it is. As a native Angelino I was fascinated by Gottliebs take on the politics and inner struggles of its class, racial and resource management groups.

The weakest part of the book is that Gottlieb splits the conclusion as a non-conclusion. His chapters are fairly strong as he picks certain events to highlight recent developments in the life of the city, particularly with the neighborhood struggles of Latinos. He isn’t however, able to cohere these into one unified vision for what Los Angeles has to overcome. When you contrast this with the strength of his understanding of the ecological struggle (anti-polluters who want to stop people from pollution vs preservationists who want to create more green spaces) you begin to get a grasp of the larger trends that characterize the struggle. When it comes to immigration, gentrification and economics, Gottlieb is a little less insightful and more “just quoting the facts”. In a way, Gottlieb could buffer this area more if he were to introduce a theoretical cut on culture the way he did on ecology.

Additionally, with recent developments in the last 5-10 years, this book could also be updated. The influx of globalization with the housing bubble crash has really hurt working class and middle class families as they are being forced out of the real estate market by outsider money. This added struggle can also help characterize the way in which large cities with their governance and their political cartels allow certain trends to develop.

All in all, not a difficult book to read. But one that was insightful. Much better than some of the other hodge podge urban studies texts that I have examined.

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Bodies That Matter: On the Discursive Limits of “Sex”

Bodies That Matter: On the Discursive Limits of 'Sex'Bodies That Matter: On the Discursive Limits of “Sex” by Judith Butler
My rating: 5 of 5 stars

Here Judith Butler expands on the agental role that “queering” performativity allows for the creation of individuals beyond sexuality. While most of the book is geared towards shoring up (and critiquing) psychoanalytic roles of sexual determination of identity and subjectivity, Butler also includes a few complex examples of how marked positions within the sexual dichotomy as it relates to phallics and sexual identity is problematized.

Although at times with terse sentences that sometimes say too much in one bite, I feel that Butler successfully sees both sides of the issue and navigates through this minefield with a fresh outlook on how sexuality plays a role in determining how we consider ourselves and how we consider others. Using the various figures of transgender and drag and so on, Butler ultimately demonstrates that the agency relationship of performativity still requires that dichotomous hetereosexual cut. Although the performative natures of drag and trans, “queering” normative roles is always a subversive possibility, the reliance of the dichotomous hetereosexual norms as a queering always has the possibility of retroactively reinforcing rather than subverting. Put on the street, a gay pride rally may make non-normative hetereosexuals express themselves with aplomb but it will also allow conservative types to dig further into their entrenchment simply because the dichotomy is always invoked as a way of identifying who we are and where we are located.

This transcendental cut is a difficulty with queering, one that Butler does not seem able to resolve. In a way, this has to do with the fact that despite performativity’s power in one’s ability to redefine one’s self, this is always in relation to how others can define one’s self through their acts. Thus her chapter on “lesbian phallus” and the straight woman as a melancholy lesbian or the straight man as a melancholy straight man is a way to note that all positions are “queering” when we begin to eradicate the normative judgements socially and understand the relations on the sexual “phallic” transcendental as mere positional exchange. We may want to inhabit certain positions above others, and in that sense all identity is performative and “queering” when understood through alternate filters.

In a way, Butler stops in an appropriate spot. She doesn’t go too deep into critiquing transcendental reason (as obviously this would take us afar off field) but she doesn’t shy away from mentioning either, when appropriate. I feel that her ending could be tighter, as she takes a very long time to conclude where she wants to end, but she does the best that she can in outlining the fact that identity is created through sexual performativity as blind truth procedure rather than as an ontological given. She engages feminist theorists to this end in a way that is appropriate, although I feel she spends a little too much time with psychoanalysis, simply because she needs a bulwark that is hetereo-normative in order to sexualize the field in order to make her point.

The twist from ontology to procedure is really the takeaway key here, to how Butler redeploys social identity for all of us. Taken in that approach, in theory, we could have avoided sexuality all together in performativity, but the charged nature of sexuality as a key to identity allows Butler to tackle the subject all the more strongly. Bravo.

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Love in Idleness

Love in IdlenessLove in Idleness by Amanda Craig
My rating: 4 of 5 stars

Despite its slow start, with seemingly an impossible number of characters, Craig pulls this story together in a surprising way. We know it’s based on Shakespheare’s Midsummer Night’s Dream. And even still, she still manages to delight and surprise us. In a strange way, what comes out of this is a middle class critique of the wealthy. The loss of influence of the wealthy matron, and the rise of a single mother seem to be the inevitable pact that Craig makes. We admire the wealth. We want the lifestyle, and yet, this is only made possible due to the presence of the wealth and the exotic location of being somewhere (rich and idle) that this story could even happen. Despite the valorization of the middle class value of working for your own way, this story isn’t possible for middle class people.

All the same, Craig manages to make this a compelling read for me, despite the sloven pace. She finds her tempo towards the end, and even though we can tell what the ending will be, it’s still steam rolls forward with all the fury of a comedy. Perhaps this is due to the writer’s energy more than anything else.

The only complaint I have about the story, other than its pacing, is that her attempts to speak for the daughter seem too much. She doesn’t speak through the daughter’s voice, but overlays onto the daughters attitude observations worded concisely as an adult would make. This is a bit detracting, for the “magic” of the People seem only possible through the eyes of a child, and those eyes may, at times, feel a bit contrived.

The burdens of modern motherhood also feel a bit overlaid. The character of Polly and Meenu both add a dimension of reflexivity that doesn’t detract from the story, but adds ruffage that make the entire cast seem more real as people. In a strange way, Polly and Meenu thus “switch places” though this seemed more accidental than planned, since Polly didn’t reflect on this positional twist whatsoever.

Craig’s “twist” with the husband too, didn’t seem terribly put on as an afterthought but it did seem a little deus ex machina. The little brother’s explanation of his big brother also seemed too much like a reflexive self justification. So I thought that Theo’s storyline could have been explained better. In a way, the “update” of Shakespheares work was truly an update, as it told the story through the normalcy of a sitcom cast, meant to appeal to idle upper middle class liberals, who would want a happy ending for everyone.

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Critique of Pure Reason

Critique of Pure ReasonCritique of Pure Reason by Immanuel Kant
My rating: 5 of 5 stars

So much has been written about Kant. Yes, he’s hard. He’s rammbly. He’s overbearing. But this is due in part to the fact that written in 1781, Kant did not have anyone to talk with. He lacked the ability to find other minds and interface. So in those ten years of silence he talked to himself. And he’s a bit disorganized.

So lets not quibble with the details. Instead let me cut to the heart of what he is saying, in a way that goes beyond any reading of him that I’ve come across yet.

The one aesthetic Kant is after, that allows him to hit a home run, is simply this: All concepts are regulatory.

What Kant is after is to understand the limits of what our regulatory reason can do. This can’t be a function to decide truth. This can’t be a function to decide reality. This isn’t an effort at wisdom. We can use reason to figure out the contours of contingency, of what is given to us. But we cannot use it alone to do anything.

Kant attempts to show us the value of reason in melding together different functions (be it imaginary or understanding or reason) and in this way seeks to highlight the vehicle by which we can come to grips with phenomenon. So weaknesses?

Yes, Alan Badiou is partially correct: Kant’s system requires that he created a negated structure, the noumenal upon which to hang his phenomenon. But Badiou is also partially incorrect. Kant was the first to recognize, through the figure of the transcendental, the necessity of having an apparatus of measurement upon which to solidify a phenomenal field. That is to say, phenomenon cannot interface at a consistent level unless there was a larger field to unify them as equivalent. Hence, this transcendental. Kant laid out the form for us, to quantize, to organize whatever we apperceptive. Historically, this is how Heidigger is able to note that Kant is Modernism Part II. Descartes introduces the need the for a transcendental field (in the form of the mental realm) but Kant completes his thought. Hegel is the application for this field to surject unto Absolute Knowledge.

So we miss the point when we quibble with his mathematics or his bad physics, or how he didn’t understand quantum mechanics. None of his examples matter in their detail. What matters is the principle behind this critique, one which reveals that concepts are regulatory.

And while it’s true, as Kristeva points out, Kant did not “discover” negation (leave this to Hegel as a way for him to bind according to the dialectical-synthesis process) Kant does reach negativity. Negativity is necessary as the limits for a given concept. And if you look at towards the end of this masterful work, and ignore his annoying repetition, you come to understand the antinomies are but examples of the limits of conceptualization itself.

Yes, Dedekind’s cut of real numbers or Badiou’s theory of points belie the same “cut” as Kant’s antinomies. By injecting reason in at various arbitrary positions, we can cut a dichotomy into a mass to differentiate positions. Such positions then become expressive of the cut, which we use as an absolute reference. This reference allows us to orient ourselves. So yes, when only we do not “extend reason beyond the bounds of experience” can we avoid these antinomies, Kant highlights these antinomies as way of showing how reason provides the extension of any given cut, which are always contingent by arbitrary parameters, be they a sensuous apperception or some inherited folly of the imagination. This section following The Ideal of Pure Reason all the way to the end of the work, gives us the apex of Kant’s reach. He was articulated much, but never brought it back around to exploding the limits of concepts themselves. He could only fumble and say, well, they are regulatory.

Not only are they regulatory but they are necessary for the organization, the quantization into phenomenon, inasmuch as the sensuous, as he calls it, is necessary for logic to take a stance. We need contingency to make a mark somewhere, otherwise we get nothing but pure logical presentation without any place for differentiation into a real context. It is this dual refractory nature that presents us with agential cuts to determine the nature of what is real, a mixture of contingent sensuousness and transcendental formalism. This mixture however, isn’t stable, it belies on the context of previous cuts, usually derived from our human need to have agency in limited domains.

This is the start of post-modern fragmentation of knowledge, as each domain acquires its own organizing cut.

But this is also well beyond the context of where Kant was going.

So if you keep in mind the “regulatory” nature of conceptualization, you’ll come to a fruitation that is far more radical than any reading of Kant that I’ve ever come across. I think you’ll find as well, that this radical negativity, necessary to cut concepts out of the larger folds, is why Deleuze found himself returning to Kant towards the end of his career. In this way Kant is still more radical than most anyone gives him credit for… and in this sense, his admiration for David Hume speaks volumes about where he’s going with this critique. In fact, he exceeds Hume in this way, by abstracting Hume’s explanation of human behavior as conventional habit into the modality of regulatory concepts. Kant finds the limit of reason but in doing so he is able to demonstrate how reason is utilized to supplement understanding beyond the bounds of experience. His four antinomies are but possibilities for unfounded regulations, many of which Hume would simply call “conventions”.

To wrap. I for one, am glad to have Kant as a guide. As staunch and “joyless” as he is, there is a core of clear direction within his thought that allows him to calibrate his awareness to a finely tuned point regardless of content. Kant turns rationality in on itself and is able to note the different vectors within rationality as a manifold, a field of its own connectivity. Kant adds these various example, these vectors together, rotates rationality as a vehicle of deployment and is able to find a navel limit within rationality, negativity on the one hand, sensuous apperception on the other, and the chimera of the transcendental dialectic on the third. This groundwork of pure formalism is the striking aesthetic consistency that belies German philosophy post-Kant, while marking the groundwork for the very abstract structural formalism that is to follow in mathematics and science in the 19th century and beyond. Without having the ability to negate all that does not logically follow, or being able to create limited phenomenon within a transcendental domain, we would not have any technological or mathematical achievements today.

This isn’t to say that Kant should be given credit for this because he “invented” this. Rather, he was simply the first to stake out the parameters for the nature of these kinds of endeavors, endeavors which continue to structure human experience and behavior today. No doubt, if Kant did not do this, then someone else would have formalized this exercise, eventually. Still, to one lonely man in Königsberg, thank you.

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Sula

SulaSula by Toni Morrison
My rating: 5 of 5 stars

Yes, we know that Toni Morrison talks about the deprivations of poverty, racial bigotry and its effects on black communities and especially on women of those communities.

Here in this book however, is an interesting take. The close and endearing friendship of two little girls extend beyond their life choices. One to assimilate into the black community from where she grew. And the other to strike out into the broader world beyond and then return to that community with a broader view. And while Sula returns to become a pariah, acting as scapegoat so as to unify the community that brought her up and hated her, so she also saw beyond it to a code of ethics not born of that community but one that sparked her friendship with her close friend from beyond the grave.

This is a pretty amazing work, as it invites us to get a glimpse of the early to mid 20th century’s economic and social forces in creating this black community as a place, so that the friendship of two little girls in that community could blossom and approach a meaning of its own.

It was confusing at first, to spend so much time with Sula’s maternal lineage. But this allows us to see the vector of her release into the world, and her sublime return as one who understands. In standing apart as an outsider, Sula allows us to nail down the black community in its pain and suffering, to come together in a time of need (dislike of her) and so their reduced vision is unable to withstand the sight of original singularity.

Short book, but well worth the read.

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Animal Liberation

Animal LiberationAnimal Liberation by Peter Singer
My rating: 5 of 5 stars

Singer takes ethics seriously. As a philosopher he provides a cut that separates the abstraction from its application. This is a compelling argument. While he shows us, in book form, much of the widely known (and unknown) atrocities that come with how we treat animals, for our gut level, animal reaction, he emphasizes that as human beings we have a choice we can make about how to be in the world. Suffering is suffering, and the cut off between human dignity and animal dignity is one that overlaps. The only difference that would block this overlap would be due to ideological weight we put on valuing humans over animals.

His argument can also rightly be distilled into various levels of agency. Eating vegetables is better for the environment, which means better for humans. Human digestion can survive without animal tissue to digest. Dignity is due to the capacity of the bearer to suffer, and animals do suffer. If we prevent the suffering of other humans due to their capacity to feel and think, there remains very little room for debate to not extend this to animals as well. Truly, our inability to extend this to animals can only be due to how we ourselves are irrational and unwilling to change our habits. Going against the grain is difficult, but if you see only a neutral situation in the face of suffering then you have chosen the side of the oppressors.

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Modern Living Accessories: 100 Years of Design

Modern Living Accessories: 100 Years of DesignModern Living Accessories: 100 Years of Design by Martin Wellner
My rating: 4 of 5 stars

This amazing survey walks backwards into the 19th century. Year by year, you see how contemporary design evolved into its basic constituents. Modern works reflect a refinement in the use of materials, such that the deformation of familiar objects at first, geometric and blocky become expressive with a higher resolution in material agency. While many contemporary objects start to break the grey areas of design, where form suggests not only novel movements adhering to a singular force (such as Bauhaus design, where form matches function) but today into postmodern ambivalence where a singular object suggests multiple uses that are sometimes more clever than useful but at other times, far more ingenious as to dissolve the logical categories by which we classify what an object is.

Given in full page color, the short captions, and the short articles give us a brief introductory taste as to the mechanisms of design, the influence of the visions of designers and the continual mastery of material.

With the final works of the industrial revolution having established its conquest of human materialism in production, we have the beginnings of middle class wealth, to support a need for mass export of finished products. Art Deco and Art Nouveau come to the scene with its whimsical forms, to introduce a new level of finish, where product production shares no seams as to its origins. Here we have the advent of a new consumerism, the full split of producer from consumer so that only expert craftsmen and finally engineers and scientists are the gate keepers for designers. For in areas of such refinement, only the knowledge of specialized processes and the abstractness of a designers breaking out of the box lay the condition for the deformation of our modernist categories of contemporary appliances.

One thinks in the near future the inclusion of smart devices will reach a further deterritorialisation of what objects can be, do and coexist with us, further anticipating human need and modifying further the trajectory of how we can be (and have agency) in an environment.

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