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Critique of Pure Reason

Critique of Pure ReasonCritique of Pure Reason by Immanuel Kant
My rating: 5 of 5 stars

So much has been written about Kant. Yes, he’s hard. He’s rammbly. He’s overbearing. But this is due in part to the fact that written in 1781, Kant did not have anyone to talk with. He lacked the ability to find other minds and interface. So in those ten years of silence he talked to himself. And he’s a bit disorganized.

So lets not quibble with the details. Instead let me cut to the heart of what he is saying, in a way that goes beyond any reading of him that I’ve come across yet.

The one aesthetic Kant is after, that allows him to hit a home run, is simply this: All concepts are regulatory.

What Kant is after is to understand the limits of what our regulatory reason can do. This can’t be a function to decide truth. This can’t be a function to decide reality. This isn’t an effort at wisdom. We can use reason to figure out the contours of contingency, of what is given to us. But we cannot use it alone to do anything.

Kant attempts to show us the value of reason in melding together different functions (be it imaginary or understanding or reason) and in this way seeks to highlight the vehicle by which we can come to grips with phenomenon. So weaknesses?

Yes, Alan Badiou is partially correct: Kant’s system requires that he created a negated structure, the noumenal upon which to hang his phenomenon. But Badiou is also partially incorrect. Kant was the first to recognize, through the figure of the transcendental, the necessity of having an apparatus of measurement upon which to solidify a phenomenal field. That is to say, phenomenon cannot interface at a consistent level unless there was a larger field to unify them as equivalent. Hence, this transcendental. Kant laid out the form for us, to quantize, to organize whatever we apperceptive. Historically, this is how Heidigger is able to note that Kant is Modernism Part II. Descartes introduces the need the for a transcendental field (in the form of the mental realm) but Kant completes his thought. Hegel is the application for this field to surject unto Absolute Knowledge.

So we miss the point when we quibble with his mathematics or his bad physics, or how he didn’t understand quantum mechanics. None of his examples matter in their detail. What matters is the principle behind this critique, one which reveals that concepts are regulatory.

And while it’s true, as Kristeva points out, Kant did not “discover” negation (leave this to Hegel as a way for him to bind according to the dialectical-synthesis process) Kant does reach negativity. Negativity is necessary as the limits for a given concept. And if you look at towards the end of this masterful work, and ignore his annoying repetition, you come to understand the antinomies are but examples of the limits of conceptualization itself.

Yes, Dedekind’s cut of real numbers or Badiou’s theory of points belie the same “cut” as Kant’s antinomies. By injecting reason in at various arbitrary positions, we can cut a dichotomy into a mass to differentiate positions. Such positions then become expressive of the cut, which we use as an absolute reference. This reference allows us to orient ourselves. So yes, when only we do not “extend reason beyond the bounds of experience” can we avoid these antinomies, Kant highlights these antinomies as way of showing how reason provides the extension of any given cut, which are always contingent by arbitrary parameters, be they a sensuous apperception or some inherited folly of the imagination. This section following The Ideal of Pure Reason all the way to the end of the work, gives us the apex of Kant’s reach. He was articulated much, but never brought it back around to exploding the limits of concepts themselves. He could only fumble and say, well, they are regulatory.

Not only are they regulatory but they are necessary for the organization, the quantization into phenomenon, inasmuch as the sensuous, as he calls it, is necessary for logic to take a stance. We need contingency to make a mark somewhere, otherwise we get nothing but pure logical presentation without any place for differentiation into a real context. It is this dual refractory nature that presents us with agential cuts to determine the nature of what is real, a mixture of contingent sensuousness and transcendental formalism. This mixture however, isn’t stable, it belies on the context of previous cuts, usually derived from our human need to have agency in limited domains.

This is the start of post-modern fragmentation of knowledge, as each domain acquires its own organizing cut.

But this is also well beyond the context of where Kant was going.

So if you keep in mind the “regulatory” nature of conceptualization, you’ll come to a fruitation that is far more radical than any reading of Kant that I’ve ever come across. I think you’ll find as well, that this radical negativity, necessary to cut concepts out of the larger folds, is why Deleuze found himself returning to Kant towards the end of his career. In this way Kant is still more radical than most anyone gives him credit for… and in this sense, his admiration for David Hume speaks volumes about where he’s going with this critique. In fact, he exceeds Hume in this way, by abstracting Hume’s explanation of human behavior as conventional habit into the modality of regulatory concepts. Kant finds the limit of reason but in doing so he is able to demonstrate how reason is utilized to supplement understanding beyond the bounds of experience. His four antinomies are but possibilities for unfounded regulations, many of which Hume would simply call “conventions”.

To wrap. I for one, am glad to have Kant as a guide. As staunch and “joyless” as he is, there is a core of clear direction within his thought that allows him to calibrate his awareness to a finely tuned point regardless of content. Kant turns rationality in on itself and is able to note the different vectors within rationality as a manifold, a field of its own connectivity. Kant adds these various example, these vectors together, rotates rationality as a vehicle of deployment and is able to find a navel limit within rationality, negativity on the one hand, sensuous apperception on the other, and the chimera of the transcendental dialectic on the third. This groundwork of pure formalism is the striking aesthetic consistency that belies German philosophy post-Kant, while marking the groundwork for the very abstract structural formalism that is to follow in mathematics and science in the 19th century and beyond. Without having the ability to negate all that does not logically follow, or being able to create limited phenomenon within a transcendental domain, we would not have any technological or mathematical achievements today.

This isn’t to say that Kant should be given credit for this because he “invented” this. Rather, he was simply the first to stake out the parameters for the nature of these kinds of endeavors, endeavors which continue to structure human experience and behavior today. No doubt, if Kant did not do this, then someone else would have formalized this exercise, eventually. Still, to one lonely man in Königsberg, thank you.

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The Anti-Oedipus Papers

The Anti-Oedipus PapersThe Anti-Oedipus Papers by Félix Guattari
My rating: 4 of 5 stars

In anticipation of re-reading Thousand Plateaus I thought I’d tackle this book. As a reader of Deleuze (I’ve read all his books), I always understood the progression of Deleuze’s thoughts with the turn coming after Logic of Sense. Some of Guattari’s books, such as Chaosomos enforced for me his role in bringing to Deleuze a completely different view. It didn’t help that Guattari did not publish nearly as much nor as systematically. But after reading this book, I fully acknowledge the debt to Deleuze that many do not see. Deleuze is often given credit since he is of an institution (of philosophy) but Guattari’s running amok, his ability to abstractly critique different ideas and view them from vastly different zones really hits home with his letters to Deleuze.

I’ve always understood Anti-Oedipus as a failed work in the sense that although they reject a metric by which to organize thought they still in interject a methodology (Marxism) by which to organize meaning. Part of this is due to the extension of their rejection of Lacan and psychoanalysis. By rejecting the normalization that psychoanalysis employs, D&G also end up rejecting all normalisations. In this manner they unwittingly step very close to Kant’s “all concepts are regulatory”. While I fully agree with Kant, I think Deleuze’s love of conception forces him to reject Kant’s systematization of thought on aesthetic grounds. In a way, Deleuze’s work ends up being very close to Kant in aesthetic but very different from Kant in method and content.

Again, reading this book allowed me to see that Guattari really pushed Deleuze, who was already pretty out there, to really refocus on how one should approach the problem of multiple-domain knowledges. There are many gems here, to be found. Various extensions of thought that may have gotten lost in Anti-Oedipus, various and of course, a seemingly lack of coherency on the part of Guattari to systematize a presentation that was not rambling. In a way, what Guattari brings to Deleuze is a grasp of normalicy that should be rejected. Guattari allows Deleuze to understand the effects of concepts outside of conception — the role they play on one another and society. In a way Deleuze already understood the way concepts match one another. He does this frequently, and to an extreme, as with Difference and Repetition. But what he failed to include was the political angle that concepts have on people, on subjectivities and logics of peoplehood.

Obviously this book would never have been published if D&G were not as popular as they are. Obviously this is not a complete work on its own because it references other works that you may not have read, that are not included in this volume. Still, if you like the other stuff, this provides another inflection point so that you can begin to understand what Deleuze and Guattari both brought to the table, and how their co-production was a unique synthesis that was necessarily a combination of their personalities, outlooks and backgrounds.

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Philosophical Papers, Volume 2: Mathematics, Science and Epistemology

Philosophical Papers, Volume 2: Mathematics, Science and EpistemologyPhilosophical Papers, Volume 2: Mathematics, Science and Epistemology by Imre Lakatos
My rating: 5 of 5 stars

Lakatos stands at the edge of a vast tradition, and in his conservative way, decries those who would draw demarcation lines along those of community or traditional ideas of how discovery, math and science should be drawn as they always were. In seeking truth that is independent of human observation or valuation, Lakatos would fall along the same issue that Zizek would bring to many others — the lack of a transcendence. This much is so; Lakatos is as much a former Hegelian as much as it is a decrier of non-useful knowledges (like vulgar Marxists). What I admire most about Lakatos is that he isn’t afraid to approach the former basis of the formulation of math and science — in philosophy, and tackle the Cartesian synthesis as a modality of providing the basis for its own verification. This ties together the many aspects of Lakatos’ careful research work, his scholarly devotion to what others have said, and how they said it, and how they were (un)able to understand and respond to one another.

In other to be able to understand where Lakatos comes from we need to be able to understand that (ir)rationally he would have to disavow himself of those who he was most like in order to be distinguished from them, essentializing them by a singular disavow he found distasteful (or superfluous, thus discarding them as being superfluous). In this manner, his rejection of Marxism appears to be because of the implicit use of their historiographical techniques in order to highlight the logical difference their ideology makes, a technique he often uses to highlight competing and often contemporaneous schools of science. By revealing the shifting of sense making demonstrated by the cuts of history, we will always be able to detect minor unaccountable differences in understanding that question any possible aesthetic validity to the foundation that the use of human reason can be independent of superstition and wholly reliant on the strictest of causation.

Lakatos notes this is the unanswerable question of Hume: Can there be causation that is not mere induction? This is a question whose answer is to show its own impossibility, that human laws seem wholly immanent on itself rather than on principles that are consistent and surjective to the universe itself.

In fact, this lack of assurance is the very project Lakatos wishes to show, marking him as a philosopher of science, an inability to know what real in the naive classical sense is (should we encounter it). Many of his longer essays are devoted to this subject matter — the instability of the acceptedness of a theory despite or even because of its foibles and its refutations as understood from various points from its inception.

One of Lakato’s favorite mentions is that new theories are always immediately refuted before they are accepted. In other words, there is a lag between when a theory is too new to be validated or even understood before it is accepted as unequivocally true. There is a lack of resolution in this issue because we have no real way of measuring what was accepted only what at least a few individuals were saying at various times. So the question becomes even more precarious because what we know of a theory and what we know of a theory differ from each other depending on context. The unaccountableness of this change is where Lakatos organizes his conception of truth and epistemology in response to other’s certainties. In fact, where he is alike with Popper and structuralists, is that Lakatos is formulate an immanent critique of various logics, such as Newtonian, or mathematics, or Quine or Tarski or Toulmin in order to lead us to grasping what is excessive in their ideologies, as the overriding weight/basis for a judgement on verisimilitude. This requires a more rhetorical formalistic reading on Lakato’s part, in order to understand a curve in reason as being local to itself rather than to the material at hand; given the possibility at various points of inflection to determine opposite alternate possibilities. This is perhaps his greatest lesson from (and disagreement with) Karl Popper — that falsification of science can happen alone at a plateau detached from any concordance with induction. (Lakatos wanted at least weak induction, Popper thought that induction was not necessary).

If we were to believe that progress was in fact measurable, it would be the in theory detectable since there would be a steady retreat of the amount of uncertainty of the nature of nature as time progressed. We might expect that with the retreat of uncertainty we would find more concordance — but this has been shown to be untrue as the very nature of the universe is still to be questioned, as to what we can expect of it or how we should understand the nature of time or space itself (not to mention quantum mechanics and so on). In a way, Lakatos should have written a book, as his ideas criss-cross in a variety of manners, showing an immanence of understanding and relevance that this nest of ideas’ connectedness is nearly sustaining (Although no one essay really encapsulates the entire range).

What we see here, is the most nihilistic of philosophers, one whose field is technology itself — knowledge which is useful, and we get that not even from the point of view of knowledge can knowledge maintain consistency with itself. Lakatos gets that science is impacted from the outside, as all knowledege is, and because of this, insists that science be accountable to society even though science itself is amoral.

In a strange way, Lakatos nearly refutes himself, as his search for validity on the order of its own logic (and impossibility) becomes negative as he understands the aesthetics of the search to be about more than some academic scholarly immanence. Rather, our understandings become an allegory of itself, tainted with the atmosphere of its origins. In this strange way, we might understand this as a formalism of knowledge, if that expression is Hegelian or otherwise centered on its own difference. Lakatos can never find his own answers to his own questions by looking within just like he can never fully justify the lemmas of hard research programmes that came to be completely acceptable and then suddenly out of favor. Marred with this in-transience between different fields, Lakatos may be ranked with many post-structuralists as being trapped outside or inside a tradition, for if they speak from the outside it is because they, in the mystifications of Lacan, are “Cogito ergo sum,” ubi cogito, ibi sum. I am not, there where I am the plaything of my thought: I think of what I am where I do not think to think. In this same way Fichte was right to point to Antoss as the cogito’s inability to think where it is, but by pointing it out, Zizek demonstrates that Fichte too was not where he could think to think, meaning Antoss was but petit object a. In this same manner, Lakatos finds himself settled in “the third way” in the interstice of what can be nameable, in the (in)articulated depths of Wittgenstein’s language games where its successful performance is autonomous, detached and wholly invaluable/invalidable because they are strict reference points to absolutely itself.

Lakatos then, if we were to fling him from his comfort-zone, would be speaking of various inarticulable truths that appeared as marked events throughout history. Each zone is distinguishable only by itself, and wholly uncapturable by each other. We see zones of interference and resistance, characterized by contingency itself, when it reaches the highest levels of verification only by being repetitious enough to become a thing, a difference unto itself.

We end up with territories of language genres, a truth that perhaps Lakatos wouldn’t have wanted to acknowledge as being the strong version of science’s fallibility, that its champions, its expert-elite should get the acknowledgement they want, for their being individuals rather than for some autonomous process that could be drawn in the sand when in fact, that rockstar elitism can only insist on a community’s shared immanent ideology, a pack of thieves among any other pack of thieves, a distribution system that sustains itself, only this time with the indebtedness of verisimilitude. Lakatos was rather that we were impersonal, cut throat and yet responsible to more than just science when we be a philosopher and a defender of science from its own communal excesses.

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Logics of Worlds: Being and Event

Logics of Worlds: Being and Event, 2Logics of Worlds: Being and Event, 2 by Alain Badiou
My rating: 5 of 5 stars

On the onset, Badiou’s materialist dialectic seems fairly obscure. But while he doesn’t speak much about it throughout his book, it becomes clear that his materialist dialectic is predicated on the same kind of formalization that has swept up modernist thought: the creation of formalism in order to express relations in thought.

While you can tell that Badiou doesn’t want to dismiss his previous work, Being and Event in this one he seeks to engage with the non-philosophical more. On this end, while the previous was on ontology this book it seems far more about presentation, or existence. Having sublimated the formalisms of mathematics into philosophical though, Badiou would introduce to us a more specific (and thus generalized) logic on which to understand the various collections and connections we witness in our everyday lives.

This formalism can be understood as the result of the Cartesian method of synthesis. One breaks down a situation into constituent atoms and then patches those atoms back together to come up with a composite world. The various different situations provide little input as to the method of the formalization, although the success of the formalization requires a method of atomization — “chunking”. How we decide to decompose a situation into unchunks will in reverse allow us to assemble them back together.

Part of Badiou’s genius, especially with this previous book to this, the first Being and Event relied on his insight that mathematics at its root was conceptual, not formal (despite how we in post-industrial education are introduced to mathematics, as pure formalism). By grasping the concepts, we can then also understand that mathematics is philosophical in its nature, although it is of a different kind. Math follows the inductive “analytical” side of the method. The missing piece is the synthesis. Much of philosophy post-ancient Greece, had to do with the presentation of the synthesis side. As Irme Lakatos notes, Descates realized their methods, and speculates that their “secrets” had to do with the method of analysis. The synthesis portion was given publicly and that’s why the Euclidean method is nothing but synthesis. We get the conclusions of their philosophy, but not their analysis. The end result of their analysis however, are their axoims. And so that’s what is missing in their method. This is also, incidentally, why mathematics and physics meld together so well. Two dissolve a situation via a formalism and then to patch it back together allows one to continually create new models, new methods of dissolution and then synthesis. The main impetus that arises from this the cherishes “occult hypothesis” by which one is able to grasp the missing “influx” that arranges the atoms and then sets the stage for how these atoms are to be stitched back together. For Newtonians, this occult hypothesis is gravity. The various other “conclusions” that theorists and scientists can come up with are varying but they consist of the “excluded middle”. Slavoj Zizek for example, in Less than Nothing has the occult hypothesis of less than nothing, the theory of two vacuums.

What is perhaps wonderful about Badiou’s approach, as well, is that he sidesteps the traditional jargon that Zizek has to deal with. Badiou can talk about past philosophers, and but Zizek, in order to make his point, MUST. This injection of mathematics is perhaps Badiou’s greatest contribution. It is a great strength as well, for he is able to introduce new relations on their own, rather than having to continually modify language we are already familiar with.

What is weak about Badiou however, is that he adds little content to a situation. His formalism is a tool that can be used to recompose existing worlds and relate them to one another. While he dismisses Kant in this book, he misses Kant’s greater understanding. As stated in his Critique of Pure Reason: mathematics is another synthesis. While math can be used analytically, and often is, its incompleteness in its axoims results from the fact that as a methodological field, math is stitched together through a variety of methods connected by sheer formalism. There is no one conception that rules mathematics in the same way that there is a singular conception that may rule Lacan or Descartes. So while formalism can be method to note new connections, it cannot replace the intuition of thought itself. In fact this is not an explanation what so ever.

Two additional weaknesses to Badiou

1. He critiques Deleuze heavily in claiming that his fourfold thesis is a reversal of Deleuze’s. This misses the point as both he and Deleuze understand that negation is not a rebuke of a logic but rather the emphasis of a missing totality. Badiou’s own method of formalising a transcendental envelope is predicated on the minimum gesture of negation of a missing piece. In fact, Badiou ends his book by noting that the presence of a body (or a grouping of conceptions as a topological family) is wholly subsisted on the missing of a minimum. His other critique — that Deleuze reduces everything into a monotonous elan vital, similiar to Spinoza’s lack of a transcendental distinction of substances and subjectivity is well taken, however.

2. His main value in the conversation is his ability to provide surjection between the domains of math and philosophy. This theory of points (book IV) is a pretty good aesthetic, only missing Dedekind’s cut of real numbers. While his analysis of what points provides to the conversation could have been (and should have been) interjected into his first book for the purpose of clarification, he misses out on providing an internal definition of knowledge even in this following book. One creates knowledge only when one can mark it, that is, surjectively translate it into a point. In fact, Weierstrass’s genius at the end of the 19th century relied on solifying what Descartes started: the overlay of points onto numbers in the form of analytic geometry. This move by 19th century mathematicians following Weierstrass’s reluctant but compelling argument for what eventually comes modern day set theory thus taken as being unequivocally true by Badiou and absorbed into his approach. Now, having explained the value of this formalistic surjection, Badiou misses the fact that the immanence of his theory is useless in itself.

Of course, he realizes this implicitly, but he does not seem to understand, as Karl Marx and Immanuel Kant did, that navigating the interstice is what brings a formalism its value. Kant’s genius lay in realizing the synthetic nature of phenomenon. His transcendental dialectic surpassed the different singular (“logically independent worlds” qua) faculties to give us a method of relating phenomenon together, stitching together a world through the continuance of their parts. Likewise, Marx explains exchange value through the various different use values of products. That the connected use values of these products is what creates value for money, and that different kinds of money are in a way, different kinds of sublimated use values. In his approach here, Badiou continues to wrap different worlds as increasingly complex localizations that appear to one another, but in the process of doing so always presents it within an absolute envelope (m) that is routely defined as the mode by which these different atoms can interrelate and be associated with one another. And while he states early on that there is no Being that covers all being, like there is no Body that can cover all, I do not think he realizes that by sublimating presentation as a formalization within these sets, he at all is able to step outside of the pure multiples themselves and wrap all of being as only that which appears under immanent logic. At the end of this book, he laments the dismissal of concepts, quoting Descartes that mathematics is eternal. And yet, hasn’t he contradicted himself? He defines early on that there is no Being — that it there is no way one envelope can wrap all of the different worlds, and then he defines it through sheer nominalization (m) and then acts as though this nominalization surpasses the physical presentation of the logics of worlds, stating that there are worlds in which we cannot have access to because their presentation is too baroquely different from our own.

This is the same entrapment that thinkers that the great Roger Penrose, or even Richard Dawkins falls into. Their sublime ability to create complex and yet fantasically concise occult hypothesis allows them the decompose and recompose with such sheer mastery that they have forgotten the reality of their own methods. They are hypnotized by their own defined immanence, forgetting that even in this present world there are points that lie outside of the rigor of their own presentations. Badiou follows this routine, coming to the conclusion to speak of the totality of Idea as an absolute shield. Nevermind the fact that such methodology did not exist for all time, and that the formalism of our own knowledge is a fragmentary creation of the conditions of what we accept to be knowledge. If our knowledge is fragmentary it is because we reject the interstices which gives each world of knowledge value, value which exists wholly outside of each field but is understood as immanent to that fields own internal non-sense.

This tact understanding is also Deleuze’s greatest insight which I think exceeds Badiou. Deleuze’s own language: the conceptions of territoriality, plateaus and the like, consist of Deleuze and Guattari’s genius at producing traces (rhizomes) by which different machinic assemblages influence one another. (Un)fortunately, Deleuzean language either leads people to reject it outright as being non-knowledge, as there is no “point” by which one can make heads or tails of it, books which review Deleuze and only write about a few of his concepts as though this is the great aspect that is to be gleamed, or books which abandon Deleuze but are “about” Deleuze and seek to create their own immanence. Badiou’s method does allow for some greater control in adjusting and decomposing with greater control, but I think that Badiou himself misses the larger aesthetic of Deleuze by pursuing too recklessly the desire for validation. On the one hand, Badiou understands that his philosophy only has value if he is able to connect it to real life situations (thus his talking about life and death) but on the other hand, he wishes for the most obscure concepts in order to be recognized with his heros, as a philosopher).

Having gone this far in the review, I do wish to pull back a little and return to the material dialectic. This insight is profound on its own, but Badiou misses stating it explicitly in his text because he is too enamored of his mathematical rigor: this point is simply that all creation of knowledge (analysis and the synthesis) is predicated on procedure. The truth of mathematics as a rigorous activity and the formation of knowledge as points wholly subsists on the exteriority of various groups that are able to formulate their knowledge as a logical consistency of their profession/activity. That is to say, the pure immanence of a specific approach requires the route nullification of external connections in-itself. Worlds become whole when they eschew other worlds, and nullify the influence of exterior factors. This pure modeling becomes all the more valuable when it is connected to a process which then is able to modify one another. Professions like attorneys and architects are gatekeepers to officiated activity, activity which is inflated because of the formalism of capitalism… but that in itself, is to encroach on an entirely different subject.

I gave this book 5 stars because it’s a tight piece of world. It’s flawed for the reasons I point out, but it’s still wellworth the read.

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Tractatus Logico Philosophicus

Tractatus Logico PhilosophicusTractatus Logico Philosophicus by Wittgenstein
My rating: 4 of 5 stars

When asked in an interview by Clare Parnet about Wittgenstein, Gilles Deleuze declared that Wittgenstein was the “assassin of philosophy.” Nonetheless, between Badious’ Being and Event II and Deleuze’s work, you can see that Wittgenstein was on par — that is — he was interested in the same topics they were. While Badiou and Wittgenstein appear quite similar in many regards — both approach the presentation of sense as an order of logic — Deleuze’s relationship with Wittgenstein seems strained. After finishing Tractatus Logico-Philosophicus, however, it’s clear that Wittgenstein advocates stepping out of the circular logic of presentation inherent within his propositional language solely to be silent about the very thing language is meant to speak of, and for that, Wittgenstein fails. When you see that this Elan Vital is central to Deleuze’s work, that as Badiou rightly states, is in a sense, what Deleuze’s philosophy can always be reduced to as this concept is so central to Deleuze, you understand that Wittgenstein only formally approaches Deleuze: The two veer off in inseparable difference due to aesthetic reasons (inherent to Wittgenstein’s desire for a crystaline purity of logic).

Nonetheless, the two are nearly ontop one another. You could almost read Logic of Sense as a broader version of Tractatus Logico-Philosophicus. But even further still, when you recognize that Wittgenstein considered this book to be a failure, that at the very end he ends up discarding the very Spinozian-like formality of his Euclidean presentation, of top down truth that dribbles into particular branches only to lead nowhere, you’ll understand that if Wittgenstein was given a longer life with broader exposure to issues, perhaps avoiding Bertrand Russell’s poisonous influence, he might have been able to gleam the larger subliminal essence language has to offer… the very essence that he eliminated through the very rigid formality of his approach.

We all know that language can’t be reduced to logic. This is true, because language can be used to present any number of inherently contradictory hypothesises. Language has to be ambiguous in this way because if it was not, if it was 1:1 as a method of designation, we’d have to invent whole new languages each time we changed the power structure. We may not have to invent new languages for entirely new cultures, but it seems to certainly help. The multi-valence inherent in language isn’t a weakness, as Russell or Wittgenstein may have thought… it’s not an imperfection needed to be weeded out. Rather, it’s a partial resolution of an infinitely resolute difference, one that is further refined…to the point of collapse only to be refined again as needed. The very ability for language to come about, ever changing and alive reflects the totally continuous becoming of the very essence of human knowledge.

In other words, our language changes as the conditions of our knowledge change. Our language changes because our knowledge shifts as we grow and evolve. This constant shifting isn’t reflective of the imprecision of our knowing, but rather, reflective of the depths to which we continually try to know and with which the unfolding of time reveals how much more there is to know.

Given that Wittgenstein wanted only the determinacy of propositions, recognizing that the limits of truth conditions was merely a range upon which we did speak, we can become more mature when we understand that language contains within it the very seeds of indeterminacy so that truth can be presented to us. Only because the void of the indeterminate pure multiple hides within the shadows of language’s incessant murmur can a fully formed truth jump out to us. Wittgenstein definitely chased the absolute point of reflection within language but he didn’t seem to realize that such a “picture” of a logically perfect structure is only possible, albeit briefly, because language is raggedly rough. Only given the inclarity of indeterminacy, with appropriate revelations, at appropriate contexts, can we, when presented with generic knowledge, momentarily recast the whole and for one moment a concise seed can become Truth, locking and freezing us in perfect comprehension, before we realize the beyond the immanence of a particular range of truth values for that presentation, before we then continue onward to newer fuzzier skies.

In other words, we can only have the experience of an accepted truth given that we have the experience of undecided and improper truths. This experience of truth are merely the continual unfolding social contexts by which we consider different (and newer) aspects of the same. As Badiou points out using higher math that Wittgenstein was not yet (and in some cases never) exposed, with even an infinite cardinal we have an uncountable infinitely more relations of its parts, relations which given retroactive composites of other cardinals which may not even be presentable (as they are incompossible), do we continually arrive at further truths beyond our finite comprehension. It is not that we must remain silent because incompleteness is out of the picture. Rather, we are only silent so that we can speak. And in speaking, we must realize as well, that we are speaking only but a fraction of what we are silent on. All knowledge is only possible at the exclusion of other, even greater knowledge.

It’s a shame Wittgenstein stopped here. This is a mature work, but only one in which we can get but a taste of what can come further when we use his methods but discard this naive Euclidean dogmatism of absolute eternal truth.

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Neuter

NeuterNeuter by Hélène Cixous
My rating: 5 of 5 stars

Neuter is a difficult book to read, because Cixous starts where she starts, slightly outside the context of your storied-expectations. Through a series of opening ephigraphs, and outlines of meditations on readings and texts, Cixous draws you deeper into the cramp inner space of story, subjectivity and analyst. Both psychoanalytical and philosophical, Cixous draws the thin null space, the non-existent middle, by which we see the internal dynamic structures that sustain the situation of subjectivity.

This is another way of saying that Cixous desexualizes subjectivity, by further castrating the subject. Rather than posing the master discourse of the universal All-Father, Cixous chooses instead the mother-son relationship, in order to show how a desexualized subject, one that is reversed in their “phallic-essence” is in fact one that is null. From there, she highlights the stakes of the story itself, and the relative positions of analyst and subject.

It all seems pretty mystical though (or musical, if you like), because Cixous walks the line using metaphors and literal meanings of words. Of course words are both literal and figurative at the same time, so she plays heavily with that ambiguity. As part of the writing, the text approaches self awareness, describing its own audience as it creates its own bridges and metaphors. It questions its own page turning, layering for us an introduction that takes us out of the context and turns us back around so that we can leave behind what we are supposed to experience and begin to experience what is there, outside the context of familiarity. This heavy introduction is the chanting part of the text: dive deeper-deeper! as she drops into the very inner void, and places us in the place for a master-text within the master-text, showing us bare subjectivity and bare story as the elements of the narrative are actors in the narrative itself.

Neuter then, is Cixous’s way of castrating the story, taking out the contingencies of names, place and time, by which we read universal “common” experience through each sideline of particularity. Cixous allows us to experience the arbitrary relationships of a story, and she does this masterfully, by turning all its elements inside-out, defamiliarizing the story itself by castrating it of its essential contingencies. In a sense, she makes the story a pataphysical experience of what was previously universal. Neuter is the smallest null space one can get. Neuter is the barest outline of the essential arc. Neuter is the null subjectivity, the zero degree point of view. Truly a difficult and masterful piece of writing, controlled, deliberate and evocative.

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Truth, bullshit, Identity(ego) and Bullshit

If you take words like Truth seriously, you’ll find yourself going into a beyond. Because Truth with a capital T is a place, not a specific content… it’s an empty position, which means only itself. The narrowest point of all, it is also the most distant, the axis around which discourses circulate as satellites.

This “north star” only operates as itself, without meaning because it is completely itself… (meaning is always the deferral of meaning, words leading to more words, thus when it is itself, it is without meaning, an irrational point standing in for nothing but itself). Truth, must remain outside of discourse to organize discourse.

Truth is the opposite of bullshit.

First, bullsit:

I spoke with one of best friends about this. Bullshit is machine language. It’s code. It’s a self-enclosed, self-referential discourse which does not connect well to outside discourses. Thus bullshit, which is always encased in a system (of bullshit) which generates bullshit is like Truth in that it does not refer to anything but itself, it is also equally irrational.

The difference though, is that when you participate in bullshit, when you have a stake in it as an identity in it, it is no longer bullshit, it is meaningful.

For example, you can think that as a college professor, your mission is to educate young minds. Educate them. But the colleges themselves operate on a different level. Colleges rank themselves, compete with each other for funding, create complex apparatuses which organize their departments in the form of hierarchies, ranking its employees and so on. So while a college professor can identify themself like dead poet’s society — through discourse and elucidation, a college will foist on its professors a different identity, one encoached in metrics of grading, ranking, preening and processes… all of which generally serve the college’s needs directly and only the students indirectly, if at all. Such a professor will protest this hijacking of his identity (“I am not a cog in your machine”) and thus the system and its output will be seen as “bullshit”. If you were a college administrator, or a teacher heavily invested with the system and the college’s needs, you may see yourself as both elucidator AND a position within a rank in file within the college — also a representative of the college, befitting the needs of the college. In that case, you won’t see such output as “bullshit” because your identity will be wrapped up within the logic of that hierarchical discourse.

So, other forms of bullshit also depend on identity positionings. If your identity does not fit an imposed external discourse, you will see that discourse as bullshit. You might as well be a mechanic looking at a doctor’s chart, or a doctor looking at a mechanic’s documentation of a ship’s engine. Both discourses are separate from each other, self referential with its own semiotic chains, its own indexical peculiarities, its own bullshit.

In a way, bullshit is the system itself, seen from the outside. No bullshit is bullshit unless you don’t identify within its meanings at an unconscious level. But Truth, is the standin axis for all discourses… in a way, an attempt to contain discourses within one rubric. In our fragmented postmodern world, we generate many self referential codes. Law codes, building codes, computer codes, academic codes, bureaucratic codes, administrative codes, tax codes, stock codes, logic codes, mathemes… all of which are only meaningful within their own self reference. How many tv shows create their own jokes, create their own meanings by referring to an encyclopedia of history? Comic book wikis, Star Trek wikis, Star Wars wikis, Doctor Who wikis, Lost wikis… the list goes on and on.

In the age of information, we create nestings of code in an attempt to attract people to join our languages, our plateaus of sense and reason, and thus invested they exist in a 2nd Life, Sim, fanbased community for which there can be nearly no beyond because self referentiality forecloses interaction between outside discourse. At least, online that’s the case. In person, your neighbors intrude, your economics intrude, your politics intrude and disrupt these fragile sensibilities, reminding us of a larger discourse.

For example, the master discourse today is not spoken in words but in money. Economically, with the current money laundering laws and identity theft laws, our financial institutions seek to mire us within their own code, so that we cannot escape their domain. Everything needs a bank account, or a social security number. We may have gained some autonomy to create separate spheres of influence, but the larger appratuses of capital also seek to dominate us by forcing us to psychically invest in credit scores, tax returns, and to play the game their way… their Truth of course, is money, which is meaningless in itself… Money is the petit object a, of the discourse of money, as it stands only for itself, a zero sum signifier, to guarantee that we are within the system of money, that all things can be exchanged for money as a kind of Money.

This locking of us into this immobility also involves slowly locking us out. Cities have started to impose “good neighbor fees” on home based businesses, so that only the residents can work at such home based businesses. Already in a post-industrial economy, our material dialectic is split by market mediation. We are purely consumers, purely meant to work as employees and consumers. The early 20th century saw the leftovers of consumer culture recycled back into the producer’s side of the cycle… but that divorce only increasingly locks us out of that side… the masters of production seek to keep newcomers out of competiting for production as a way of retaining their access to profit by imposing more power against those who might do otherwise. People who seek to do business on their own face increasing challenges, a nest of laws that would prohibit and limit access while increasing information cost (compliance laws) and start-up costs, raising the amount needed to start a business. People who would be in business see these external constraints as “bullshit” because they do not recognize that the system’s imposition on them as being central to what they are trying to do or who they would to be… that business people see themselves doing transactions (marketing, service or production, shipping) rather than seeing the outside state apparatus demanding of them a piece of their action before they even do anything.

This kind of dialectical opposition through identity is very illustrative of how the category of bullshit is created from the self’s position within a discourse that would locate the self in a different position than where it thinks it ought to be.

Second, Truth:

So if bullshit is being outside of a discourse of self-referentiality, then what is Truth? I sought to take such terms seriously that I looked into meta-language, philosophies, in order to clarify what Truth might be, or how it might be attained. In doing so, you examine words. Language. In doing that, you start to notice words and how they work, what they mean.

When you notice words as words, reality and language start to separate. This is an odd phenomenon, after all, as Lewis Carrol has been so often been paraphrased: Take care of the sense and the words will arrange themselves. The reverse is equally telling. Take care of words themselves, and the very thing you seek (sense itself) will slip from your grasp. When you reach a point that words like Truth mean only what they mean, and that their nest inevitably refers back to itself, you will hit reach the limits of language… for language can explain the objects in language — language moves such objects, manipulates them, for what else is language for, but the negotiation of meaning and personal position among Others — but language cannot explain itself, just as the thinker cannot think itself. This quote from Slavoj Zizek (from Less than Nothing) is useful:

In the opposition between the symbolic order and reality, the Real is on the side of the symbolic—it is the part of reality which clings to the symbolic in the guise of its inconsistency/gap/impossibility). The Real is the point at which the symbolic itself, mutilating it from within: it is the non-All of the symbolic. There is a Real not because the symbolic cannot grasp its external Real, but because the symbolic cannot fully become itself. There is being (reality) because the symbolic system is inconsistent, flawed, for the Real is an impasse of formalization. This thesis must be given its full “idealist” weight: it is not only that reality is too rich, so that every formalization fails to grasp it, stumbles over it; the Real is nothing but an impasse of formalization—there is dense reality “out there” because of the inconsistencies and gaps in the symbolic order. The Real is nothing but the non-All of formalization, not its external exception.

So as discourse is unable to cohere completely, make things what they are, we get the gaps and distortions in things within the symbolic discourse itself, always as an indexical “beyond” representation to stand in for the distortion which is only “true” as it coincides with the un-able to be symbolised formation. Where Truth as a marker of stablization sets in the discourse, it acts as the single sign that is itself, to tie in the external inconsistency/gap of the Real back to the symbolic force. Another quote from Zizek, to continue the thought:

Since reality is in itself fragile and inconsistent, it needs the intervention of a Master-Signifier to stablize itself into a consistent field; this Master-Signifier makes the point at which a signifier falls into the Real. The Master-Signifier is a signifier which not only designates features of reality, but performatively intervenes into reality.

Our loss of a Master-Signifier, as Zizek puts it, from the modern to the postmodern marks the fragmentation of discourses today, unable to cohere together as they split into their own alignments. Nonetheless the modern world exists today, through the auspices of Money and in its spectral form.

So how does Truth and bullshit tie together?

Third, Identity/ego:

For each of us today, as we develop identities and egos, we invest in different discourses, hoping to find one that is legitimatized and mostly compatible through whatever other discourses people around us engage in. Example of such discourses abound: a church discourse, a video game clan discourse, a fraternity discourse, academic discourse(s), economic work discoures… legal discourse(s)… these all intersect at the body of identity, bombarding us with fragmentation and contradiction. Coming to find one’s self, or to “discover yourself” is another way of saying, “I need to find an image/position immanent within a discourse where I can fit in, and become myself…” Spoken cynically, “I need to become the image others will then see as me, so that I may belong to a discourse, without the gap/distortion/inconsistency inherent in being a personality whose psychal investments connect to nothing.” Losers are narcissists for whom their meanings only mean something to themselves… no one else, no outside discourse recognizes their meanings/connections as being inherently meaningful.

Fourth, Bullshit:

And of course, noting how Truth itself functions within a discourse, radically itself because it is irrationally itself. Everything is contingent, although Truth only exists as itself, an emptiness within discourse but not of it (the center is not the center) to guarantee an anchoring of discourse. All is contingent, including the fact that sometimes necessities come out, but only do so contingently. In other words, dissolving words into words instead of reality forces us to lose the very thing we seek to gain… we lose our place because the functionality is localized into an objective model that is not-us. Truth becomes truth, and discourse becomes bullshit.

being and identity and reality

I think much of politics stems from identity construction. Most discussions about identity are approached from the question of the Other — include them or teach them or change them. But really, any position of otherness must be mediated by what the Self is. The self mediating the self is the “invisible” point of reference that creates this initial distortion.

Post race isn’t exactly the same as post identity. Even if it’s a class distinction or, say, identifying as a “punk” which means “I’m real” then others who are not punk are “sell outs.”. Identity works that way.

So being American. Being a man. Being your age. Your personal history your children’s future your parent’s past your politics your sexuality your (in)unique soul. These are still pretty much identity construction that traps us as being a type and others as not being us. Except for genuine interaction, which basically needs both sides of the interaction to shed the image of itself, the Other is always a mirror that reflects back to us our negative that is not-me.

These groups of similar mes that see me as being us organizes groups, and super-groups. This organizationing(s) “hows” how we talk to one another and share resources/work. But each group, and group of groups also describe it’s own outside. You have to be outside the outside, to really step away. This organization/description/structure is not accidentally, how things are supposed to be. Based, on the outside of itself, it has to be this way, as defined by the outside that is not itself defining itself. So, each grouping also describes it’s own outside or “rebellion”. Being a punk is inscribed at the heart of being a sell-out. So it really seems impossible to step out of this reality.

But I guess that really doesn’t matter. Most people just want to fit in somewhere and be themselves. Lol, be who their identity tells them they are. :-)

transcendental immanence

deleuze and guattari develop the concept of the plateau as being a level that is consistent with itself. there are an infinite number of plateaus, just like there are an infinite number of logics, each different but with its own internal consistency. plateaus have at their core, an absolute logic that we can understand as being a “plane of immanence” — which is an even harder concept to define. ( http://en.wikipedia.org/wiki/Plane_of_immanence )

this plane of immanence is only immanent to itself — and this is what allows it to also be simultaneously transcendental but to other phenomenon outside the plane.

the easiest way to conceive of planes of immanence is to think of a specific consciousness — animal, human or alien. how sensory data enters the consciousness, or how that consciousness purposefully arranges phenomenon IS what makes that consciousness itself. this is the easiest way to understand immanence. but immanence is not limited to consciousness. it could be how a specific species of bug is, or how the building code is itself (regardless of what it specifically says), or how a system gravitation works. it could be a logical formulae and its extending existential statements. anything really. even a poem, potentially. anything with its own internal sense, or logic.

plateaus then, are planes of immanence but as they relate to other plateaus, and signs that float between them. if you take a line of flight, a thought as it escapes a plateau, it can then become another plateau. plateaus are the status quo of tight-knit groups of people. when a group of people that absolutely form a group (rather than a collective of individuals) navigate through a new space, they leave behind tracks unique to themselves. like survivors in a zombie apocalypse movie, they take certain choice items, leave others behind, and make muddy prints everywhere. forensic dramas like CIS, law & order, mentalist and bones, and whatever new tv shows exist now… they all hinge on the fact that people are planes of immanence. people can’t help it; they are immanent to themselves. their tracks are unique to them, and can be left by no one. each episode is the piecing together of a criminal profile like a new bear claw in the mud can tell the biologist the age, size, sex, diet and whatever about the bear so they can define it, contain it and capture it… normalizing the forest.

in case you aren’t impressed by the organizational power behind this post-structural philosophy: palmistry, astrology, alchemy… these are all planes of immanence on the scale of their immersion. if you grab any media, like anime or any movie or tv show — if this media is successful it will create a plane of immanence — a world uniquely itself so that we can insert any number of anything into this world and it will follow a logic. (one imagines aliens landing in the middle of an episode of SUITS and harvey spector defending earth by “out lawyering” a bunch of alien invaders)

so, if you think about planes of immanence and how they relate to things like real estate… or doing philosophical forensics — e.i. reading the signs people leave lying around and trying to reconstruct their psyche-footprint — no doubt planes of immanence is related to how we as human beings conceive and arrange things. that is, cultural knowledge can be arranged in a series of multiple planes of immanence. it follows too that biological, and physical phenomena can also be arranged this way, but only as it relates to how we define the study of that phenomenon — or more rightly speaking — how we define that phenomena. because when you take said knowledge and extend it beyond the academic field, we see (more and more so, through the internet’s ability to open us to other people’s thoughts and conversations) that nothing is by itself… changes even in one small area affect phenomena in conceptually remote places. for example, bees. pesticides. earthquakes in distant regions as they make our computer hardware more expensive. economic analysis often trace roots to surprising historical ontologies as they originate through natural or political disasters or technological disruption.

so i’m guessing that these plateaus are more a formulation of our mind than an actual out-in-the-world noumenon.

the question then becomes, for me, how is it that we choose one plateau over another? we (and i mean us 1st worlders who exist so much online) are so exposed to alternative medias, alternative media channels, lies, truths, advertisements that seek to blow our collective minds. yet we filter out some messages when other messages resonant so strongly with us. i understand that too much twisty logic is distasteful. such logic is rejected because it asks that we sacrifice too much of ourselves to follow it. but too little is boring, even cliche. so somewhere in the middle, is the pleasurable playfulness of being exposed to some kind of nonsense. it seems to me that philosophical economics is the proper field of study here.

economics is all about why we choose one thing over another. why we make decisions the way we do. granted, this isn’t psychology or sociology — economics today isn’t even about the maximization of utility. economics today is about the maximization of the objectively quantifiable utility (money and all the things that are money (commodities… stocks, real estate… branding… whatever…)). but the fact of the matter is, we make choices all the time about what we are willing to expose ourselves to, and why we chose to embrace one plateau (say, global warming) over another (say, scientology).

to me, this is MOST fascinating. it’s also not enough to say, okay, here’s a weird club, who goes with it, and can enjoy it… who wants to leave immediately? i want that experience to somehow say something about our psyche, how it reaches our core. i want to trace that line. so i suppose then, that i buy into the fantasy that so many forensic tv shows share: that everything is about us. that our choices matter, that they reveal to the world who we are despite ourselves. we cannot help but be who we are.

the root of this fantasy though, isn’t just that things touch us at our core, that everything reflects on us, because everything is psychologically revealing… it’s the fantasy that we even have a core in the first place.

art and connoisseur-ship as market affects

apparently there’s a release of a new documentary called jiro dreams of sushi. have not seen it. was curious though — thought it was an anime about sushi. cuz on fb and twitter people watch the movie and then go eat sushi.

okay.

naw, it’s about a man who took sushi as an art to the next level. as a biography that’s kind of alright. but the movie seems to translate into go have sushi and appreciate it even more.

that’s okay too. its kind of duh. i mean if you know anything about japan, of course it’s an art. but at the same time, what isn’t anything anyone does an art?

stacking rocks is an art. breathing is an art (yoga). looking at something, standing. it’s all an art. so what!

If everything is art, then why should we care about art?

 

What is wrong with Art for Art’s sake?

i am not sure why i am on such a bent on thinking of connoisseurship. what’s wrong with it? i think art for art’s sake is stupid. i think art for a purpose is just as stupid.

art for art’s sake or collecting specific knowledges like collecting shot glasses. connoisseurship for personal development is a waste, a sign of our decadent society. behaving in this manner is like picking a random thing and making that thing central. that kind of imbalance isn’t really all that great for anyone. but taken seriously, it becomes a replacement for actual life.

i would like to make a distinction now, between knowing what you like and being a snob, an otaku or a fanatic about it… there too is a formal difference between being a connoisseur and being an addict, but i don’t think that in this context, addict vs connoisseur is a meaningful distinction as both seek to centralize a content area. what’s tragic about this content area is that the borders of the content area are often arbitrary, formed from external factors (market influenced, historical or personal, to name a few). EX: you can be a tennis connoisseur but why not soccer or racquetball? that’s a different sport? what about clay courts vs concrete or grass? what about right or left handed players? singles or doubles? mens or womens? you see my point.

in contrast to this decadence, is knowledge collected for the sake of solving a problem. for instance, being nitpicky about how a certain module is built can have an impact on the entire system for the purposes of a network server. that’s fine. or how a proposal is written. okay! but being nitpicky about how a wine is aired is some sense ridiculous.

so art is nebulous, a matter more of deployment and affect than of substance.  this is because there’s no big picture for art. a big picture which preserves art as a concrete thing is a fantasy, because art like authenticity exist in the middle as a tactical endeavor.  art as a material affect lacks authenticity.  authenticity is about relations.

 

Authenticity and the Market place, What makes Hipsters Capitalists

so yes, all i do is talk about the big picture. but there is a difference between relationships and meaning/intention. certainly there is a correlation between things, even cause and effect. for instance, as i’ve complained before, hipsters have a notion that only non-market effects have authenticity.

this means that we (as hipsters) buy things that are local and personal. we despise corporate. but this really misses the point. the corporate (market) culture worships material. through branding, through product and design… the whole point is to get to the point of sale. so knowing this, hipsters avoid markets, and seek far flung corners of the globe to escape market realism.

but this is nonsense because by considering the non-market affects as alternatives to market products, hipsters actually bridge the gap between market and non-market. they introduce global capitalism by seeking supposed non-market areas and introducing rational choice theory and other market constructs. ive said it before; hipsters are very much the avant-gaarde of global capitalism by bringing fringe affects to the center.

so my point about authenticity is that hipsters like their corporate nemesises, miss the point:

Authenticity is found in relations, not Material.

you may complain that your boss treats you inhumanly, like a cog in the machine. but that treatment is authentic because when you are at work you are a cog in the machine. getting cut off on the freeway is definitely an authentic relationship, as is talking to the local barista for five minutes each day. in much the same way, hipsters mistake authenticity as a market construct — they think that having a human relationship means getting to know your local bum as your brother.

walter benjamin got it right with art in the age of mechanical reproduction. art as a market construct comes about when an item can be massed produced. the ‘original’ item then, becomes something more than mass produced. it becomes art, valuable and priceless because of its non-market origins. this is a different understanding of art than as a tactical maneuver.

when you think of non-market influenced art, like performance art.. but even more so like street art, graffiti art or transient earth art as real art (non-museum, non-institutionalized pieces) you are making a mistake about what art is. art as a produced item, even if it has non-market origins only enters the market as more market produced items.

graffiti art just happens to be the latest taste… performance art (which cannot be traditionally museumized due to its localized and temporalized nature) and earth art were previous forerunners in a series of attempts to experience non-market reality. but this too becomes just another item that is more prized as art once reproductions (albeit even imperfections) are passed on.

post-industrial capitalism as a whole is rightly a post-modern worldview, of signifiers divorced from having a penultimate signified.  post-industrial capitalism encapsulates material within a decontextualised territory, of market place, passing on the content as the form. hipsters seeking to escape market influence only spread its affects further because they mistook the market place as a set of content not a logic of deployment.  to grasp onto someone who was the first or who was the best (as with jiro) is just another expression of those elevating forces that define art and artistry as another market deployment. (this works, of course, the same way with music hipsters, who must hate a thing once it has obviously entered the market…)

so if you re-tool authenticity as relationships which originate from us as who we are, then we have to accept that authenticity is market-agnostic. so to go over human relationships as being authentic or not, wearing your mother’s sweater she got you is an authentic thing — not because she made it by hand (rather than old navy — because it might be from old navy) but because you note she loves you and you love her back is the thing. so in this i agree with zizek. the waiter who notes his role as waiter with a dose of cynicism is the man who actually is a waiter… he notes the expected rules and approaches them with the intention of being effective as a waiter is one who is authentic about his being a waiter… more so than the one who just does what he is supposed to with a pure heart… that kind of attitude means that the latter has not sacrificed all that he is into the role — he has not given up that which is not waiter yet, as he has not acknowledged it to give it up.

this is kind of a complex idea, but it comes from zizek’s background growing up in stalin eastern europe. one’s actual actions count, so that if one even carries with it the negativity about their duty and yet performs their duty — then one really is completely “into it” so to speak since one has made the choice to accept one’s fate… rather than one who mindlessly does it because it’s there (suggesting that the latter has yet to really make up their mind as they haven’t yet realized their mind).

in much the same way, one who is with their spouse despite their spouse’s flaws is one who is committed to the relationship. perhaps that is a more obvious way of speaking.

this of course, defines authenticity regardless of market influence.   authenticity has to do with personal affect, if it touches you or not.

sad to note though: the most authentic relationships most people have in their daily lives are with their pets. we can imbue our pets with subjectivity so as to better relate to them — or we can take that subjectivity away, should it be inconvenient. what makes most people’s relationships inauthentic is our inability to really accept the other person, due to expectations, market forces, career pressures, emotional hang ups or whatever… (i don’t mean that one should blindly accept whatever your significant other dishes, i mean that your relationship should be defined on a personal basis before one plays the role of “wife”… not because one has to be a “wife” so that means you behave in a particular way regardless of how one feels or doesn’t feel)

So where does that leave us with Art and Jiro?

rather than pursuing art in terms of market, we should probably see it natively. that is, with the viewer’s  (our own) sensibilities than any group focus. group objectivity is a theoretical position, one which is best fostered through art community consensus or market forces (enough people recognize, or it has been reproduced enough times to be famous). this means that art is a nebulous thing… and it is up to the artist to manage their audience’s expectations, should they wish to be an artist. i don’t think that art for arts sake should be how we see it, otherwise as a model of self expression, bad poets are the most artistic of all, since they speak directly from their emotions regardless of craft… and bad poetry is something most people will recognize as not being at all art.

so what we take from the movie is what we will, be it a biography, or a better appreciation. and if it be the latter, than we have achieved the most simple marker, haven’t we? and if watching a movie lets us be affected by sushi as art, then so be it.

what’s missing from corporate materialism is enchantment… and tactically, that is what art does.

so yeah, i did start somewhere, against something and i ended up in the same spot, with everything possibly, as an art. so what!