The Ecology of Others

The Ecology of OthersThe Ecology of Others by Philippe Descola
My rating: 5 of 5 stars

Although a tiny book, this hits hard.

Through the field of anthropology, Descola notes the duality of nature and culture in ecology, anthropology and biology. Hard anthropology was to establish the unity of humankind. Social anthropology is meant to explain the variation within unity. This invariant cut aligns these sciences by pre-supposing an etic paradigm reflexive of a continuum of mind-body duality.

Thus, cultural is either natured by material geography or material geography is natured by culture. Either way, nature becomes a container for the limits of the study of cultural variation, either as the generator or as the mirror.

In this way, the very study of anthropology imposes a search for an invariant ontology within all cultures. For the former (cultural materialism) we look for a master generator of material reality on a soft cultural milieu. On the latter (like the idealism of Claude Levi-Strauss) we seek a master grammar of cultural semiology. Descola points out that this structuration imposes a transcendental cut that acts as a transducer. We eliminate the internal agency of the cultures that are examined, even if the ethnography is emic in search of an invariant generator that would match the hard anthropological unity that limits the study of cultural anthropology.

As a result, this duality misses the deeper implication that all cultural ageis is expressive of a human agency that operates internal to a culture, one that serves only to reproduce itself as humans reproduce ourselves. Our desire to standardize all studies is also a desire to impose our form of agency (power) on others. His suggestion then, is to study these fields as separate cuts on their own, without looking for a hard biology/material/geography or a hard idealism to calibrate variance to. In this way, he suggests we look for rules within each culture to as determining their own values and topography. In essence, he seeks the fragmentation of the field further, to find the character of each, risking our inability to speak to one another, but at the same time, discarding the value judgement we make when we attempt to normalize the difference of the other, through generative theory.

In some ways, this is expressive of a schizoanalysis (from Felix Guattari and Gilles Deleuze), to make a hetergeneology of anthropology rather than following a structuralist superstructure-account. While Descola does not go on this bend, or connect explicitly with these thinkers, his suggestion is very much to quantize anthropology, to atomize according to agency, rather than atomizing to qualities based on a supra-transcendental field of a virtual cultural generator. I do look forward to reading more of his work.

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Love in Idleness

Love in IdlenessLove in Idleness by Amanda Craig
My rating: 4 of 5 stars

Despite its slow start, with seemingly an impossible number of characters, Craig pulls this story together in a surprising way. We know it’s based on Shakespheare’s Midsummer Night’s Dream. And even still, she still manages to delight and surprise us. In a strange way, what comes out of this is a middle class critique of the wealthy. The loss of influence of the wealthy matron, and the rise of a single mother seem to be the inevitable pact that Craig makes. We admire the wealth. We want the lifestyle, and yet, this is only made possible due to the presence of the wealth and the exotic location of being somewhere (rich and idle) that this story could even happen. Despite the valorization of the middle class value of working for your own way, this story isn’t possible for middle class people.

All the same, Craig manages to make this a compelling read for me, despite the sloven pace. She finds her tempo towards the end, and even though we can tell what the ending will be, it’s still steam rolls forward with all the fury of a comedy. Perhaps this is due to the writer’s energy more than anything else.

The only complaint I have about the story, other than its pacing, is that her attempts to speak for the daughter seem too much. She doesn’t speak through the daughter’s voice, but overlays onto the daughters attitude observations worded concisely as an adult would make. This is a bit detracting, for the “magic” of the People seem only possible through the eyes of a child, and those eyes may, at times, feel a bit contrived.

The burdens of modern motherhood also feel a bit overlaid. The character of Polly and Meenu both add a dimension of reflexivity that doesn’t detract from the story, but adds ruffage that make the entire cast seem more real as people. In a strange way, Polly and Meenu thus “switch places” though this seemed more accidental than planned, since Polly didn’t reflect on this positional twist whatsoever.

Craig’s “twist” with the husband too, didn’t seem terribly put on as an afterthought but it did seem a little deus ex machina. The little brother’s explanation of his big brother also seemed too much like a reflexive self justification. So I thought that Theo’s storyline could have been explained better. In a way, the “update” of Shakespheares work was truly an update, as it told the story through the normalcy of a sitcom cast, meant to appeal to idle upper middle class liberals, who would want a happy ending for everyone.

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The Hunt for Red October

The Hunt for Red October (Jack Ryan, #3)The Hunt for Red October by Tom Clancy
My rating: 4 of 5 stars

Of course, at the end of this book we see the Americanism evident. Soviet poverty where communism “makes shit” and American abundance where capitalism “makes the Shit”. At the level of comparison of action however, this book works as a comparison of American tech vs Soviet ideology. All the American characters, except for generals and politicians, exist at the level of technical knowledge. The operators, officers and analysts are men whose expertise allows them to full specific roles of objectivity; to fix or operate machinery. The explanations of the machines and their operators is one of geeky admiration. On the other hand, the agency of operation for the Soviets is political influence and falsifiable ideology. Soviets make decisions based on ideology, whereas Americans make decisions based on engineering and science. Obviously, this is a false dichotomy, but it is the presentation inherent in this book.

The defection of the Soviet officers are basically of officers who are frustrated by Soviet politics. They are more suited to being a geek than a communist — as one Officer dreamed of being an electrical engineer, and working on computers. The implicit reward in this book is that if you are able, then America will reward you for your abilities, (whereas the Soviets rewards for one’s familial stance within the party). A final marker, of course, is a token black submarine Captain who stands in for ability above racial prejudice.

In a way, as thrilling as the book is, there structure doesn’t leave much to be contested. The Soviet defecting Captain doesn’t seem to have much plan, as we can tell. Just to defect. But despite his belief in superior Soviet sub technology, he is easily discovered by existing American sonar, fairly early in the book. Much of the book then, has to do with a tour of American and British technology through a CIA analyst, who overcomes his deep fear of flying and submarines (fear of machines) to do his American duty. His eyes opened are our eyes opened. So in a big way, the setup for the climax comes just at the very end, one Soviet sub against another — a fairly complex and thrilling but laborious battle but one that is really only showing a splintering of Soviet lines. One Soviet (but truly American in ideology) officer vs another Soviet officer, with the Americans to facilitate the witnessing of “what really happened”. From the point of view of the story, an American vs Soviet contest would be too easily an American victory. The lack of aggression on the part of the Americans, is also to show how truly neutral Americans are. We aren’t the aggressors. We aren’t the antagonists. We have nothing to prove because we need prove nothing.

And in fact, this is what happens. In The Hunt for Red October the Soviets themselves prove American superiority.

Although this is a straightforward text, it says what it needs to say, and in doing so, states what it intended to state without complication. Even though the characters are not really people (they are more roles than anything else) and its fairly predictable, its entertaining quality attests to Clancy’s mastery of this genre of craft.

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The Truth of Zizek

The Truth of ZizekThe Truth of Zizek by Paul Bowman
My rating: 2 of 5 stars

I find the only thing more confusing and boring than reading Zizek (who is sometimes boring!) is reading about what academics have to say about him. Of course, this is where academia is at its most stupefying, where one can only take a stand by claiming that another did not say enough. While sometimes amusing, I think the short essays attempting to grasp Zizek’s complex and often compelling arguments seems to fall short. The problem with summing what someone says when they aren’t finished saying it, is that often we can’t figure out what kind of effect that person has had yet.

There are a few gems in this book, but it’s often undecidable as to who to give more weight to. Zizek’s 50 page reply at the end (by far the longest) encapsulates the very paragon of being himself. As he states ironically

When we are avidly expecting the new book of an author, and this book, when it finally appears, turns out to be a disappointment, we can say: ‘Although we were waiting for this book, this is not the book we were waiting for’. This, unfortunately, is also my impression apropos the texts in the present volume–not because it is highly critical of me, but because so many arguments in it are based on such a crude misreading of my position, that instead of confronting theoretical positions, I will have to spend way too much time answering insinuations and untruths as well as setting straight the misunderstandings of my position–which is, for an author, one of the most boring exercises imaginable. In order to ease this burden, I will effectively do what I am often accused of (over)doing: cut and paste bits of my past texts where I already clarified the issues debated here.

Taking the most critical stereotype of himself, Zizek gives permission for his detractors to mock him by effectively removing their ability to criticize him. He does what they claim he does so as to remove their criticism from him. In this manner, Zizek exercises in academia a general mode of reddit or 4chan or any other internet forum. You agree with your critics so they no longer have power over you. And yet, apropos Lacan (and Marx), you acknowledge the “terrestrial basis” of your ideology so that it can have greater force. We do what we do despite our intellectual cynicism because that which we do has power over us, to move us despite our skeptical, enlightened modality. In this way, Zizek may stop short of asking what his critics “hamsters” are, despite their probing into his own personal life, because as it may turn out (who knows), their critical hamsters may actually be the position they have placed Zizek himself. Perhaps (un)ironically, by questioning what his truth is, they have given him full license to continue to perpetuate the writings he engages in.

And in that sense, this book is wholly unsatisfying simply because there remains a pivoting but no synthesis of position. We are left knowing less than we knew before despite having all these experts positioned around a table differentiating themselves. I think this is a good view of academia in its meaningless repetition.

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Grover Cleveland: The American Presidents Series: The 22nd and 24th President, 1885-1889 and 1893-1897

Grover Cleveland: The American Presidents Series: The 22nd and 24th President, 1885-1889 and 1893-1897Grover Cleveland: The American Presidents Series: The 22nd and 24th President, 1885-1889 and 1893-1897 by Henry F. Graff
My rating: 3 of 5 stars

Yes, Grover Cleveland was not so flashy. His story is a story of a man who was the right honest joe for the right time. He didn’t shake things up, but he presented the right image for a time of scandal and corruption. He straddles the start of modern media, where modern reproduceable print can widely disseminate who people actually are, and what they look like.

While he didn’t want to be president so badly the first time, it was interesting to see how he took interest with the presidency of Benjamin Harrison. He was perhaps the only president to really speak out against his predecessor, winning the White House back after four years.

Graff presents Cleveland as a straight laced man, honest, ethical and a workaholic. He didn’t pursue glory for himself, nor riches, and remains a kind of solid bygone of a man who became president on reputation alone, in that brief twilight before modern media made the government and the public hyper-aware of each other, to the point where public opinion now sways government daily, and government likewise intrudes strongly in everyones lives.

With this biography we get a glimpse of the past. Not a past ruled by a flashy man, but here, a past where one man was conditioned by his surroundings, valorized by the time of day.

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Critique of Pure Reason

Critique of Pure ReasonCritique of Pure Reason by Immanuel Kant
My rating: 5 of 5 stars

So much has been written about Kant. Yes, he’s hard. He’s rammbly. He’s overbearing. But this is due in part to the fact that written in 1781, Kant did not have anyone to talk with. He lacked the ability to find other minds and interface. So in those ten years of silence he talked to himself. And he’s a bit disorganized.

So lets not quibble with the details. Instead let me cut to the heart of what he is saying, in a way that goes beyond any reading of him that I’ve come across yet.

The one aesthetic Kant is after, that allows him to hit a home run, is simply this: All concepts are regulatory.

What Kant is after is to understand the limits of what our regulatory reason can do. This can’t be a function to decide truth. This can’t be a function to decide reality. This isn’t an effort at wisdom. We can use reason to figure out the contours of contingency, of what is given to us. But we cannot use it alone to do anything.

Kant attempts to show us the value of reason in melding together different functions (be it imaginary or understanding or reason) and in this way seeks to highlight the vehicle by which we can come to grips with phenomenon. So weaknesses?

Yes, Alan Badiou is partially correct: Kant’s system requires that he created a negated structure, the noumenal upon which to hang his phenomenon. But Badiou is also partially incorrect. Kant was the first to recognize, through the figure of the transcendental, the necessity of having an apparatus of measurement upon which to solidify a phenomenal field. That is to say, phenomenon cannot interface at a consistent level unless there was a larger field to unify them as equivalent. Hence, this transcendental. Kant laid out the form for us, to quantize, to organize whatever we apperceptive. Historically, this is how Heidigger is able to note that Kant is Modernism Part II. Descartes introduces the need the for a transcendental field (in the form of the mental realm) but Kant completes his thought. Hegel is the application for this field to surject unto Absolute Knowledge.

So we miss the point when we quibble with his mathematics or his bad physics, or how he didn’t understand quantum mechanics. None of his examples matter in their detail. What matters is the principle behind this critique, one which reveals that concepts are regulatory.

And while it’s true, as Kristeva points out, Kant did not “discover” negation (leave this to Hegel as a way for him to bind according to the dialectical-synthesis process) Kant does reach negativity. Negativity is necessary as the limits for a given concept. And if you look at towards the end of this masterful work, and ignore his annoying repetition, you come to understand the antinomies are but examples of the limits of conceptualization itself.

Yes, Dedekind’s cut of real numbers or Badiou’s theory of points belie the same “cut” as Kant’s antinomies. By injecting reason in at various arbitrary positions, we can cut a dichotomy into a mass to differentiate positions. Such positions then become expressive of the cut, which we use as an absolute reference. This reference allows us to orient ourselves. So yes, when only we do not “extend reason beyond the bounds of experience” can we avoid these antinomies, Kant highlights these antinomies as way of showing how reason provides the extension of any given cut, which are always contingent by arbitrary parameters, be they a sensuous apperception or some inherited folly of the imagination. This section following The Ideal of Pure Reason all the way to the end of the work, gives us the apex of Kant’s reach. He was articulated much, but never brought it back around to exploding the limits of concepts themselves. He could only fumble and say, well, they are regulatory.

Not only are they regulatory but they are necessary for the organization, the quantization into phenomenon, inasmuch as the sensuous, as he calls it, is necessary for logic to take a stance. We need contingency to make a mark somewhere, otherwise we get nothing but pure logical presentation without any place for differentiation into a real context. It is this dual refractory nature that presents us with agential cuts to determine the nature of what is real, a mixture of contingent sensuousness and transcendental formalism. This mixture however, isn’t stable, it belies on the context of previous cuts, usually derived from our human need to have agency in limited domains.

This is the start of post-modern fragmentation of knowledge, as each domain acquires its own organizing cut.

But this is also well beyond the context of where Kant was going.

So if you keep in mind the “regulatory” nature of conceptualization, you’ll come to a fruitation that is far more radical than any reading of Kant that I’ve ever come across. I think you’ll find as well, that this radical negativity, necessary to cut concepts out of the larger folds, is why Deleuze found himself returning to Kant towards the end of his career. In this way Kant is still more radical than most anyone gives him credit for… and in this sense, his admiration for David Hume speaks volumes about where he’s going with this critique. In fact, he exceeds Hume in this way, by abstracting Hume’s explanation of human behavior as conventional habit into the modality of regulatory concepts. Kant finds the limit of reason but in doing so he is able to demonstrate how reason is utilized to supplement understanding beyond the bounds of experience. His four antinomies are but possibilities for unfounded regulations, many of which Hume would simply call “conventions”.

To wrap. I for one, am glad to have Kant as a guide. As staunch and “joyless” as he is, there is a core of clear direction within his thought that allows him to calibrate his awareness to a finely tuned point regardless of content. Kant turns rationality in on itself and is able to note the different vectors within rationality as a manifold, a field of its own connectivity. Kant adds these various example, these vectors together, rotates rationality as a vehicle of deployment and is able to find a navel limit within rationality, negativity on the one hand, sensuous apperception on the other, and the chimera of the transcendental dialectic on the third. This groundwork of pure formalism is the striking aesthetic consistency that belies German philosophy post-Kant, while marking the groundwork for the very abstract structural formalism that is to follow in mathematics and science in the 19th century and beyond. Without having the ability to negate all that does not logically follow, or being able to create limited phenomenon within a transcendental domain, we would not have any technological or mathematical achievements today.

This isn’t to say that Kant should be given credit for this because he “invented” this. Rather, he was simply the first to stake out the parameters for the nature of these kinds of endeavors, endeavors which continue to structure human experience and behavior today. No doubt, if Kant did not do this, then someone else would have formalized this exercise, eventually. Still, to one lonely man in Königsberg, thank you.

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Astonishing X-Men, Vol. 2: Dangerous

Astonishing X-Men, Vol. 2: DangerousAstonishing X-Men, Vol. 2: Dangerous by Joss Whedon
My rating: 4 of 5 stars

This volume was better than the first one. The pacing for what needed to happen was fast; and as a team x-men worked out very smoothly, as expected. There was, however, nearly no twist to this, despite the changing need to deploy the team members smoothly. As always the art was good. The ending however, made all the difference, as the ending tied together the plot so that all the characters found their center again. As typical with comic books, we get a glimpse at normalcy (for them) but also an eternal window to the human condition.

The only plot issue I had was with what Emma Frost said to get Danger’s cooperation. All the same, I suppose they have to leave some tie for later. Pretty enjoyable all around.

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Sula

SulaSula by Toni Morrison
My rating: 5 of 5 stars

Yes, we know that Toni Morrison talks about the deprivations of poverty, racial bigotry and its effects on black communities and especially on women of those communities.

Here in this book however, is an interesting take. The close and endearing friendship of two little girls extend beyond their life choices. One to assimilate into the black community from where she grew. And the other to strike out into the broader world beyond and then return to that community with a broader view. And while Sula returns to become a pariah, acting as scapegoat so as to unify the community that brought her up and hated her, so she also saw beyond it to a code of ethics not born of that community but one that sparked her friendship with her close friend from beyond the grave.

This is a pretty amazing work, as it invites us to get a glimpse of the early to mid 20th century’s economic and social forces in creating this black community as a place, so that the friendship of two little girls in that community could blossom and approach a meaning of its own.

It was confusing at first, to spend so much time with Sula’s maternal lineage. But this allows us to see the vector of her release into the world, and her sublime return as one who understands. In standing apart as an outsider, Sula allows us to nail down the black community in its pain and suffering, to come together in a time of need (dislike of her) and so their reduced vision is unable to withstand the sight of original singularity.

Short book, but well worth the read.

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Animal Liberation

Animal LiberationAnimal Liberation by Peter Singer
My rating: 5 of 5 stars

Singer takes ethics seriously. As a philosopher he provides a cut that separates the abstraction from its application. This is a compelling argument. While he shows us, in book form, much of the widely known (and unknown) atrocities that come with how we treat animals, for our gut level, animal reaction, he emphasizes that as human beings we have a choice we can make about how to be in the world. Suffering is suffering, and the cut off between human dignity and animal dignity is one that overlaps. The only difference that would block this overlap would be due to ideological weight we put on valuing humans over animals.

His argument can also rightly be distilled into various levels of agency. Eating vegetables is better for the environment, which means better for humans. Human digestion can survive without animal tissue to digest. Dignity is due to the capacity of the bearer to suffer, and animals do suffer. If we prevent the suffering of other humans due to their capacity to feel and think, there remains very little room for debate to not extend this to animals as well. Truly, our inability to extend this to animals can only be due to how we ourselves are irrational and unwilling to change our habits. Going against the grain is difficult, but if you see only a neutral situation in the face of suffering then you have chosen the side of the oppressors.

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The Seminar of Jacques Lacan: The Four Fundamental Concepts of Psychoanalysis

The Seminar of Jacques Lacan: The Four Fundamental Concepts of Psychoanalysis (Seminar of Jacques Lacan)The Seminar of Jacques Lacan: The Four Fundamental Concepts of Psychoanalysis by Jacques Lacan
My rating: 4 of 5 stars

This is my second time reading this book.

In his attempt to correct Freud, bring him up to date, Lacan approaches the same metaphysical abstraction as so many post-structuralists. A big part of psychoanalysis’s problem stems from methodology. In order to help his patients, Freud had to determine what normalcy was. And he did this through the cultural signs that were available around him. Lacan’s abstraction of these terms is an attempt to get away from the original limits of Freud and get at the principles of what Freud was talking about. The ordering that Lacan utilizes in order to center the subject is actually pretty deft. He approaches sort of sideways, from the abstraction of human desire as drive — in doing so, he places us in relation to the subject, but only from the angles at which we can see it. The distortion apparent in the subject’s view of itself, the only part where we can come to understand itself as as being — in essence, torsion in a field of the symbolic. Whether this happens through the other, or through itself, or through drive or any other conception is not as important.

What’s interesting about this difficult structure is that Lacan’s highlight follows a very familiar path. We need to have two things to measure itself against. This could be a phallic and a drive. It could be the other and its gaze. It could be the analyst and the subject. Really, there are so many available! Each of these different metrics presents for us different normalcys, different ways of sparking what may be normal. Ultimately though, Lacan is able to get us back to normalcy only when we approach the imaginary and symbolic regimes in conjunction with their phallic suture. This master signifier becomes the unit that marks the weave of meaning, in the same way that money is used as a filter in our current civilization to codify relative values.

While this is terribly interesting and a good gauge of what Lacan is talking about, what is missing in all of this psychoanalytic structure is the need for agency. We can retroactively stamp the structure onto any story or person or event we like. But we have a hard time trying to figure out how to get us back to where we need to go. The point of all this is to find out what normal is, so that we can help patients recover their sense of person, or their direction, or whatever is wrong. And that becomes a huge issue as to why psychoanalysis starts to lose its prestige today.

Of course, this is just a seminar about the conceptual framework. But shouldn’t this approach also be considered? We take this thought for granted because, I assume, we enter the seminar already believing.

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