The Diamond Age: or, A Young Lady’s Illustrated Primer

The Diamond Age: or, A Young Lady's Illustrated PrimerThe Diamond Age: or, A Young Lady’s Illustrated Primer by Neal Stephenson
My rating: 5 of 5 stars

Perhaps this is a matter that Stephenson is a programmer, but despite the amazing awesomeness of his expansion, the concept of creating a whole only from formalistically aligned agents is the only apparent limitation of this book.

What is the most futuristic about this book is what’s most interesting: beyond consciousness is material agency. Beyond technology is the conflation of agency and consciousness. Here we get a primer that reflects back the sum total of various social memes, presented as a subversive text that aligns to a developing consciousness. In a sense, primers have existed, but always under master guidance: tarot cards, for example. Or gnostic religious texts. Such high level manipulation of form is today, only given within a technical division. What is necessary for a developing consciousness though, is the ability to abstract patterns and then run their consistency forwards and backwards. From there, the partial worlds aligned by agency and ideology are at a loss as to the next direction.

This is where Stephenson turns to the mysterious seed, which is little more than a view espoused by a nanotech engineer. This view is the necessary meld of programmable reality, a belief in the completeness of human conception to manage material universes ideologically.

Where Stephenson ends mysteriously is in Nell’s subversion of the primer’s creator’s view, to reject a totalized agency of human consciousness/sexuality — where humans are little more than computational components. She releases from that mix individuality, and in that sense, subverts the primer completely.

Diamond Age is a view of human consciousness; whats at stake is our very freedom, to be ruled completely by managed eusociality (through the Victorians, or otherwise). Stephenson subverts the logic of his text in this ending, by choosing human freedom. In that sense, this utopic vision is dystopic because he shows us how it is limited, how it collapses, and is hypocritical to those who grew under its auspices but do not understand that the world they grew up in is an answer to a past problem, on that may no longer be relevant for today.

In that sense, as the little sisters show us, those of us raised by a system become formalized — indoctrinated within that system. This is not the answer to human consciousness as it is not a solution for adaptability. What we want is for people to grow up able to choose for themselves. To this end, Stephenson shows us that the primer used mechanistically as a mass solution shows its formalistic weakness. Like stock market strategies that profit only in the hands of the few so truly subversive systems only work when they are hidden.

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Studying Popular Music

Studying Popular MusicStudying Popular Music by Richard Middleton
My rating: 3 of 5 stars

Middleton takes a discursive formalist view of popular music. As he probably meant this to be a marker to define the study of music by bringing in a syntax-Foucaultean view, Middleton splits his time between talking about what others have said of music with how to dissolve music into pure syntax.

The view of a complete atomization of music in order to highlight the study of music betrays a kind of Newtonianism in Middleton… his extensive survey of musicology likewise does the same thing. The assumption here is that there is an objective stable view of music “outside of music” that allows all the characteristics of music to be understood. This view however, is one that is immanent within musical discourse (what critics say, what listeners say, the flux of what we understand to be the content of the study) without much appeal to other terms. But Middleton is not looking to study music as a science. Middleton doesn’t try and examine music as a physics (like Philip Ball) or in terms of brain chemistry or larger social movies of history qua subjectivity (although he does to some degree involve class struggle and technology). Instead, Middleton expects to be able to calibrate music to some kind of non-atomization that is atomization or pure structure in order be able to measure the torsions in music.

Since Middleton has not established a particular view he is sticking to, this book wanders. He of course, doesn’t want to venture too far into philosophy or metaphysics, so he ends up without much of a point. In the end of the book, he ventures to talk of a “history of the future” thinking that some utopic ideal of subjectivity will provide the unit of measurement for music. Of course, this doesn’t happen either.

While this is a great resource for a bibliography, and Middleton has done lots of work, the question he doesn’t fully get to, but only hints at, is “what is at stake (in the study of music)?” This will answer why we should study music. Unfortunately this is a work of nearly pure academia, so he doesn’t seem to think this question needs answering, as study is its own reward. Unfortunately without knowing what is at stake we have no way of deciding what approach is appropriate. We can’t find a completeness in our approach either, because we have very ill defined borders for what music is (that is, where it ends, and other subject matters begin, such as materialism, or consciousness and so on).

On the one hand it’s too easy to say “so what?” but being able to answer this question will provide a view by which Middleton can stop wandering and start to intrumentalize his vast number of theories.

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The Curious Incident of the Dog in the Night-Time

The Curious Incident of the Dog in the Night-TimeThe Curious Incident of the Dog in the Night-Time by Mark Haddon
My rating: 3 of 5 stars

To some degree, this is a great book. The character is less a character than an amalgamation of a set of characteristics meant to be autistic. The writing of course, takes us out of that because Haddon, while speaking in first person, says too much to be a truly autistic narrator. What I mean is that Haddon explains more than someone with autism would, and that kind of attention to the reader combined with an inattention to the characters by the narrator is a disjoint that is distasteful.

Still, he tries hard to show us what it’s like. The book is amusing and touching just as it is contrived — that the characters of father, mother, and so on all behave in what we can see are constrained ways meant to drive the plot more than anything else. In a sense, the world is a foil for autism. This isn’t a difficult book to read but to some degree it was a little tiresome. I think Haddon would have done a little better to write from outside the narrator’s point of view, although this would have been harder to pull off in terms of sympathy.

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What Maisie Knew

What Maisie Knew What Maisie Knew by Henry James
My rating: 4 of 5 stars

In the round about way of Henry James, we see the development of a young woman who is not yet woman. She is still a girl at the end of the story yet she comes to a maturity in which the repetition of adult sexuality (through the figure of a family) interrupts her stability. In the end, Maisie comes to transcend her situation by defining it properly. She chooses the way out correctly.

The ending hits a note of subliminality as she never explains what she knows, she just comes to recognize and break the pattern.

This is a simple story, direct and yet circumlocutious. Part of the directness in the journey comes from having to go through the pattern of circumlocution. To a degree, James demonstrates his mastery by having his characters speak barely enough, and yet not enough at all. His dialogue is as plain as a movie script; designed to move the plot forward and show no more.

I didn’t like Henry James for a long time, but I suppose this story is about right for him. Well done.

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The Experience of Freedom

The Experience of FreedomThe Experience of Freedom by Jean-Luc Nancy
My rating: 2 of 5 stars

In the tradition of transcendental philosophy, Jean-Luc Nancy tackles the experience of being existing as freedom itself. Nancy attempts to draw an ontological ground for experience by calibrating existence as its own freedom. He finds an angle through Kant, Hegel and Heidigger so as to release being from the world of ideation. He takes the split of phenomenon and unifies it as its own logical independence, citing the cut as the logical difference of being itself rather than one of ideation or sensuous apperception.

This is a rather easy cut to make. Jean-Luc Nancy runs through the gambit of freedom from a variety of standard sources and then ends with questions of morality. Since he has separated being from thought, there remains little to guide a relationship between being and thought. He ends up with this hard nugget of being that is totally independent, finishing with an experience of being that is free. Free not only of categorical imperatives but also breath-takingly free of any kind of understanding what so ever. We now have nothing to guide our decisions about being when left to being itself.

In many ways this is a very boring book, despite my interest in philosophy. Nancy ends with an ontological version of “laissez faire” where we are free for whatever. This is disgustingly relevant, obviously, to our post-industrial capitalism so that in a way Nancy didn’t even really need to write a book on this topic… as it isn’t particularly useful to anyone.

Despite his impressive range of quotations and his attempt at systematizing being and freedom — which is near impossible to be coherent about since each of these different philosophers offer different systems of their own — his distortions end up saying very little new. This is a bad kind of academic-philosophy because it re-calibrates thought in a way that leaves the familiar categories realigned without introducing any new idea whatsoever.

In that way, its an embarrassing book to read because it’s written so backwards it ends up being “so what?” So the rift of freedom, experience and being has been widely struggled with for centuries! Why don’t you say something that we don’t already know? Just because there has been a problem doesn’t mean that this problem needs to be revisited.

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Religious Poverty and the Profit Economy in Medieval Europe

Religious Poverty and the Profit Economy in Medieval EuropeReligious Poverty and the Profit Economy in Medieval Europe by Lester K. Little
My rating: 5 of 5 stars

Here Leter K Little traces the development of the profit economy from a gift economy. He highlights how the legend of the usurious Jew comes about when the main stream culture through the wealth of the church comes to occupy the scapegoat of greed so that the church’s tides system and the emerging banking system in Europe can be free to operate. As money comes to take the center stage in organizing culture we see a revival through the various groups within and associated with the church as a twist from living well to purposefully making poverty a choice in order to maintain moral purity necessary to mark themselves as being alienated from the “dirty” emerging money economy.

Despite the promise of a dry book this was actually very interesting. Little’s writing is clear. I would have liked a little more background on the money economy’s emergence but I suppose that is beyond the scope of the book. The emergence of poverty as a religious asset is a reflection of the emergence of money as the central organizing principle. Religion fights to maintain a suprasensible hold on organizing human activity above and beyond money. And this seems to work, at least, in the middle Medieval ages.

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Foundation, Foundation and Empire, Second Foundation

Foundation, Foundation and Empire, Second FoundationFoundation, Foundation and Empire, Second Foundation by Isaac Asimov
My rating: 5 of 5 stars

Although this book would deal with understanding human society through the indeterminacy of human quanta, the specter of psychohistory (and the second foundation) presents a Newtonian ideal by which the observer (second foundation) is able to erase its existence perfectly, “eat its own non-existence” so that we are left with perfect knowledge of the workings of humankind.

I found the journey of reading this to be exhilarating — even though that there is mathematical expression of society, knowledge, unconscious and human zeitgeist as one logical coherency to be a dubious idea. Nonetheless, this aesthetic has long been sought after. In modern times that we can start with Thomas Hobbes, as Phillip Ball does, in Critical Mass and understand that statistics was first developed to hide the inconsistencies of experimentation in physics. So we return back to the Kantian norms of finding the hidden logic of reality, one that is somehow suprasensibly suspended beyond our everyday material reality but governs those relations completely.

There is much to find interesting, despite the conservative nature of the story. Asimov is a very imaginative writer.

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Flatland: A Romance of Many Dimensions

Flatland: A Romance of Many DimensionsFlatland: A Romance of Many Dimensions by Edwin A. Abbott
My rating: 3 of 5 stars

A somewhat interesting short book in which dimensionality is parsed into social relations to reflect the biases of human culture. The increase or decrease of dimensions is seen as a bad synthesis by others who would like to understand their own dimensionality in its limitations. An amusing idea.

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Écrits: A Selection

Écrits: A SelectionÉcrits: A Selection by Jacques Lacan
My rating: 3 of 5 stars

Here Lacan dazzles us with his ramblings. I suppose in some way there is very little clarity he can achieve due to constraints of language. But here he highlights strongly how consciousness and mind self develop from social selection and from bodily “cuts” that interrupt and force us to find coherence in abstraction. The final formulation for the self seems to be on the plateau of logical resonance, when one is able to comprehend and endlessly defer that empty lack that sutures our sense of person and the sense of others.

What makes some of this difficult is that this selection kind of starts in the middle; there is no easy introduction here, you are assumed to know the basics. For that reason, I would have liked the very excellent last essay to be one of the first.

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Order Out of Chaos: Man’s New Dialogue with Nature

Order Out of Chaos: Man's New Dialogue with NatureOrder Out of Chaos: Man’s New Dialogue with Nature by Ilya Prigogine
My rating: 3 of 5 stars

The authors’ enthusiasm comes out quite strongly. Congruent with their Kantian world view, they combine disparate fields of study in order to assemble “noumena causa” by which order can be achieved regardless of expression… this is a search for the pure logic of material relations found through the a priori field of mathematics. Thus this book jumps onto the bandwagon of the 20th century in order to disassemble time in order to bring order. This order must be of a symmetrical nature since equivalence of energy-matter difference has to be held in order for the true substantive relations of the universe to be beholden. Thus, they introduce theoretical energy to preserve this symmetry and “reverse time”. Because once the orders are established as purely reflexive one way or another way, the organizing relations hold and the arrow of time, which seems arbitrary, can truly be arbitrary.

Hidden in this view are the author’s interesting mix of philosophy, art and humanity into the material reality as a function of time/entropy… we are to find our place as a logical coherency with everything else. I am not sure they achieve this, although they dance around the role of the observer. I found some of their attempts to place human beings/observers in their schema a little confusing. Their attempt to include EVERYTHING at the end as long as it seemed to address what they were saying chaotic. Their attempt to order chaos leads to chaos! In the end though, this view is again complicated by their acknowledgement that the world remains a mystery, one that is distorted by endless renewals of paradigms and experimentations… they stick with the Kant here, by supposing a suprasensible order that we cannot understand… and then claiming that human beings have a place in that order that we cannot comprehend due to our finite limitations.

Their energy is infectious, bright and idealistic. Their conclusions are suspect because I am not sure what they are. Their exploration of science and math is interesting but it took them a long time to get going. It would have been better if they were able to make a clearer statement with less than a muddled statement with more.

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