« Posts tagged kristeva

not-being here

Kristeva explains abjection as an excess of uncaptured emotion. She uses the word ‘chora’ which comes from greek, something about empty vessels. Energy that is loose. Uncaptured emotion can levitate internal signs, giving to feelings of euphoria, or of mystical revelation.

Uncaptured emotion too, can lead to excessive disgust, the threat of degradation, of disrupting what we hold to be true. Trying to step people out of their box, when they don’t ask for it, often leads to an unconscious warding of this disgust. Question too hard and you will destroy their precious containers, ruin their beloved files. As such, they will try and explain away the threads you create for them, that lead them out of their box. Patch up the holes, and say, hey, this makes no sense.

When it does make sense, its just that they don’t want to go there.

Careful or you’ll break society for them.

Of course, you won’t break society for them. They’ll realign it, just at a different level, and incorporate your new information as a ‘negative’ in their schema.

For Kristeva at least, it’s all a matter of semiotics, of texts, of signs and their captured emotion. Captured emotion is determinate, discrete and safe. Poetry, for example, looses these bonds by butting signs against one another in new ways. Little sparks of emotion are let loose and that feels exciting. For some, poetry is abject. They don’t want that loose emotion rolling around. What are you supposed to do with it? For others, it’s pleasurable because they can roll with it.

Kristeva says poetry will change society by introducing new meanings. Nowadays, poetry is the least of our concerns. There’s plenty more on youtube that introduce new significations… for example… in an “in your face” kind of way.

One thing in common with euphoria and abjection is that the excess of emotion always trails off into the void of the unsignified. This may be a cosmic expression of the Sacred Other or it could be a horrific abyss where we lose touch with everything. This is actually both, depending deployment.

Still though, to say this is real and expect that all emotion be encapsulated, that the mystery itself be contained, is perhaps asking too much of intellect. Knowing how it happens, or knowing tragedy is such depending on one’s point of view does not eliminate the void, and its powerful statement it makes on us, the void in each of us.

What I am indirectly talking about appears to be jnana — one of the indian paths to enlightenment, not by love, (as with hari krishna for example, devotion to krishna) but through knowledge… but really I am speaking of how the void lives in all of us and we are the void. To be in it and one with it, approaches the vector of calmness. Sort of a reverse game of ‘who has it’ which is how we view Supermen, like Natman, or has the understanding/key to everything… except in this one we see that the one ‘who has it’ actually does not, and while he appears to, presents to everyone else that they really do not have it.

at this point you might as well read this article by roger ebert: being there

Can we function with an outside on the inside?

Recently, the reaction of one homosexual individual who was hurt by the hateful remark surprised me. Her response was simply that gays are common decent folk — upstanding people too — who deserve basic respect like anyone else.  What’s surprising to me was that she failed to incorporate the point of view of the bigot.  But then why should she?  This post doesn’t explore whether or not tolerance is an issue (because it shouldn’t be), but that there are different standards of acceptability.  Granted, standards are due to valuations that individuals generate — that is what makes us individuals — but is it possible that fundamental valuations be generated from a contextual position based off of the larger whole and NOT individual feelings?

I am not debating the content of her remark, but I do find her reaction and surprise itself surprising — all the more because of the obvious evidence that her verbal assailant did not consider her (as a gay) deserving of tolerance or basic respect.  If there is a basic orientation to how one relates to others, it’s through the Lacanian filter of the Symbolic.  The Symbolic order holds for us subjects a variety of different and individual valuations but the main function of the Symbolic is to provide orientation.  The collective Symbolic regime is the resulted of a larger, abstracted social zeitgeist.  How we negotiate the perceived regimes’ changing nature and what we allow or disallow provides the vehicle for politics.  What we do on an individual level, such as towards our hurt friend, matters, however small.  This negotiation of perceived change in the Symbolic forces personal action to be becoming-political.  In a way, the hurtful remark made by the bigot is an indeterminate but discrete step.

Immaneul Wallerstein has provided a grand gesture through his World Systems Analysis which classifies a population’s attitude towards change which may be useful to our exploration: conservative, liberal and radical. Conservatives do not want change, liberals want small measured changes and radicals want a total re-orientation of the norms.  Wallerstein’s classification is useful but it’s only descriptive, not an examination of the production of meaning in relation to the Symbolic function.  To do that, we can turn towards Zizek’s explication of the Lacanian orders through the Gremasian square.

Gremasian Squares are one basic way of determining meaning.

The Gremasian square Zizek draws upon in For They Know Not What They Do, bounces the four positions of basic difference that create meaning surrounding the symbolic function. The four positions are:

  1. all are submitted (S1)
  2. only one is not submitted (~S2)
  3. none are submitted (S2)
  4. only one is submitted (~S1)

Zizek highlights these positions in order to explore different ‘species of judgement’ of a subject are

  1. necessary (S1)
  2. possible (~S2)
  3. impossible (S2)
  4. contingent (~S1)

The basic axis deals with the main difference of Symbolic (S1) and Real (S2).  The Symbolic acts as a universal signifying function, establishing a symbolic network of linguistic meaning (S1) that is necessary for us to organize our world. At the same time, within the Real order (S2), we struggle with the impossibility of such a function existing in the universe as part of the universe.  The outside Real (S2) remains indifferent and incoherent to our manifested meaning (S1).  It is this interplay between impossibility (S2) and necessity (S1) that gives rise to the complexity of the system. In order to facilitate the others who approach us from the untotalizable whole of the Real (S2), we rely on the Imaginary (~S2) to orient us to the Symbolic (S1). It is in the Imaginary that we maintain an interplay of ourselves with others, ultimately enabling us to live together (though Lacan claims this is always through a kind of cross-talking).  Keep in mind that the negated lower pair of ~S1 and ~S2 remain imaginary reflections of the actual complex pair, (S1) and (S2). What keeps us hinged in the necessary Symbolic edifice (S1) is a self-image which represents for us the kernel of our own subjectivity (~S1).  This self-image however, is not the same as who or what we are.  To this end, Lacan rewrites Descartes’ “Cogito Ergo Sum” as “I think where I am not, therefore I am where I do not think“.  Nonetheless, it is in our personal investment in (~S1) that makes us dependent on what others think of us.  This external dependence is how (~S1) is structurally contingent, although the actual content is personal and open to discourse. So within this square, it is the universal function’s failure to completely foreclose the Real and prevent distortions of others (or ourself) that highlights the three different reactions Wallerstien segments as a population’s willingness to adapt to or reject change.

So to return to that surprising reaction, I would have assumed that one who rejects some social norms would understand that with this rejection, their position may occupy an untenable difference within another’s Symbolic (S1). That is to say, a conservative who would be unwilling to accept in themself a difference of sexuality without losing that possibility of self (~S1) would definitely reject that difference of sexuality in another or at least locate the unacceptable difference wholly in another (~S2). Our poor friend however, is hurt by the verbal assailant’s remarks as her subjectivity (~S1) is questioned and she responds by reinstating her own position in the necessary order of things (S1) as a public declaration.  The way to read the Gremasian Square is to understand that subjectivity is contingent on both the Imaginary others (~S2) who reject or accept the subject as well as the appeal to the Symbolic (S1) against the Real (S2).  Without the Imaginary (~S2) acceptance of the subject (~S1), there is no subject.  Such a position is the horror that Zizek calls the space between two deaths, when one is biologically alive but ostrasized from the community, publically dead.

The rejection of that desire as considered by the other to be one’s own introduces an element of the Real (S2) into the fragile Symbolic (S1).  No wonder then, that slogans from those who oppose gay marriage include banners that equate one man to marrying another to one man to marrying a dog. The equation doesn’t mean to equate men with dogs but rather, to equate the feeling of beastality with homosexual marriage.  This absurd equation betrays their bend as conservative — a genuine fear that should the Symbolic (S1) be extended, that fragile absolute (another title of one of Zizek’s books) may give way. A recent expression of this comes from David Tyree’s equating New York City’s acceptance of gay marriage with anarchy. One wonders then, at how fragile some conservative’s hold on the Symbolic order may be and if we could ever relate to one another without this Symbolic (as it is a point of reference). For the function of the Symbolic, is it possible to include the Real as a space within the function while maintaining tolerance and social order?  In other words, how possible is it to locate within the Real a minimal relation to be Symbolic — to provide space in the Imaginary for tolerance and acceptance?

The function of the Symbolic order appears more robust than we might think, as it goes a long way in orienting ourselves to external events. South Park, the popular adult series created Matt Stone and Trey Parker, explores various positions people take in relation to Real, unaccountable events. These events, as a rule, come from media presentations and perverse positions, other (~S2) possibilities which must oriented to the Symbolic function (S1).  It is through this accounting that we get a dialectical backlash in South Park between possible configurations of acceptability as the characters attempt to orient themselves within a Symbolic order (usually unsuccessfully) to justify or explain the acceptability of actions. Contrary to most conservative commentary on South Park, the ending configurations of the characters are usually presented to be ridiculous or at least out of proportion to the issue at hand. Earlier episodes in the show’s run were more to the point as to what is a ‘rational’ position ought to be.  Some of the later satires reject an overt explanation and choose instead to settle on positions that maximize humor.  Even so, for humor to function, it must retain a monocum of the Symbolic as reference.  As Julia Kristeva wrote in Powers of Horror, what is humorous is usually only so as the exposure of different signifiers in a novel arrangement create jouissance.  In other words, what is humorous is usually only acceptable as humor because it’s not an acceptable arrangement except as humor. The pleasure of humor is the pleasure of play within the Symbolic (so long as it does not shatter that regime).

South Park, as a satire, functions by simplifying most of their character’s interest in maintaining their own contingency, preferring to underscore instead, our tumultuous relationships within the Imaginary.  (What makes South Park an examination of actual possibilities and not an examination of the Symbolic is the protagonists often not-listened-to appeals to a standard rationality.  The under-grid of Symbolic rationality remains ignored, not questioned.)  To give a real world example of this instability with the Symbolic we can turn to the avant gaarde’s push for new directions.  Such movements are often offensive to some, as such movements often rebuke representationalism.  Representationalism best deploys the Symbolic as over-coding the Real in a 1:1 relationship as though conservatives are less able to handle schisms in the Symbolic.  The more extreme the over-coding, the stronger violations of the Symbolic invokes a bodily reaction to events that reveal the Real’s incoherency. The adherence to such an over-coding is what establishes our societal ‘grand gesture’ which in the 20th century was known as Modernism.

Modernism philosophically started long before the 20th century, but as a social movement, Modernism came together in the late 19th century as a style of presentation and coherence that in some ways matched the singularity of world orders like the United Nations. Modernism as a whole, however, is best digested as a rejection of traditional aesthetics, an establishing of new parameters of how we are to experience and relate.  Modernism marks the single largest and far-reaching break in tradition.  For the life-world, Modernism became coherent as new human existence for a current Now. This emphasis on ahistorical values arises as an absolute order without an outside, the best example being Formalism.  In other words, if you are not within this absolute order, you are nowhere to be found.

In the larger picture, while Modernism can be connected with capitalism’s ever expanding market, market capitalism is but one expression of the ‘make it new’ of Modernism. Other expressions of Modernism include Stalinist and Maoist totalitarianism. So while many philosophers such as Lyotard claim that Modernism is dead in favor of Postmodernism, Modernism continues as a grand narrative, under the guise of Postmodernism. Under Postmodernism, deployment of new expressions continues as an ahistorical re-framing of historical contexts.  As such, Postmodernism functions as a hyper-modernism, co-opting the small other to illicit a homogeneous world order.  Despite the many disavowals of the I and the kowtowing to small others when recognized as legitimate, any and all contacts with global capitalism usually means the destruction of alternate Symbolic configurations in favor of our global capitalism.  Any sensitivity of context is a sensitivity necessary in a Postmodern deployment.

I bring this up not because it has anything to do with the dignity that our homosexual couple insisted on, but rather because our current Symbolic order displays an absolutism — that relationships and transactions be concluded through a narrow regime of Symbolic association.  For instance, one of the main modes of our Symbolic relies on the filters of money and legal documentation, two contractual basises which form the bridge of our current Symbolic Regime. Fights over gay rights, or the slutwalk occur within capitalism because the market has not established a preference either way (unlike say, stealing). As time persists and capitalism benefits from the religious right and the spending power of the homosexual left so both will continue to contest one another in the public space at the expense of other policy decisions. Most likely though, capitalism is not incompatible with homosexuality and ultimately marriage will be expanded to include homosexual arrangements as this does not hurt global capitalism.

This brings us back to the original question — in terms of our current grand narrative of global capitalism — is the Symbolic completely mutually exclusive to the Real?  Is there a psychial configuration that would allow us to better tolerate instances of the Real? Why rely on the contingency of others as deal with ourselves and each other in the imaginary spaces of (~S2) and (~S1)?  In seeking to find a philosophical method to explain going beyond the Symbolic edifice, we run analogous to Buddhist thought on enlightenment.  Enlightenment serves as a psychial position that exceeds the worldly concerns that structure subjectivity.  Now as the order of the Symbolic operates more as a referent than a set content, so a re-centering the four positions can be best understood by retooling the Gremiasian Square through an analogous the structure in Buddhistm known as the Tetralemma.

The Tetralemma is a four fold step introduced as a logical exercise in Buddhist doctrine to expound the doctrines of two truths.   Put simply, the two truths at hand are conventional truth — the common place wisdom of existence having substance, and the sacred truth — the emptiness or non-existence of substance.  The four lemmas of the Tetralemma involves the precepts:

  1. x
  2. ~x
  3. both x & ~x
  4. neither x & ~x

In dealing with the concepts of existence (x) and emptiness (~x), through the exercise of the Tetralemma, we step beyond having just classifications of the conventional existence of substance and the philosophical existence of nothing.  In other words, the goal of the Tetralemma is to gain an understanding beyond the distinctions of ontology, of which emptiness is a exposition of the formal constraints of ontology.  This is different from the Gremasian square in the sense that the Tetralemma works as a delimiter rather than as a position.  The goal is to avoid all four positions, whereas in the Gremasian square it is the orientation of the positions that provide meaning.  Nonetheless, used in conjunction with the Gremasian square above, we can utilize two Tetralemmas of emptiness and substance with the two indexes from the Gremasian square as the actual (S1) and (S2) with substance and the reflective (~S1) and (~S2) with emptiness.  In the first Tetralemma:

  1. There is a Symbolic function by which we gain meaning (S1)
  2. There is no Symbolic function by which we gain meaning (S2)
  3. Both (S1) and (S2) apply
  4. Neither (S1) and (S2) apply

In other words, we are dealing with the grounding of both existents and nothingness.  Arguably, the social schism introduced by Modernism killed philosophy’s search for an ontological life leaving us with nihilism.  Nihilism, like early postmodernism, insists that the formal constraints of ontology are not applicable anywhere, leaving us with nothing (to fit the bill with).  Rather than a full blown rejection of the system itself, nihilism involves an adaptation of the system of meaning and its consequential failure to cohere meaning.  Nihilism does not mean that there are no systems, only that the metrics we use to find valid systems yields no content.  In this way, the third step and fourth step both appear to be alternative universalisations that happen when the symbolic function fails to yield an appropriate conclusion.  Nihilism occupies both positions such that we have the system but no ontology or we reject the system and still do not have the authenticity of ontology.

This position reflects the same underpinnings as dialectical nihilism by at first insisting on a universal position although it goes beyond dialectical nihilism by in fact not sublimating the structure of the Tetralemmas at the level of the Notion.  It is through the Tetralemma’s four precepts that we gain a richer understanding that unlike conservatives and our gay couple above, it’s not simply enough to be within the function and to desire collapse the Gremasian square to gain a tolerance of the Other so as to live with them (to insist that what I imagine to be the other’s position is in fact where I am as well, that (~S1) and (S1) and (~S2) and (S2) are in fact all super-imposed, without difference… the way to read this desire is that the conservative judges the homosexual to have a desire the homosexual then denies having).  The Tetralemma instead goes beyond this to reject both the system and its content reserving neither Notion nor internal distance to uphold this desire or its judgement.

A rejection of the distinction of both the Symbolic (S1) and the Real (S2) constitute, in traditional terms, a confusion between how we are to understand our role in the world and how to basically orient ourself in the world.  How can we make sense of what we could do vs how things happen to us and what we should make of them?  Both the Symbolic (S1) and the Real (S2) rely on specific instances in order to provide actual interactions.  It is in the application of the function in the imaginary spaces of (~S1) and (~S2) by which we run across the negative Tetralemma.  Without addressing the application of the orientations inherent in (S1) and (S2), we run into the profound difficulty of skirting the regime of madness:

  1. There is no self that is I (~S1).
  2. There are no other subjectivities (~S2).
  3. Both self (~S1) and others (~S2) do not exist.
  4. There is neither no subjectivity (~S1)  nor are there no other subjectivities (~S2).

The main difficulty in this Tetralemma lies in the lack of orientation a rejection of the application of possibility and contingency implies.  Within this regime of non-applicability, we run into pitfalls similiar to those who do not socialize properly.  I speak of some criminally insane who do not genuinely understand others, nor read on others the desire and pain, both reflective and independent of their own subjectivity.

What marks the difficulty in deploying an orientation of these concepts isn’t in their conceptual nature.  We should not assume that the proper position within the Tetralemma involves a rejection of their concepts as such, but rather a rejection of the desire that navigates these polemics and binds us in these orientations.  Movement within the Tetralemma isn’t accurately a dialectic, although I have used the term.  Dialectical movements within the Hegelian traditional involve a progression of positions within an order to explain their meaning.  The Tetralemma instead involves the limits of expatiation.  When we abut a lemma we encounter a failure to grasp the Tetralemma as a whole.  This is how the Tetralemma also is not a Gemasian Square — it does not rely on static positions from which we can garnish meaning from the other three positions.

So for applicability, let us return to our original example, it is not that the knee jerk response of our friend is in fact inappropriate.  She is correct to understand that her subjectivity is contingent on the external circumstances of others who accept her, legitimatizing her place in the Symbolic.  But the most the Symbolic can guarantee her or anyone else is a position of contingency and tolerance.  Acceptance within the Symbolic does not assure her of the dignity of her subjectivity, it only imprisons her within the confines of the possibility of authenticity when continually confronted with others.  This is the nature of contingency (~S1).

The ‘way out’ as espoused through the dialectical and radically transformative nature of the Tetralemma isn’t in the sublimation of the Tetralemma the way Hegel might want us to distance ourselves from the Notion in order to better find ourselves within it.  The key of the Tetralemmas is best expressed through the Real, as the Real remains the threat for all other positions.  What makes the position of the Real ‘Impossible’ (S2) is not only the ineffectual application of Symbolic order on a shifting and vague desire — but, from the point of view of the Real, the union between any of the other three relationships are impossible because of the shifting and vague nature of desire undergridding each.  When we seek to legitamize ourselves, that legitamcy is in fact never permanent, being contingent.  When we seek to understand the other on their terms, it is impossible because we must resort to imagination — we can never know their radical difference, only read on their difference a reflection of our own difference.

This insubstantiability of position that all eight lemmas deploy disallows one to fully invest in any position, opening the door to the Real as it were without casting one fully into it.  We acknowledge our own insubstantiality inasmuch as anyone else’s.  For instance, in neither accepting being submitted to the function or outside of the function, one rejects both the absolute madness of emptiness and the contingency one might always bear.  One can be oneself, as it were, all the while allowing others to be themselves without that reflexivity or demand that one be ‘with it’ or not ‘with it’.

The Violence of Subjectivity complements our Lack of Negativity

There is an inherent violence in being a subject.

AS what Slavoj Zizek calls the universal exception, our subjectivity each, is an exception of the unbreakable rule of the universal.

This subjectivity must be “non-all” an untotalized whole which prevents the universal from foreclosing.

Part of why I think so much continental philosophy goes on and on about subjectivity and cannot bridge the gap between subjectivity and society remains in this gap between the “non-all” and the universal.

A great part of why modern philosophy starts with Kant is that Kant provides exegesis on subjectivity — but only does so at the expense of the noumenal.  Kant sacrifices the rest of the world, the external world in exchange for securing subjective phenomenal experience.

Hegel tries to fix Kant.  The genuis of Hegel is that he wrote on the extra subjectivity, the becoming-universal of particulars — he tried to bridge that gap with his dialectical absolutist system, to totalize the non-all and unproblematize the subjectivity by enfolding it back into the Notion.

Whether he succeeds or not is up to debate of course, but no other philosopher has come close to his achievement.  This is why Hegel remains for both Marx and Lacan (in fact even today), the godfather — Hegel provides the only comprehensive system of talking about the universal qua society with an eye on the particular.  He does so by nearly sacrificing the subjective, but saves it through a kind of transcendental rambling.

By comparison, Deleuze and Guattari don’t even talk about subjectivity; they make it irrelevant.  Graham Harman also side-steps this Cartesian mutualism by going via the Object with Merleau-Ponty and his notion of flesh.

But I’m not going to go in depth to examine others.

What’s so damning about Hegel is that through his particular becoming-universal he found the universal on the particular, through a kind of metaphysical “raising” of essence.  This is obviously what Deleuze and Guattari do with various meta-tools, like territorializations and refrains, the difference though is that Hegel does this raising through negation.

Negation eliminates what does not fit that form.  To emphaize my point, Kristeva attributes negation as a concept to Hegel — the specific making of a negative (something).  Contrast this with Kant and Kristeva points out that Kant only discovered negativity — the absence of what we are looking for.

The negation of Hegel allows us not only a radical de-subjectivising but also the clearing of room to make way for the *trumpet sounding* throne of one particular to rise up to the throne of universality. In contrast, Kant used negativity in order to make room.

Where violence comes into place is our rejection of the negation.  Our supposition as a subjectivity must come about through social effluence — we stand up to this symbolic universal by declaring our relevance against our own negation by this universal.

We tear out and subjectivise what would be an object.  We would do violence to universals and other would-be universal small-others through our radical Otherness qua subjectivity.  Think of the violence today perhaps in Libya and Egypt

Think of the French Revolution.

Think of all the expressions of free-self organization that the U.N. throughout the 20th century and up till today have stamped out, and how small-other Universals qua government seek to legitimize their claim on what would be a universal expression of their own brand of subjectivity… we return to State Democracy its own Jacobianian Excesses in the form of our own self-subjectivisation which then must always be violent.

This is also how Hegel is also the first modern philosopher-statesman inasmuch as the first and only true philosopher on modern Universality.

Unfortunately we seem stuck on this in Continental Philosophy and unable to articulate other forms of universality. We can’t articular a society let alone conceive of one. And no, ramblings of a disintegrated body of objectivity does not a society make.

So no: the radical pluralism of Deleuze and Guattari do not count simply because while they clear our the space for alternate forms they are too reactionary against Hegel to be useful in constructivism.  It’s also questionable as to whether or not we are at a point in which there is enough space for anything else to be constructed.

The Confusing Junk of Modernism: How Duchamp isn’t an Artist

In Cabinet Magazine, issue 27, there is an article titled Readymade Remade about Pierre Pinoncelli who first made a big name for himself by pissing in Marcel Duchamp’s readymade urinal. The article examines Pinoncelli’s argument that he was bringing history and value to the urinal by doing so. While the French gov’t did not agree with Pinoncelli at all, especially after Pinoncelli pissed in the same urinal again in 2006 — the article decidedly agrees with Pinoncelli. The writer, Leland de la Durantaye, smartly cites Duchamp himself as the authority — Duchamp, after “defacing” the Mona Lisa, claims that his Mona Lisa is not a readymade. Rather this remade Mona Lisa is an “assisted readymade”. By taking mass produced art and introducing “a unique commentary”, Duchamp means to bring this item back into the spectrum of art. With this, Durantaye implies that Pinoncelli is right in his claim that the French gov’t is wrong — but then after fining Pinoncelli, should the French gov’t pay him the money? After all, Pinoncelli’s “unique commentary” has increased the value of this French treasure by taking a mass produced readymade which has “lost [its] readymade authenticity, [its] unique identity, and [. . .] dynamically infus[ing] one of the replicas with [authenticity]”.

Pinoncelli's Duchamp's Urinal

Twice stained, thrice as valuable. Look up Pierre Pinoncelli on the internet. You'll see he's quite a pissant. HA HA HA!!

Besides the “unique critique” of Duchamp’s work (of which Pinoncelli is a decidedly excited fan) there are three possible directions for contradictions:

1) Durantaye takes for granted the implication that what is valuable in art is expressed monetarily.

2) Benjamin’s famous essay on Art in the Age of Mechanical Reproduction equates uniqueness with art — that mass produced copies only accentuate the value of “originals” which the elite can then possess as being art. By unifying Duchamp’s readymade and his assisted readymade, Durantaye implies that Duchamp is not producing art at all — if a readymade meant to be art can be in need of “assistance” to rejoin the status of art then Duchamp is not at all an artist for Duchamp is not producing art.

3) Simultaneously, as you can imagine, Pinoncelli’s urine was cleaned from the “defaced” readymade. Nonetheless, Pinoncelli left, in the language of Lacan, an unseen stain, on that particular readymade. The British have recognized this readymade as being more intrinsically valuable. One of the subtexts of this article is that what is valuable is not necessarily tangible… that art itself has moved beyond the realm of pretty pictures and skillful techniques (for what kind of technique has Pinoncelli, besides the admirable ability to urinate in public before the eyes of others? — no doubt a feat most of us could not accomplish).

Taken all at once, although somewhat contradictory, we come across a paradox. Art then, in the contemporary age, is what both unique, intangible and monetarily valuable. Of course no matter what the French gov’t thought, they could not allow anyone pissing on any art. Imagine if they awarded Pinoncelli? What kind of people would go to the museums in the hopes of making “readymade” money? At once we see that art cannot be what is tangible. Of course, tangibility may be our best claim to any sort of possession of it. We go to museums to see art, but in fact run abut something else. So is art tangible?

If it is only tangible then Duchamp is not an artist. If it is intangible, then Duchamp and Pinoncelli are both artists. Durantaye sides with Pinoncelli and Pinoncelli with Duchamp.

But if art is not material, then what is art? If Duchamp is not an artist but a “materialist contextualist” then how are we to approach material context? We all understand that art can be horribly elitist, but is it so only in order to promote/protect its own value? Does this then make the lives of our celebrities art? What about expensive, corporate, buildings? What then happens to punk and the D.I.Y. culture? Is that no longer art but just noise (since anyone can punk)?

Again the direction seems to lie more with Deleuze and Guattari’s how more than the what. While both of these thinkers equate art with concept, if we take this discussion seriously it seems that art lies more with social positioning than anything else: architecture must be valuable because of the resources taken to produce it, as are museum housed works — and the millions of punk fans world-wide.

This bodes woe for fans of Kristeva, and all the art lovers around… as well as Deleuze and Guattari’s book What is Philosophy. But that’s the one book of theirs that I do not like. So that’s fine by me.  (Any “commentary” I would like to share on that book?  I think not, at least, I can’t comment if you’re watching…)

Me, personally? I don’t believe in any of what I just wrote anyhow.
Is that tangible enough for ya?