« Posts tagged south park

what’s wrong with baseball? Absolutely Nothing.

went to a baseball game. a few days ago.

dodgers vs the cubs. i went to a game before when i was 12 but it was without framing, as a school trip. overall, i dont remember anything, so i consider this to be my first baseball game

the initial striking was how immersive being in the crowd was.

usually when i saw baseball games, it was in a movie or a tv show. and so, baseball was a backdrop against a larger plot. at first i kept feeling like there was a larger story i was missing; that my attention needed to be elsewhere.

of course there was nothing like that.

a bunch of random things happened, with the jumbotron, with things like air guitar, dancing, kissing. the audience basically entertained themselves through the jumbotron while the players did whatever they did… guess baseball is a slower game so they needed that. but really, the emotional energy in the crowd was nearly overwhelming. i found myself recoiling when they did the wave, or when random shit happened… the audience was totally in it.

i realized then, something very unlike what my 19 year old self would realize, i think, if he were there.

there is nothing horrible at all about baseball games. Absolutely Nothing ™.

so this is why sports fans are sports fans: you have the near immersal of what it means to be in a group, in a community… with the colors and the cheering and the singular mindedness of the crowd. this rabble focus is what so many 19th century philosophers and political thinkers were afraid of; the mob. this is the heart of democracy and fascism rolled all into one. (south park got something right! rabblerabblerabblerabble)

i found myself kind of sickened by it and at the same time, wanting to be part of it… despite the fact that it was so inane, all the actions and the spectacles… arbitrary. random.

what was so jarring in this had alot to do with the advertisements that snuck in. this is our world; where bank of america’s logo was on the jumbotron all the time, and state farm’s logo was on all the tickets… despite this being dodgerland. dodger dogs, dodger water, dodger gear… the other brands, subway and bank of america and state farm… there, almost like part of the infrastructure…. support beams we see, sitting on the bleachers, but we don’t really see. branding to support branding.

not bad perhaps, since everything takes funding… but i think this kind of experience made me feel, wow, this is really leaning dangerously close to the beginning of social engineering… democracy works by appealing to the masses, so complex ideas and policies always need to be distilled to their simplest form for dissemination and emotional reaction. in much the same way, capitalism — marketing of experiences like dinner, or ziplines or sports events also need to be focused to be pleasurable in their specific ways that they are. everything is distilled, made simpler. focused

i see our lives as becoming fuller and fuller, until there’s very little room for us to move without having some business or some experience waiting for us to come in and sit there… that its easier to go to a dating mixer than to the bar, or its easier to do all your banking and credit cards and payments with one financial profile (linked across several or even just one financial institution)… or your medical records will be stored across a national database for instant access. no more having to go through the same proceedural exams once you switch small time dentists or opticians. everything made easy. want disney? go to the disneystore. go to disneyland. want sandwiches? google sandwiches and go to a sandwich shop. have sandwiches 24/7. want philosophy? go to the philosophy factory and download any number of works, that might have taken a PHD 25 years to find and read… you can have it all on your kindle.

this kind of hyper-realism…
this availability of different cultural affects:
apparently tonight william shatner was in the audience somewhere for they did a star trek tribute… during the fireworks display they played was to the music of star trek… movies and tv shows. when they were blowing off fireworks and i was watching young and old take out their cell phones to take pictures and record it… this event was wondrous… a real crowd pleaser. why were they trying so hard?

this notion of enchantment, which was missing from the desperation that arose out of 9/11… has found itself reborn today in momentary displays of immersive experience… ok, sure, there’s nothing really bad about going to see a baseball game and its following fireworks… (except maybe your team losing). but this is the kind of pure, unanalytical, uncritical embracing of patriotism, team spirit, community, crowd-oneness that people are missing… we all are in this together and for a moment, despite being competitors in driving, in jobs, in relationships, in living space with all these angelos, we can all pretend that we belong together and that everything fits in a secular humanism devoid of poverty, suffering and discrimination.

this kind of singularity reminds me of a conversation with some hipsters about books a few nights earlier. rather than lament that no one ever read anymore, we started talking about how people do read, but in different media. i tried to steer the conversation into “the novel started off as a distraction for victorian women on their summer trips (something to do when sitting in the carriage or on a boat)… and ends today as just another source of entertainment (like the long drawnout serial tv dramas like lost or 24)… if we are upset that no one reads anymore, we are probably missing the fact that without the novel as a penultimate art form, no one really processes data in a long drawn out way, for deeper analysis… you don’t get this immediate engagement with tv serials, movies, video games or performance… and following that, do we need the kind of thought that goes into something like moby dick or war and peace?”

no one had any answer that moment. but i think that if we start having our entertainment as immersive singular experiences that exist in “dodgerland” or “when you turn on your xbox and select any video game” … that fragmented disconnected disjointed (ir)relevancy, means that we won’t be able to examine this content without understanding the larger frame its presented in… (since each content will have its own specific logic, like an anime with a ton of characters who behave weirdly but fit together). in other words analysis will be limited to less about what something is, than how it fits in — less what it says than how it functions when placed in the context of a larger whole… in a metaphysical way what “time” it presents in, as it defines its own time and is defined into a time. in a sense, we will have to leave the why to programmers, marketing departments, designers and engineers who create the box, package the content, as they understand how it fits in financially and socially, why people come to it, how they use it, what they are looking for… the only way to engage has to be on a deeper level of abstraction. otherwise, you will a puppet in the system. even while philosophizing, you run around, a rat in a maze of market forces. you are collectively shuffled into traffic, follow the defined paths beaten by urban engineers to maximize efficiency of travel, regulated by invisible giants for a specific purpose… the result of which, is poor design that juxtaposes and fails in most dimensions (lost in traffic, stores isolated and starving, stuck in traffic, accidents, even death); or good design that maximizes its output (easy flow, plenty parking, encouraging you to feel good about buy things you dont need, to a highway that dumps you onto your neighborhood with easy access home to bed).

i think the majority of systems are designed to input-output, they are haecceity oriented; transform one material into another for the purpose of quiddity. it might be information of one type, into another, but the result is nearly always a modularity that interlocks with other modularities… be it a car on the road with other cars, or one web page that functions on most any browser. you can be a unique, but the big system knows you entirely; plays you like a fiddle and when its done with you, you’ll don that solider uniform. your condition may be weird but the health care system has a form for you! its all about the processing. not as an industrial society that used to can fish or make fords on an assembly line; we do this to ourselves now. the rationalization of process invades our subjectivity and cleans it out. even in scifi dystopias of post-armageddon, we still have robot mass murders, insane, inhuman machines that have a system to wipe out the human element.

rationalizations of process and process oriented management (of people, as employees or as customers) is probably the one far reaching mindset that came out of the 20th century…. its also the biggest, most useful and most damning box that we have built for ourselves. as capitalists, we have developed money, at least as students of economy, into a raw unit of social value. in the process of using money as an objective measure to determine the viability and value of pursuing endeavors, we’ve also had to objectify processes so as to track money… so we can further measure the potentiality of any and every course and each level and each intersection, be it in government or business.

as mice in such processes, we are bombarded by a variety of paperwork, forms, meetings, appointments… junctions which administrators and bearucrats alike shuffle us into different hallways, websites, telephone transfers, offices… we are transformed from one client into the next client, and our goals are often sidelined by the process we must endure to reach our goals. the only reprieve from this process must be immersive entertainment, new worlds that we can partake as fully as possibly… with their own logic and their own rules… to be fresh and enchanting, to allow new and better candies… which ironically, sublimates this model of rationalization… single player video games are the most obvious, since there’s a path (or paths), a storyframe the player must masochistically follow to reach the endline. like sade flogging our subjectivity into the perfect worthy superhero who only he can reach the end (and you must be he if you were there for this all). in baseball and other distractions, we have the model which is presented as a series of courses, time for the jumbotron, time for the commercial break, time for the cliffhanger at the end of the season… the better the structure is hidden, the better disney reminds us we aren’t standing in line for hours, the more immersive the experience, the more hidden the process, the more successful the distraction, the purer the aesthetic and the more separate that highpoint emotion is from everything else (to be repeated?).

so when stacking processes, the model of the individual as a free standing spiritual being has to give way to a multi-valent subjectivity… a raw nothingness that is waiting to be transformed into client, or employee, tracked along a series of rationalized tiers (level 1 admin, level 2 senior engineer, platinum card member)… on the producer side we have a series of machinic trees that eat employees and shuffle customers and product like blind jugglers. on the consumer side people are demographized into a crowd of impersonal hunger for particular experiences (a particular sporting team, snowboarding or surfing, the regular motley of a demographic of restaurant, a group tour)… very different from the very personal subjectivity of the “everyman” individual that nearly every main character written since tom jones was approaching the end of the 20th century… (this past naturalistic subjectivity was most visible in mary shelley’s frankenstien, a subjectivity in a non-subject body, the post-human frankenstien!)…

what we are doing is no longer a matter of self improvement, for there is nearly no self. we are regulated into narratives trapped in bodies, with too many properties to count! i am every kind of number to any institution. to find yourself, to look for that center that william wordsworth had when he wrote “Lines written a few miles above Tin Abbey” is impossible today. wordsworth could be whole writing as an upper class poet, lazying in the shade with his sister, but we can only be EAT PRAY LOVE, a series of disconnected, disjointed experiences that are marginalized by the objective processes that dominate our landscape of process oriented institutions., that package experience, package us so many slices of individually wrapped cheese. this post-self is an XML file, a tree crowded with attributes, children and nodes, namespaces needing to populated and defined, attributes that connect only to one or two situations… we are maps that defeat definition, maps that can be read from any dimension but are every shifting and changing in tenor dependent on vector, content and value. you could become any fan at any moment; soak in the media light and follow any event; you can jointly comment on yahoo news, or huffington post or reddit. thats because we are one piece. as individuals on the street we have no connection but our connection is deeper than occupying space. together we create a mindless, headless bastion moving godlessly and clumsily, an orgy of demographics, unified and unpredictable, gobbling up the planet, turning the earth inside out as we stack her guts along as highways, guardrails, airplanes, cell phones, and strip malls, event as we stack her guts on us as an exoskeleton of devices to extend ourselves in invisible social dimensions, to join as a single forge of entertainment and profit maximization.

each layer is different; at each step up the tree or across a branch, we have a different logic, a different department. vast stretches of sociality are the same; paper work, stamps, requisition and cross-benefit analysis, but many areas are radically different; and they may bump into one another like galaxies whose gravitational influence cross-congregate and (dis)assemble like rap and rock or 4chan and minecraft or the colbert report and highschool… but an interesting elucidation for another post.

so yes, this is what i went though while watching the baseball game. dodgers vs cubs. dodgers won, 6 to 1.

on Art

Sculpture is the most ideal art. Music is the most pragmatic. Dance is the most expressive.

The dream of the artist is to inscribe in the space inside the body outside the body. It’s very much as what Deleuze said regarding the inscription of great books being written in flesh.

I don’t mean that art should be tattooed, but that it should connect what is internal with what is external.

Yet art is not limited to the permeation of membranes or the echo of a model in the head of an artist to the exterior, nor does art have to do with the fidelity of transmission between an external source with an internal experience.

The worst artist is one who carefully conceives of his creations as a matter of controlling the experience of his audience — about transmitting a message, of needing to supplement their art with a libretto or scoffing at those who do not understand their art. Art as a capitalist endeavor is owned, but art as art is experiential germination not teleological. Art is not an essay, it is not about message or medium, although essays can be art. Mediums themselves may be art, and messages can certainly have that artistic impulse.

Rather, to make art is to germinate a form with its ambivalence and its multi-valence and its integral congruity such that the experience of that form extends itself naturally within the substrate of a manifold.

So while each of us are manifolds, select reflections of the world around us, our manifold itself is permeated by forces beyond us from the outside. Those forces can reverberate within our manifold to manifest a chamber of interlaced experience. That vibration, be it pleasurable or stinging — be it without judgement is the result of art. Great art can lead us to intenser vibrations.

Although of course, we judge such vibrations on the face of pleasurable experiences, or singular expressions in allowed social spaces. The accidental death of a parent, or the purposeful interruption of employment can both be traumatic instances, but not permissible within the social realm of ‘art’.

This is how sculpture can be the most ideal form. In the rigidity or fluidity of material, we can experience the visual (and tensile) sensuousness of a form that interrupts a space we are in and informs us of an otherworldly experience. Traditional otherworldly statues of Gods and Demons, plants and other creatures can invoke in us the presence of a static creature such as Venus de Milo. More contemporaneous forms vary in their simplicity or texture to suggest the raw indeterminacy of a gesture — perhaps highlighting the specificity of a bird in space as with Brâncu?i.

In much the same way, music allows for the literal and synecdochiac reverberation of rhythms and beats that bounce within the antechambers of our manifold. We literally vibrate with sounds that resonate with us. As the rhythms align the internal weave of our core, as it is already pre-made with alliterations from familiar genres and languages, so does speech and poetry jolt us with the strength of its diastole and systolic pistons such that we get the hip shaking, head pounding one-step, a halfway intrusion into the expressive realm of Dance.

If you follow me so far, you will understand the how dance and other forms likewise fall under art.

Great art is not the germination of a thought, so much as it is the construction brand new memetics, not of the replication of cliches and icons — although there are room for these too, as art. Art can be any kind of verbal or non-verbal language, it is a modal set operating on other modal sets. And we human subjects are not the only manifolds, although that is our best experience of alien worlds that weave worldly produce in often inexpressible or even inexcusable forms.

Manifolds exist as reflections in the pond, registers in your motherboard — manifolds are topographical maps of the earth, presented as 2D fold-outs. Manifolds are imprints of a system, or a totality along a specific interface, such that the movements of a knight in chess is a particular manifold. A table is a manifold of a factory. A chair is the manifold of the man who made it, the woman who sat in it for fifty years and the weather outside her home.

When Charles Bukowski grew old, wrote poems and started to vomit his brains out, drink is heart and his relationships down the toilet, he is a manifold of a great deal things. His abusive father, his teenage acne, his misery and search for pussy, his subsequent selfishness and alcoholism, his many wives, his days traveling and giving talks. When Michel Hemmingson wrote about the human scum, like the step-father who fucks his step-daughter, or shall we imagine a novel Hemmingson might write… a Vietnam vet who ends up in Hawaii, drugged out, alcoholic, washed out, alienated from the his family, his life interrupted, working a worthless job, waking up drunk each morning, walking the beach dressed like a bum, watching the waves crash on virgin sands, dreaming of the pussy he had, of his children who hate him, barely riding his bike to work once in a while, and his friend who drives a crab truck. This too is a manifold, the manifold written out in words meant to be inscribed in flesh, a way of life. A way of living, a weave, a potential argument for humanity, for existence, for the interruption of alien consciousness on our planetary cosmos.

Philosophers desire to be artists, they desire to walk the thin line that intersects all manifolds, runs through them. But that too is a manifold, one which seeks to imprint its attending indexes onto other manifolds. Plato wrote his Republic as an exploration of what he thought is, justice and the best social roles to express that justice. Heidegger, Sartre, Nietzsche, Marx and even Hegel all wrote on what the best way to live was, the best life to be. The different indexicals that tie these manifolds together act as spaces within a statue, to help formulate the different modes of awareness along bands of consciousness. Shall we name the indexes in Freud? Father, Child, Mother. Lacan? Analyst and Patient, Symbolic and Real and Imaginary. Language works as Moebius Strips that both inform us of our specific meaning along an indeterminate range. Art that does not apply so directly to such vast and vague concepts such as Society and Justice still carry a language a rhythm like Frank Sinatra’s do-be-do-be-do or a do-wop that enfolds us and unfolds within us in a place and time of our being-here regulated by limbs, circadian rhythms of day and night, our social function (formal, wedding or in the bedroom with an intimate guest) and what we had for lunch earlier, our hopes and dreams, the deixis of our self image &c.

In this manner, art is more than just a medium or a message. It is the way in which we weave and are weaved by our surroundings, the ripples of our actions in other’s lives and their actions in ours. We are made and unmade by the minute, by the hour with the expressive forms that carry alien forces directly into our filters, such that the Simpsons expressed in South Park is more than just South Park or the Simpsons, but informs us of each. We watch Lost not as Lost is made or watched by its producers or written by its writers, but as we are made and it is made through us. So the truths and beauties that Moulin Rouge spoke so highly of in Art is less the periodic expression of “partial theories as though formalized through science” but the deployment of our own orientation to that stimulus, our own expression of our manifold as a slice of a context, through the deixical filters of self image and being and through the rubric of oneness, the way evolution isn’t about the development of a single species through time but the cohabitation of a series of forces as they co-evolve, the planet as one massive domino, biome on biome, niche on niche and weather system on planetary rotation.

Living life is art in the broadest sense and our awareness of it does not make it less rich but in fact is irrelevant to its continuation. If anything our awareness is an interruption of a process through the privatization of a deterritorialized space and the prizing of one deixical filter above all others. The projection of ego and selfhood is to mistake the manifold for everything else, when in fact manifolds are little more than dirty mirrors. Remove that dirty mirror from its manifestation and place it in a vacuum and it would be like putting a diamond in a room with no light. Or cutting a figure from a painting out. Taken out of context, the figure lacks all balance of perspective and is no longer adequate to its task. It functions as an empty vector. Unless one projects the original painting around the figure or introduces the figure as a piece in a new manifold, nothing will happen. A mirror in the dark like a soul without a body will falter and vanish completely without a trace like animals in iron cages.

Can we function with an outside on the inside?

Recently, the reaction of one homosexual individual who was hurt by the hateful remark surprised me. Her response was simply that gays are common decent folk — upstanding people too — who deserve basic respect like anyone else.  What’s surprising to me was that she failed to incorporate the point of view of the bigot.  But then why should she?  This post doesn’t explore whether or not tolerance is an issue (because it shouldn’t be), but that there are different standards of acceptability.  Granted, standards are due to valuations that individuals generate — that is what makes us individuals — but is it possible that fundamental valuations be generated from a contextual position based off of the larger whole and NOT individual feelings?

I am not debating the content of her remark, but I do find her reaction and surprise itself surprising — all the more because of the obvious evidence that her verbal assailant did not consider her (as a gay) deserving of tolerance or basic respect.  If there is a basic orientation to how one relates to others, it’s through the Lacanian filter of the Symbolic.  The Symbolic order holds for us subjects a variety of different and individual valuations but the main function of the Symbolic is to provide orientation.  The collective Symbolic regime is the resulted of a larger, abstracted social zeitgeist.  How we negotiate the perceived regimes’ changing nature and what we allow or disallow provides the vehicle for politics.  What we do on an individual level, such as towards our hurt friend, matters, however small.  This negotiation of perceived change in the Symbolic forces personal action to be becoming-political.  In a way, the hurtful remark made by the bigot is an indeterminate but discrete step.

Immaneul Wallerstein has provided a grand gesture through his World Systems Analysis which classifies a population’s attitude towards change which may be useful to our exploration: conservative, liberal and radical. Conservatives do not want change, liberals want small measured changes and radicals want a total re-orientation of the norms.  Wallerstein’s classification is useful but it’s only descriptive, not an examination of the production of meaning in relation to the Symbolic function.  To do that, we can turn towards Zizek’s explication of the Lacanian orders through the Gremasian square.

Gremasian Squares are one basic way of determining meaning.

The Gremasian square Zizek draws upon in For They Know Not What They Do, bounces the four positions of basic difference that create meaning surrounding the symbolic function. The four positions are:

  1. all are submitted (S1)
  2. only one is not submitted (~S2)
  3. none are submitted (S2)
  4. only one is submitted (~S1)

Zizek highlights these positions in order to explore different ‘species of judgement’ of a subject are

  1. necessary (S1)
  2. possible (~S2)
  3. impossible (S2)
  4. contingent (~S1)

The basic axis deals with the main difference of Symbolic (S1) and Real (S2).  The Symbolic acts as a universal signifying function, establishing a symbolic network of linguistic meaning (S1) that is necessary for us to organize our world. At the same time, within the Real order (S2), we struggle with the impossibility of such a function existing in the universe as part of the universe.  The outside Real (S2) remains indifferent and incoherent to our manifested meaning (S1).  It is this interplay between impossibility (S2) and necessity (S1) that gives rise to the complexity of the system. In order to facilitate the others who approach us from the untotalizable whole of the Real (S2), we rely on the Imaginary (~S2) to orient us to the Symbolic (S1). It is in the Imaginary that we maintain an interplay of ourselves with others, ultimately enabling us to live together (though Lacan claims this is always through a kind of cross-talking).  Keep in mind that the negated lower pair of ~S1 and ~S2 remain imaginary reflections of the actual complex pair, (S1) and (S2). What keeps us hinged in the necessary Symbolic edifice (S1) is a self-image which represents for us the kernel of our own subjectivity (~S1).  This self-image however, is not the same as who or what we are.  To this end, Lacan rewrites Descartes’ “Cogito Ergo Sum” as “I think where I am not, therefore I am where I do not think“.  Nonetheless, it is in our personal investment in (~S1) that makes us dependent on what others think of us.  This external dependence is how (~S1) is structurally contingent, although the actual content is personal and open to discourse. So within this square, it is the universal function’s failure to completely foreclose the Real and prevent distortions of others (or ourself) that highlights the three different reactions Wallerstien segments as a population’s willingness to adapt to or reject change.

So to return to that surprising reaction, I would have assumed that one who rejects some social norms would understand that with this rejection, their position may occupy an untenable difference within another’s Symbolic (S1). That is to say, a conservative who would be unwilling to accept in themself a difference of sexuality without losing that possibility of self (~S1) would definitely reject that difference of sexuality in another or at least locate the unacceptable difference wholly in another (~S2). Our poor friend however, is hurt by the verbal assailant’s remarks as her subjectivity (~S1) is questioned and she responds by reinstating her own position in the necessary order of things (S1) as a public declaration.  The way to read the Gremasian Square is to understand that subjectivity is contingent on both the Imaginary others (~S2) who reject or accept the subject as well as the appeal to the Symbolic (S1) against the Real (S2).  Without the Imaginary (~S2) acceptance of the subject (~S1), there is no subject.  Such a position is the horror that Zizek calls the space between two deaths, when one is biologically alive but ostrasized from the community, publically dead.

The rejection of that desire as considered by the other to be one’s own introduces an element of the Real (S2) into the fragile Symbolic (S1).  No wonder then, that slogans from those who oppose gay marriage include banners that equate one man to marrying another to one man to marrying a dog. The equation doesn’t mean to equate men with dogs but rather, to equate the feeling of beastality with homosexual marriage.  This absurd equation betrays their bend as conservative — a genuine fear that should the Symbolic (S1) be extended, that fragile absolute (another title of one of Zizek’s books) may give way. A recent expression of this comes from David Tyree’s equating New York City’s acceptance of gay marriage with anarchy. One wonders then, at how fragile some conservative’s hold on the Symbolic order may be and if we could ever relate to one another without this Symbolic (as it is a point of reference). For the function of the Symbolic, is it possible to include the Real as a space within the function while maintaining tolerance and social order?  In other words, how possible is it to locate within the Real a minimal relation to be Symbolic — to provide space in the Imaginary for tolerance and acceptance?

The function of the Symbolic order appears more robust than we might think, as it goes a long way in orienting ourselves to external events. South Park, the popular adult series created Matt Stone and Trey Parker, explores various positions people take in relation to Real, unaccountable events. These events, as a rule, come from media presentations and perverse positions, other (~S2) possibilities which must oriented to the Symbolic function (S1).  It is through this accounting that we get a dialectical backlash in South Park between possible configurations of acceptability as the characters attempt to orient themselves within a Symbolic order (usually unsuccessfully) to justify or explain the acceptability of actions. Contrary to most conservative commentary on South Park, the ending configurations of the characters are usually presented to be ridiculous or at least out of proportion to the issue at hand. Earlier episodes in the show’s run were more to the point as to what is a ‘rational’ position ought to be.  Some of the later satires reject an overt explanation and choose instead to settle on positions that maximize humor.  Even so, for humor to function, it must retain a monocum of the Symbolic as reference.  As Julia Kristeva wrote in Powers of Horror, what is humorous is usually only so as the exposure of different signifiers in a novel arrangement create jouissance.  In other words, what is humorous is usually only acceptable as humor because it’s not an acceptable arrangement except as humor. The pleasure of humor is the pleasure of play within the Symbolic (so long as it does not shatter that regime).

South Park, as a satire, functions by simplifying most of their character’s interest in maintaining their own contingency, preferring to underscore instead, our tumultuous relationships within the Imaginary.  (What makes South Park an examination of actual possibilities and not an examination of the Symbolic is the protagonists often not-listened-to appeals to a standard rationality.  The under-grid of Symbolic rationality remains ignored, not questioned.)  To give a real world example of this instability with the Symbolic we can turn to the avant gaarde’s push for new directions.  Such movements are often offensive to some, as such movements often rebuke representationalism.  Representationalism best deploys the Symbolic as over-coding the Real in a 1:1 relationship as though conservatives are less able to handle schisms in the Symbolic.  The more extreme the over-coding, the stronger violations of the Symbolic invokes a bodily reaction to events that reveal the Real’s incoherency. The adherence to such an over-coding is what establishes our societal ‘grand gesture’ which in the 20th century was known as Modernism.

Modernism philosophically started long before the 20th century, but as a social movement, Modernism came together in the late 19th century as a style of presentation and coherence that in some ways matched the singularity of world orders like the United Nations. Modernism as a whole, however, is best digested as a rejection of traditional aesthetics, an establishing of new parameters of how we are to experience and relate.  Modernism marks the single largest and far-reaching break in tradition.  For the life-world, Modernism became coherent as new human existence for a current Now. This emphasis on ahistorical values arises as an absolute order without an outside, the best example being Formalism.  In other words, if you are not within this absolute order, you are nowhere to be found.

In the larger picture, while Modernism can be connected with capitalism’s ever expanding market, market capitalism is but one expression of the ‘make it new’ of Modernism. Other expressions of Modernism include Stalinist and Maoist totalitarianism. So while many philosophers such as Lyotard claim that Modernism is dead in favor of Postmodernism, Modernism continues as a grand narrative, under the guise of Postmodernism. Under Postmodernism, deployment of new expressions continues as an ahistorical re-framing of historical contexts.  As such, Postmodernism functions as a hyper-modernism, co-opting the small other to illicit a homogeneous world order.  Despite the many disavowals of the I and the kowtowing to small others when recognized as legitimate, any and all contacts with global capitalism usually means the destruction of alternate Symbolic configurations in favor of our global capitalism.  Any sensitivity of context is a sensitivity necessary in a Postmodern deployment.

I bring this up not because it has anything to do with the dignity that our homosexual couple insisted on, but rather because our current Symbolic order displays an absolutism — that relationships and transactions be concluded through a narrow regime of Symbolic association.  For instance, one of the main modes of our Symbolic relies on the filters of money and legal documentation, two contractual basises which form the bridge of our current Symbolic Regime. Fights over gay rights, or the slutwalk occur within capitalism because the market has not established a preference either way (unlike say, stealing). As time persists and capitalism benefits from the religious right and the spending power of the homosexual left so both will continue to contest one another in the public space at the expense of other policy decisions. Most likely though, capitalism is not incompatible with homosexuality and ultimately marriage will be expanded to include homosexual arrangements as this does not hurt global capitalism.

This brings us back to the original question — in terms of our current grand narrative of global capitalism — is the Symbolic completely mutually exclusive to the Real?  Is there a psychial configuration that would allow us to better tolerate instances of the Real? Why rely on the contingency of others as deal with ourselves and each other in the imaginary spaces of (~S2) and (~S1)?  In seeking to find a philosophical method to explain going beyond the Symbolic edifice, we run analogous to Buddhist thought on enlightenment.  Enlightenment serves as a psychial position that exceeds the worldly concerns that structure subjectivity.  Now as the order of the Symbolic operates more as a referent than a set content, so a re-centering the four positions can be best understood by retooling the Gremiasian Square through an analogous the structure in Buddhistm known as the Tetralemma.

The Tetralemma is a four fold step introduced as a logical exercise in Buddhist doctrine to expound the doctrines of two truths.   Put simply, the two truths at hand are conventional truth — the common place wisdom of existence having substance, and the sacred truth — the emptiness or non-existence of substance.  The four lemmas of the Tetralemma involves the precepts:

  1. x
  2. ~x
  3. both x & ~x
  4. neither x & ~x

In dealing with the concepts of existence (x) and emptiness (~x), through the exercise of the Tetralemma, we step beyond having just classifications of the conventional existence of substance and the philosophical existence of nothing.  In other words, the goal of the Tetralemma is to gain an understanding beyond the distinctions of ontology, of which emptiness is a exposition of the formal constraints of ontology.  This is different from the Gremasian square in the sense that the Tetralemma works as a delimiter rather than as a position.  The goal is to avoid all four positions, whereas in the Gremasian square it is the orientation of the positions that provide meaning.  Nonetheless, used in conjunction with the Gremasian square above, we can utilize two Tetralemmas of emptiness and substance with the two indexes from the Gremasian square as the actual (S1) and (S2) with substance and the reflective (~S1) and (~S2) with emptiness.  In the first Tetralemma:

  1. There is a Symbolic function by which we gain meaning (S1)
  2. There is no Symbolic function by which we gain meaning (S2)
  3. Both (S1) and (S2) apply
  4. Neither (S1) and (S2) apply

In other words, we are dealing with the grounding of both existents and nothingness.  Arguably, the social schism introduced by Modernism killed philosophy’s search for an ontological life leaving us with nihilism.  Nihilism, like early postmodernism, insists that the formal constraints of ontology are not applicable anywhere, leaving us with nothing (to fit the bill with).  Rather than a full blown rejection of the system itself, nihilism involves an adaptation of the system of meaning and its consequential failure to cohere meaning.  Nihilism does not mean that there are no systems, only that the metrics we use to find valid systems yields no content.  In this way, the third step and fourth step both appear to be alternative universalisations that happen when the symbolic function fails to yield an appropriate conclusion.  Nihilism occupies both positions such that we have the system but no ontology or we reject the system and still do not have the authenticity of ontology.

This position reflects the same underpinnings as dialectical nihilism by at first insisting on a universal position although it goes beyond dialectical nihilism by in fact not sublimating the structure of the Tetralemmas at the level of the Notion.  It is through the Tetralemma’s four precepts that we gain a richer understanding that unlike conservatives and our gay couple above, it’s not simply enough to be within the function and to desire collapse the Gremasian square to gain a tolerance of the Other so as to live with them (to insist that what I imagine to be the other’s position is in fact where I am as well, that (~S1) and (S1) and (~S2) and (S2) are in fact all super-imposed, without difference… the way to read this desire is that the conservative judges the homosexual to have a desire the homosexual then denies having).  The Tetralemma instead goes beyond this to reject both the system and its content reserving neither Notion nor internal distance to uphold this desire or its judgement.

A rejection of the distinction of both the Symbolic (S1) and the Real (S2) constitute, in traditional terms, a confusion between how we are to understand our role in the world and how to basically orient ourself in the world.  How can we make sense of what we could do vs how things happen to us and what we should make of them?  Both the Symbolic (S1) and the Real (S2) rely on specific instances in order to provide actual interactions.  It is in the application of the function in the imaginary spaces of (~S1) and (~S2) by which we run across the negative Tetralemma.  Without addressing the application of the orientations inherent in (S1) and (S2), we run into the profound difficulty of skirting the regime of madness:

  1. There is no self that is I (~S1).
  2. There are no other subjectivities (~S2).
  3. Both self (~S1) and others (~S2) do not exist.
  4. There is neither no subjectivity (~S1)  nor are there no other subjectivities (~S2).

The main difficulty in this Tetralemma lies in the lack of orientation a rejection of the application of possibility and contingency implies.  Within this regime of non-applicability, we run into pitfalls similiar to those who do not socialize properly.  I speak of some criminally insane who do not genuinely understand others, nor read on others the desire and pain, both reflective and independent of their own subjectivity.

What marks the difficulty in deploying an orientation of these concepts isn’t in their conceptual nature.  We should not assume that the proper position within the Tetralemma involves a rejection of their concepts as such, but rather a rejection of the desire that navigates these polemics and binds us in these orientations.  Movement within the Tetralemma isn’t accurately a dialectic, although I have used the term.  Dialectical movements within the Hegelian traditional involve a progression of positions within an order to explain their meaning.  The Tetralemma instead involves the limits of expatiation.  When we abut a lemma we encounter a failure to grasp the Tetralemma as a whole.  This is how the Tetralemma also is not a Gemasian Square — it does not rely on static positions from which we can garnish meaning from the other three positions.

So for applicability, let us return to our original example, it is not that the knee jerk response of our friend is in fact inappropriate.  She is correct to understand that her subjectivity is contingent on the external circumstances of others who accept her, legitimatizing her place in the Symbolic.  But the most the Symbolic can guarantee her or anyone else is a position of contingency and tolerance.  Acceptance within the Symbolic does not assure her of the dignity of her subjectivity, it only imprisons her within the confines of the possibility of authenticity when continually confronted with others.  This is the nature of contingency (~S1).

The ‘way out’ as espoused through the dialectical and radically transformative nature of the Tetralemma isn’t in the sublimation of the Tetralemma the way Hegel might want us to distance ourselves from the Notion in order to better find ourselves within it.  The key of the Tetralemmas is best expressed through the Real, as the Real remains the threat for all other positions.  What makes the position of the Real ‘Impossible’ (S2) is not only the ineffectual application of Symbolic order on a shifting and vague desire — but, from the point of view of the Real, the union between any of the other three relationships are impossible because of the shifting and vague nature of desire undergridding each.  When we seek to legitamize ourselves, that legitamcy is in fact never permanent, being contingent.  When we seek to understand the other on their terms, it is impossible because we must resort to imagination — we can never know their radical difference, only read on their difference a reflection of our own difference.

This insubstantiability of position that all eight lemmas deploy disallows one to fully invest in any position, opening the door to the Real as it were without casting one fully into it.  We acknowledge our own insubstantiality inasmuch as anyone else’s.  For instance, in neither accepting being submitted to the function or outside of the function, one rejects both the absolute madness of emptiness and the contingency one might always bear.  One can be oneself, as it were, all the while allowing others to be themselves without that reflexivity or demand that one be ‘with it’ or not ‘with it’.

on Inscripting Meaning into the Universal Void

This is why I would miss Dave if something ever happened to him.

I don’t get this level of conversation with anyone else.

In case you can’t tell from these first four lines, I’m going to try and write this out in a different way.

I was at the gym about two weeks ago with him. Immediately after checking in at the counter I picked a random topic of conversation I found interesting.

“Dave! You know that some astrologers up in Minnesota have decided that there are 13 astrology signs?” (link here 13 Astrology signs due to Alteration in Earths Rotation)

Dave did not say anything so I continued. (I know he does not care about astrology at all.)

“So, I told *** that according to the new astrology she’s not really a Scorpio — she’s really a Virgo. And that her kids were actually Sagittarians. She disagreed. I told her that this was a ‘typical virgo-trait’. She then told me that this new astrology sucked and that she could strangle me. Then I told **** that she that we weren’t really virgos but a leos. She said it was only for people born after 2009. Maybe that’s really true but I disagreed. Then I said it was retroactive and she called shenanigans. Then I told ***** that she wasn’t really a Capricorn, but actually a sag. And you know what she said?”

“What?”

“She said ‘ooh, so that’s why my horoscope never matched.’ Haha, it only didn’t work on *****. Astrological-trolling.”

By this time we were sitting at a chest weight machine. We put some weights on and without discussing it were starting to take turns.

Dave: “You know, Alex, this actually makes me really angry.”

“Why?”

Dave: “Because it’s so stupid. Astrology isn’t real. Why should they care about what astrological sign they have? It’s completely irrational.”

“What does it matter? It’s a filter, an arbitrary way of assigning meaning.”

“But it’s not true! Religion is the opiate of the masses.”

This is something we’ve discussed many times. “So? The meaning is what’s true, not the specificity of the actually sign-ology. You may not think that there is a God but you don’t know that. It’s what’s on South Park, that episode about Mormons. It may all be just untrue but it helps people live in a good and upstanding way.”

Dave: “You know, I used to work with a co-worker back at ********** and we would talk about this.” I got onto the machine. “I asked him once, what if you found irrefutable evidence that God was not real. No one knew you had this evidence and it was absolutely convincing. What would you do?”

“What did he say?”

Dave: “He said he would destroy the evidence. He said he would find some way to destroy it so it would be irretrievable and then he would hide the fact he ever found it.”

“He wouldn’t – He wouldn’t bring it out to other people to enlighten them? What if he was afraid of social unrest?” I got up and Dave sat in the machine.

Dave: “He said he would pretend he never found it. And I believed him. I really believed that’s what he would do.”

“Hm.” I watched Dave work the machine. While he was pumping at the machine: “But that’s what faith is.”

Dave: “But he’s being irrational. There’s no reason for him do that. Even if he didn’t want to tell anyone else, he could reform. Why believe in a myth, in an illusion?”

Dave seemed to be getting upset. I said: “There’s a fundamental flaw in what you are thinking — and it’s the opposite of what most people would think. Most people assume that there has to be a solid relationship between reality and meaning. That facts mean specific things and the presence of those items verifies a particular logic. Like everything is sensible like in CSI or in Sherlock Holmes. Most people don’t critically think either, they fit facts into a pre-ordained meaning they would like to see. For example racism as posited by Slavoj Zizek is pathological in the Kantian sense — meaning that perception and meaning tie regardless of the actuality of a situation.” I sat in the machine and in the process of pushing weights I continued to speak: “In Zizek’s example, assume that someone who was Anti-Semitic was faced with a Jew who was misery. That someone would declare, that ‘Jew is misery!’ (because he’s a Jew) and not because (he’s tight with money). You’re just taking it to the next level, that reality and meaning have to be tied together. If meaning doesn’t fit the facts then meaning should change too. The two really don’t coincide. It’s almost like saying, ‘Jews being misery is racist therefore we can never declare someone who is a Jew to also be misery… because that is also racist’.”

I was huffing when I got off and Dave sat in the seat: “There are laws to the universe. Things begin and things end.”

“Sure, so you would believe in the absent watch maker.”

Dave: “What?”

“The absent watch maker. It’s the idea from Deism in the 17th century that the universe is orderly, and that alone determines that there is a God… without religion. He set the watch rolling, disappeared and everything matched up. We all have a place in the universe, our lives have cosmological significance.”

Dave’s turn again. He increased the weights. He got back on. Dave: “This is a weighty subject matter.”

“Ha ha. Reality itself is not orderly. In fact, Lacan hit it on the head when he claimed that the Real is a miss-match of misshapen, disorderly partialities that coincide in an unrecognizable, irreconcilable manner. We each understand and attach meaning to these coincidences, create other from apparitions and claim that this has a cosmological significance that continues beyond our sight.”

Dave: “Sure reality is orderly. I like to think that the ball rolling away appears on the other side — and is the same ball.”

“Sure reality is orderly, that’s why [this gym] is playing ‘Already Gone’ by the Eagles — think that’s a coincidence? No it’s orderly! Because God is Already Gone! All we have left is a universal order WITHOUT the possibility of coincidences!

Our conversation kind of ended there because I forget what happened afterwards. But I think he got what I was saying. If you see order in some places, you might as well extend order into other areas. Without an objective measure that is universally real, there isn’t really any way of determining what should also be objective. Science is one way, but it’s based on our shared experiences, and what we can agree on as a bunch of humans.

Plus, science is out of the realm of philosophy, strictly speaking. When we start to deal with softer issues, like the indeterminateness of tribes in anthropology or ontology — items that we can’t test in an objective circumstance, we begin to lose our bearings. Never mind that science may structure technology which shapes our lives in countless fashions — for our every day human being, we exist in a personal constellation whose orientation is without any outside referents. No one knows what things mean to us, for instance. No one knows how these connections work — except for us, the subject. And so when it comes to culture we too as a society assume that certain items have a weightiness that members outside our culture would not readily attribute.

But that is how we like to fit things. We think that the role of a person in a culture is inscripted into tradition, inscripted into the universe, for time immemorial. When I got to bed in the morning, I will wake up in the same place I woke up at. And if not, then there has to be a reasonable continuity of experience that happens even if I do not directly experience it — that it is in fact experiential (by someone like me). That people are meant to be a certain way, to play certain roles. Each of us then objectively exist in universes that are incommensurably different. Descartes had this problem when he ‘Cogito Ergo Sum’med his way into two distinct substances… then was unable to not only meld the two substances of mental and physical together — but also unable to account for the fact that we while we share physical experiences with others, we don’t also share mental experiences with others in the same way as the physical realm.

If anything, what Lacan notes as being the Symbolic — that realm of meaning making — is itself the horizon of the Real, the bulwark that fends off the insecure unaccountable, ir-reasonableness of the Real. In much the same way this inability to think through facets of reality that deny cognitive metabolism can only be analogized by our continued trips to the gym… going through the pain of building up our the most ir-reasonable, silent, and unaccountable mass of dividuation1 — all for the purposes of assigning and assuring our place without the social continuity as being male, fit and buff… with all their attendant significations. — the other side of our dividuation being namely that other black mass which is our unknown inner portions of our consciousness. Our body is restless, our mind is restless. Each one prompt the other, — Act! much like the tension between personal and social determinations…

In this sense, the only universal available to us is the universal void — not the “out there” beyond the scope of our senses, but that Heideggerian “black box” of Das Sein, somewhere in the non-shape of our Cartesian soft axies of mind and body.

1 It is a split subject divided between itself and a demand that it cannot meet, a demand that makes it the subject that it is, but which it cannot entirely fulfill. From Simon Critchley